Bitwig Studio 6 First Look and Deep Dive

[00:00:00] Hey folks, welcome back.
[00:00:02] So it's finally a Bitwig 6, finally arrived, the wait is over.
[00:00:08] I hope it's live for everyone because I just saw it on the website that it's there, that
[00:00:14] the announcement is there.
[00:00:16] The video is missing, it's still private, I could download the beta version right now.
[00:00:21] So if you have an active running license plan or upgrade plan, then just head over to the
[00:00:27] profile page or to your dashboard on BitwigStudioBitwig.com and yeah, you can download the current
[00:00:35] beta version, beta one of Bitwig Studio 6.
[00:00:38] You can see on the background it's already playing a music piece and it looks a bit different,
[00:00:44] looks a bit different than before.
[00:00:47] So we want to go into the details of all of the new features of course and I wanted to
[00:00:53] actually watch the video first, but it's still private for some reason here.
[00:01:01] So yeah, but the announcement page is live, as you can see here.
[00:01:06] Let's make this a bit bigger.
[00:01:13] So yeah, welcome to the chat global clock, Vili, Veda, greetings, got here in time, best
[00:01:19] new features.
[00:01:20] Yeah, I mean, automation is completely different.
[00:01:29] As you can see here, automation editing is more powerful than ever, then our automation
[00:01:34] clips for instance, so we can make clips out of small automation portions and then use
[00:01:40] it in the launcher, attach it to note clips, audio clips and mix and match this kind of
[00:01:46] stuff.
[00:01:47] There is some kind of automation detail editing.
[00:01:53] So usually stuff you just did before with notes or audio you can now do basically with
[00:01:58] automation, so it's on the same level more or less.
[00:02:05] There's a new automation mode.
[00:02:07] It's a bit different.
[00:02:08] I don't know if I'm a fan of this, but it's a bit different, but it's powerful nonetheless.
[00:02:17] So you can see basically having detail edits for automations.
[00:02:24] We can now finally here just time select a different portion and then, you know, scale
[00:02:30] it up or down.
[00:02:33] A lot of people wanted to do this back in the days.
[00:02:35] I can remember this.
[00:02:36] We have also stuff like spread.
[00:02:40] So before we had spread for automation, we can spread the velocity, for instance, and
[00:02:46] then on each iteration you have randomization basically.
[00:02:51] So the velocity is at a different point.
[00:02:54] Now we have the same thing with automations.
[00:02:56] We have automation points and it doesn't matter what you automate.
[00:03:02] You can apply spread.
[00:03:04] So these automation points are not static.
[00:03:07] They are kind of dynamic and they are randomized on each iteration.
[00:03:12] Yeah, we have also stepped automation, so you can use something that's called the spray
[00:03:20] paint tool, and then you can paint in here these stepped automations.
[00:03:24] So it's very powerful.
[00:03:26] A lot of small little changes everywhere.
[00:03:29] It's actually so many changes.
[00:03:32] I have a separate PDF file with all the different things.
[00:03:37] Yeah, these are basically the automation clips.
[00:03:41] Oh, it's actually the video is live, okay.
[00:03:45] So yeah, automation can be just important as audio and notes.
[00:03:48] So it's, like I said, on the same level.
[00:03:51] You can have it on the clip launcher.
[00:03:52] You can have it on the ranger.
[00:03:54] You can attach these clips to notes or audio clips and you can also separate them.
[00:04:02] You can loop them.
[00:04:03] There are also alias clips now.
[00:04:05] So you can just modify one clip and all the other clips change.
[00:04:09] You can select multiple different clips and merge them together in alias clips.
[00:04:15] So when you have older projects, you can open up older projects with all these different
[00:04:19] clips, spread around your project and just select everything or say, make everything
[00:04:27] an alias file and bitwig finds basically all these clips and make alias clips out of them.
[00:04:33] So it's very cool.
[00:04:35] Yeah, what's what's here then I have to see your also automation clips basically are also
[00:04:45] now you can exchange them with modulators.
[00:04:50] So let's say you have a segments curve, you can take the segments curve and just drag
[00:04:54] it out.
[00:04:55] And then it becomes an automation curve on the timeline, or you can just take an automation
[00:05:00] clip and drag it back into the curves modulator or the segments modulator.
[00:05:04] And then you have basically a new curve, BB curve file inside of the modulator so you
[00:05:10] can exchange between automation and modulators.
[00:05:15] It's also very cool.
[00:05:16] And I also try to test something here with the automation.
[00:05:20] It's very fast.
[00:05:21] I don't know if they changed this because this was some kind of feedback of mine that I wanted
[00:05:27] to have more precise automation.
[00:05:29] So it's more like a modulator right when you have an edgy curve, edgy kind of automation
[00:05:36] that it's actually following the curve.
[00:05:39] And it's pretty on point, at least what I tried.
[00:05:43] So this is also very cool.
[00:05:45] Yeah, this was what I talked to your clip aliases repeat after me.
[00:05:51] It's basically that you have now clips and you create a clip and then you can say I want
[00:05:55] to have an alias clip and the alias clip is basically just doing what you do.
[00:05:59] To the initial clip.
[00:06:02] And there are some features in here where you can just put everything together so you
[00:06:06] can just work as before, which means you can just copy and clone or copy all the clips
[00:06:12] throughout the project.
[00:06:14] And then you say inside of the left side here, I can see maybe make this unique.
[00:06:22] Make unique.
[00:06:23] You have different things, right?
[00:06:24] Different separate clips of this drum loop here.
[00:06:28] And you can see this on the left side here, there's a pull down.
[00:06:32] We have now four different patterns or clips and all of these clips are kind of the same.
[00:06:39] And you can say then merge duplicate patterns, right?
[00:06:43] And automatically you have just one clip and all the others are basically alias clips.
[00:06:49] And then you can, you know, push them around on in the project.
[00:06:54] And when you change this, this one thing here, all the other changes with that basically.
[00:07:01] So this is very cool actually to have and a lot of people wanted this.
[00:07:06] And it's even cool because or it's even cooler because you can just open up old projects
[00:07:12] and then say, I don't know what the button is for that.
[00:07:16] So if you use here the command commander, you can merge duplicate patterns for project.
[00:07:25] There's probably a button somewhere or a shortcut.
[00:07:28] But with this, you can do this for the whole project.
[00:07:30] So Bitwig then finds all the separate patterns that are completely similar and then makes
[00:07:39] alias clips out of them.
[00:07:40] So you have only just one main clip and the rest is alias clips, which is pretty dope.
[00:07:47] So you can work with all projects in a neat way to, yeah, just these are the clips.
[00:07:54] Then we have, of course, now notes or guide your notes with key signature.
[00:08:00] So for the project, we have now here something like this where you can change a root note.
[00:08:05] You can change your mode.
[00:08:07] And inside of Bitwig, we have a lot of devices and things that actually use this information
[00:08:13] here.
[00:08:14] In this case here, I have F minor, right, selected.
[00:08:19] And then inside of note clips here, something like this looks like this, you have these
[00:08:23] small little blue lines and this shows you basically where the notes of the scale are.
[00:08:32] And the big thing is when you when you have this enabled, and you can do this here on
[00:08:36] the left side with this small little note button, you can just go up and down with the arrow
[00:08:45] keys on your keyboard and you jump basically from scale to scale, not from note to note,
[00:08:52] which also means you can take here a bunch of notes and can scale this around and it
[00:08:58] snaps to the scale that you have selected up here, which is pretty nice.
[00:09:04] There are also different modes for this thing on the right side here.
[00:09:09] We can see we have note background.
[00:09:13] You probably can't see this.
[00:09:15] Let's go down.
[00:09:17] We have here snap to key and then note background and you have piano pattern and depth to key.
[00:09:26] Piano pattern is basically you see on the background dark, dark lines here, which is
[00:09:32] which are the black keys or the black keys and the white keys.
[00:09:38] And when you have then here this adaptive key, it looks like this instead of lines,
[00:09:44] which I like more for some reason, we have these highlights here.
[00:09:48] We have then blue lines, which are in key and the darker keys or the darker lines are
[00:09:55] basically out of key.
[00:09:57] So you can choose between two different modes there, which is nice.
[00:10:03] I like to get this adaptive key.
[00:10:05] We have also your appearance.
[00:10:06] You can see dark red.
[00:10:07] We have a grid intensity timeline background that we can change everything.
[00:10:11] There are so many changes.
[00:10:12] I don't know where to start to be honest, okay.
[00:10:17] I read the change log yesterday and it didn't stop.
[00:10:22] I scrolled and scrolled and tried to, you know, remember everything, but there's so
[00:10:28] much stuff actually.
[00:10:29] So these are basically key signatures for the global project.
[00:10:34] There's more to it, right.
[00:10:35] So you can see the appreciator and some devices inside of Bitwig actually uses information
[00:10:41] that the appreciator here down here has the scale button, which means you can just widely
[00:10:47] automate here the offsets and it still lands then on the, on the scale.
[00:10:53] There's something like transpose.
[00:10:57] No transpose here.
[00:10:58] It also has also this kind of pitch mode.
[00:11:01] When you switch this on instead of semi tones, we have steps, which are basically scale steps.
[00:11:07] So this is the root, right?
[00:11:08] This is then one scale node above, which need doesn't need to be the next semi tone.
[00:11:15] So we have devices inside of Bitwig that use that, um, I think also the randomizer, uh,
[00:11:21] this one has a pitch where you can randomize the pitch.
[00:11:24] So you can just send in one note and or each note that you sent in doesn't matter if it's
[00:11:29] the same pitch or not, you get the randomized pitch here and when you enable basically the
[00:11:34] scale mode here on the left side, um, you, uh, yeah, land on a, on a scale note.
[00:11:41] So it also uses basically them for information here from the top.
[00:11:46] Um, there are other, uh, other things here I tried.
[00:11:50] I'm not sure there is something else.
[00:11:52] Um, yeah, there's key filter plus now, uh, looks like this, um, it replaces basically
[00:11:59] the old note filter.
[00:12:00] Um, there's also this kind of pitch thing or scale mode to use global key signature.
[00:12:09] That's the right name.
[00:12:10] Um, so you can select your globally, something different if you want to, or just enable this
[00:12:15] button and then it uses basically the global information, which is kind of nice.
[00:12:21] Um, so also in the grid, there are different grid modules.
[00:12:25] Um, I think three or four grid modules that you can use and, um, these modules use the
[00:12:31] global scale.
[00:12:34] Very nice.
[00:12:35] Um, what else do we have?
[00:12:36] Yeah, we have here, um, a global new look, as you can see here, the background is in
[00:12:42] dark.
[00:12:43] We have white grid lines.
[00:12:45] You can change this also here.
[00:12:46] Um, the editor has a dark background now.
[00:12:50] Um, and by the way, you can't change it back.
[00:12:52] It's now, uh, in dark.
[00:12:55] There's no way to turn it back into bright.
[00:12:58] At least I haven't found a way.
[00:13:00] So if, if you love the, the white background, it's gone, um, maybe they bring it back.
[00:13:05] Um, but for now, I didn't find any feature to bring it back.
[00:13:10] Um, what else, um, editors that give you more that in Bitwig Studio six, the editors let
[00:13:18] you see, do more from small scale, do a big picture expression that it, oh yeah, inside
[00:13:23] of the editor, you have now for each note separately, uh, you can not only have micro
[00:13:30] pitch extra expressions, you also have velocity settings on each note, um, pressure, timber,
[00:13:37] uh, gain, pen, and so on.
[00:13:39] Before you had it only down here, right?
[00:13:42] And you had only micro pitch expressions on each note, but now we have basically everything
[00:13:47] on the notes itself.
[00:13:49] Um, yeah, we have also new tools here, audition tool, um, step sequencing, which is pretty
[00:13:56] nice.
[00:13:57] A lot of people wanted this and the spray paint tool, which is also very, I haven't
[00:14:03] seen this in other tools.
[00:14:05] It looks a bit like, um, a bit like step recording also, um, I show you this and I show you everything
[00:14:12] in a minute and availability.
[00:14:15] Of course you can download this, um, if you have an active license currently running.
[00:14:21] So, um, there's a lot of stuff.
[00:14:23] So to everything, just, just what I told you, just, uh, um, you know, the surface, there
[00:14:30] are so many small little things, I probably forget some things today to tell you, um,
[00:14:37] what you have to do is you have to watch the, um, the change log.
[00:14:44] Maybe let's see.
[00:14:45] Is there actually no video?
[00:14:46] Oh, there's a video.
[00:14:47] [Music]
[00:14:54] .
[00:15:01] [Music]
[00:15:08] Yeah, the step recording is pretty nice.
[00:15:34] Um, um, so let's, I don't know where to start.
[00:15:38] Actually, um, so the biggest change for me is probably the automation, um, the automation
[00:15:46] part, which is really cool.
[00:15:49] Um, so maybe let's, let's show to you.
[00:15:52] Um, so we have now an automation mode, right?
[00:15:55] You have to activate this here back in a bit big five or so, um, this was not here.
[00:16:02] We had this basically on each track.
[00:16:04] By the way, I have here, um, this is my background image.
[00:16:08] I showed this yesterday in the test stream.
[00:16:09] This is my background image of windows.
[00:16:12] And sometimes I, um, it doesn't matter, um, you have here on the left side, you have basically
[00:16:17] the tracks with a, um, small little, uh, fader.
[00:16:20] And then you have this button here where you can, um, show up, um, the currently selected,
[00:16:27] um, yeah, automation point and then all the other automations.
[00:16:30] Now it's a bit different.
[00:16:32] We have now on each of these tracks, we have no fader.
[00:16:36] We have basically here these numbers instead of a fader.
[00:16:39] I think the faders now here, um, and then there's a global automation mode, which means
[00:16:44] if you switch this on, you can see all the clips are grayed out.
[00:16:48] And then you have the automation on top of the clips instead of below, right?
[00:16:54] And then you can select your, what you want to automate in a drop down menu, which in
[00:16:58] my opinion is not really cool, uh, but you can also just click on here, something like,
[00:17:04] let's say here, the cutoff and then it selects here, the cutoff of the polymer.
[00:17:08] And then you can, um, paint something in, um, something like this, or you can use here
[00:17:14] to spray paint mode, which looks like this, which is number, what's, what's, what's the
[00:17:19] number, um, four, it's a number four.
[00:17:23] And then you paint basically in, in the size of the current grid size here, um, different
[00:17:33] automation points.
[00:17:34] Uh, so you can do this if you want to, and there's also a new, uh, kind of mode on the
[00:17:41] left side here.
[00:17:42] You can see it's a hold, right?
[00:17:44] It means basically that it just, that you can just put in one value and then it holds
[00:17:48] this value until the next, uh, automation point comes in.
[00:17:52] You can also disable this and then you get something that you had before, something like
[00:17:56] this here, right?
[00:17:58] Uh, maybe make it a bit bigger.
[00:18:00] Can you see it actually?
[00:18:03] And, um, yeah, if you have this, you can then just disable automation mode and you're back
[00:18:08] to, um, note editing or audio, audio editing mode.
[00:18:13] And you can unfold here down there, still the automation you can see here, we have the
[00:18:18] cutoff automation.
[00:18:20] What you couldn't do then is basically hold down alt and just click above or I think below
[00:18:27] it also works, uh, yeah, below the automation.
[00:18:31] And then you can create some kind of clip and you can move the clip here into the clip
[00:18:35] launcher.
[00:18:36] You can delete it here.
[00:18:37] You can make this a bit shorter, maybe just three, right?
[00:18:41] And then you loop at different points.
[00:18:43] You can see it loops now here.
[00:18:45] Um, so automation is basically now something on the same level as note clips or audio clips,
[00:18:54] which is really nice.
[00:18:56] They are also now, um, detailed editor for the automation.
[00:19:00] Um, if you have multiple automation points, let's say I'm automating here this, um, uh,
[00:19:07] this one.
[00:19:08] Um, so let's, let's change this a bit.
[00:19:12] Um, go out of automation mode and you have now here and DK, we can also make a clip out
[00:19:18] of that.
[00:19:19] We can select multiple automation points.
[00:19:21] You go into detail editor and then you have here stacked automation points if you want
[00:19:26] to.
[00:19:27] Um, so, so many changes, um, uh, does spring paint work with snapping off?
[00:19:36] What does it do then?
[00:19:37] Okay.
[00:19:38] Uh, let's try this.
[00:19:39] Um, there's also here these overviews, right?
[00:19:41] You can see basically the project, uh, inside of the scroll bar.
[00:19:45] I think this was, uh, this is in most doors.
[00:19:48] This is already a point, uh, snap to beat grid.
[00:19:52] Let's switch it off time snapping.
[00:19:54] Okay.
[00:19:55] Uh, okay.
[00:19:58] Spray paint.
[00:19:59] Yeah.
[00:20:00] It does just one point.
[00:20:03] That's it.
[00:20:04] Um, time snapping, snap to beat grid.
[00:20:07] Okay.
[00:20:08] And with this, we have this kind of stuff.
[00:20:10] Yeah.
[00:20:11] It feels a bit also like step recording in a way.
[00:20:15] Um, yeah.
[00:20:17] What I want to show you is, uh, let's see if we open up here, let's say a segments, segments
[00:20:24] modulator, right?
[00:20:26] We can just, uh, use here, uh, this automation clip and just drag it in.
[00:20:32] And then you have it inside of segments, right?
[00:20:35] Or, um, you could just take this here and let's see how this looks like.
[00:20:39] Yeah.
[00:20:40] Um, you can also load up a segments thing here, something like a kick transient and then
[00:20:45] drag it in here.
[00:20:46] And then you have automation basically, uh, so you can exchange this back and forth.
[00:20:52] This is really nice.
[00:20:54] Um, this is, I think I made a video about this a while ago where I said basically sometimes
[00:20:59] I have automation and then I want to have, um, a modulation from that and it's not easy
[00:21:05] to do.
[00:21:06] And I have to figure it out.
[00:21:07] Um, the only thing is basically it doesn't change here.
[00:21:10] The time setting, um, so it just copies to curve into whatever you have, uh, selected
[00:21:16] here for, for me, it's one bar.
[00:21:19] So it doesn't change right when this automation is, for instance, five, 16 nodes long.
[00:21:24] It doesn't change here.
[00:21:25] The playback setting.
[00:21:27] So, um, that's not going to happen.
[00:21:31] Uh, maybe it's changed in the beta, but I guess it's not easy to implement.
[00:21:35] Um, so yeah, back and forth automation.
[00:21:38] Um, also, um, I think you have alias clips now for, uh, automations because it's just
[00:21:45] the same as, uh, notes and audio.
[00:21:49] So if you have a clip and normally my usual workflow was like, Oh, just copy this, right?
[00:21:55] So we have one, two, three iterations of the same thing.
[00:21:59] And you can see now on the left side here, when I select this automation clip, um, we
[00:22:04] have, um, different things.
[00:22:05] We have also here as one, which is the decay, uh, automation, uh, and we can say make to
[00:22:13] merge duplicate patterns.
[00:22:14] So it finds then basically the same things.
[00:22:17] And you can see now here, this paper clip, we have then, uh, yeah, alias clips from that.
[00:22:23] And when we change your one thing, we change all the other clips with it.
[00:22:29] Same with note clips.
[00:22:30] I showed you earlier.
[00:22:31] They're also the same, but audio pretty dope.
[00:22:34] Um, so yeah, let's look, let's take a look at the chat for a moment.
[00:22:38] Um, I haven't looked at it.
[00:22:40] So thanks for tuning in actually, um, thanks for tuning in.
[00:22:44] And I hope you all kind of hyped for the release because there's so many, so many, uh, updates,
[00:22:51] so many different small little features I really like.
[00:22:54] And I hope you like it too.
[00:22:56] Um, there are some bugs, some small little things, but the majority works.
[00:23:01] What I could tell from, uh, testing so far and, um, yeah, it's worth to try it out.
[00:23:10] Um, and it's just, it's, they focused really on, uh, on, um, arrange of things, clip launcher
[00:23:18] things and global scale.
[00:23:21] So there's not like, not, not like just another, you know, another device and that's it.
[00:23:27] They really improved on, uh, a lot of things, uh, a lot of things that we use all day.
[00:23:33] And in my opinion, it's pretty great.
[00:23:36] I'm pretty hyped about it.
[00:23:37] Um, so let's look at this here for a moment.
[00:23:40] Uh, so we can change now in the settings.
[00:23:42] Let's go to the settings here also.
[00:23:44] Um, we have now mid tones, black level, timeline, background, you can change this.
[00:23:51] Here, you can change the grid color to black and white, grid lines, intensity.
[00:23:58] And they also made this available not here because you can't see what you change here
[00:24:02] in the background.
[00:24:03] Right.
[00:24:04] Um, you can also change this here with this button down there.
[00:24:08] Uh, we have here timeline, background level.
[00:24:13] We can make it a bit bright.
[00:24:14] This is the brightest level or we can make it even darker.
[00:24:19] Um, and you can change the grid intensity.
[00:24:22] These are basically the vertical and horizontal, not only the vertical lines, right?
[00:24:27] You can make it even disappear.
[00:24:29] So you can't see anything, uh, and there's a dark grid.
[00:24:34] So instead of white lines, you have black lines.
[00:24:37] If you like this a bit better, you can make it really dark, uh, would be nice to have
[00:24:43] you actually, uh, a bright, the, the, the bright background, uh, back from before.
[00:24:49] Um, maybe for people that get used to that and want to have this back.
[00:24:54] I don't know how hard it is to bring it back.
[00:24:57] Um, yeah, um, there's also something like global automation lock.
[00:25:02] Um, I show you this here, uh, a bit later.
[00:25:05] There's also this, this, this button down here, global automation lock.
[00:25:10] Um, uh, I figure this out what this does yesterday.
[00:25:15] Um, oh yeah, I think this is, um, when you have here this note clip, right?
[00:25:22] And you move this note clip around, you can see the automation is attached to this note
[00:25:28] clip.
[00:25:29] Um, you can just move the automation around, but when you move the clip, the parent clip,
[00:25:36] um, all of this is attached.
[00:25:37] So when you disabled this, you can move now the notes independent from the automation.
[00:25:42] So the automation stays in place, uh, and with this disabled, which is default, then
[00:25:48] it's attached.
[00:25:49] This is the automation club lock.
[00:25:50] You can also, uh, disable this here if you want to, um, so yeah, spray paint also works
[00:25:57] of course here in the arranger.
[00:25:59] Actually you can just paint in stuff like this, uh, over paint and, um, yeah, it kind
[00:26:08] of works.
[00:26:09] Um, what I don't like, um, I can say this for sure is already when I create a new note
[00:26:18] clip, I double click here or use the spray paint or whatever it automatically gives me
[00:26:24] here the, the editor to this clip.
[00:26:29] Uh, I'm, I need to get used to that because I usually don't use this editor down here.
[00:26:35] I use, I usually use here the detail editor all the time.
[00:26:39] So but now every time you basically have to click this away, um, there needs to be an
[00:26:45] option to disable this in my opinion, um, that's, that's just my workflow I had back
[00:26:51] in big five, um, spray is confusing.
[00:26:56] Yeah, it's kind of nice because you can just start to paint stuff in here on the arranger.
[00:27:03] Maybe it doesn't make any, it doesn't make sense on the arranger, but inside of the note
[00:27:08] clips, it kind of makes sense.
[00:27:11] So inside of the clip here, you can say, uh, I want to make multiple notes, right?
[00:27:20] Just with this.
[00:27:21] This is nice for high hats.
[00:27:23] If you make trap high hats, um, it just paints in the step size of the current grid, right?
[00:27:30] So if we, um, make this year smaller, right?
[00:27:34] Or if you zoom in, you have now probably a 32 note size, right?
[00:27:40] Then you can do this, zoom out and then you, uh, spray paint here, something like this.
[00:27:47] So you can make notes pretty fast and you can also delete these notes pretty fast, um, uh,
[00:27:54] which is nice to have.
[00:27:55] You can also hold down alt, the alt key.
[00:27:59] If you do this, then you can also go up and down.
[00:28:03] You can make something like this, right?
[00:28:06] And then you're going to go back and do it again.
[00:28:10] Um, if you do it in a straight line, uh, let me show you this here.
[00:28:16] Um, this velocity, okay.
[00:28:18] When you do it in a straight line and then you go up and down, you have different velocity
[00:28:24] settings for all of these notes and then you can use the spray paint also to maybe click
[00:28:30] here and make a ramp like this.
[00:28:33] And then if you click and hold, you'll make curves like this.
[00:28:37] Okay.
[00:28:39] So you can use the spray paint for multiple things, for automation and for making, uh,
[00:28:44] notes, making, uh, ranger clips very fast.
[00:28:48] Um, I, I kind of liked it.
[00:28:51] I kind of liked the idea.
[00:28:52] Uh, at first when I saw this, I thought we can, uh, actually define some shapes, right?
[00:28:58] Like paint brush, uh, shapes like in Photoshop, where you have like a, I don't know, a pattern,
[00:29:03] a note pattern.
[00:29:04] And then you can paint this pattern all around in the note clip.
[00:29:08] This was just my first thinking, but this is also very cool here to have.
[00:29:13] Um, you're probably going to do more with the spray painting here, but, um, that's,
[00:29:20] that's all I know.
[00:29:21] So you can also make melodies here is there actually, my thing is on, makes it a bit louder.
[00:29:36] Okay, let's go in here.
[00:29:47] The thing is it's, it's too loud, wait a minute.
[00:29:57] So let's bring this back.
[00:30:11] Let's loop this here and also just, um, paint in here.
[00:30:27] Um, something like this.
[00:30:32] And then, uh, make this a clip, make this clip shorter and then just loop this clip.
[00:30:40] Um, so it's pretty cool.
[00:30:45] I have to get used to some of the things.
[00:30:47] I'm, I'm still, I'm still learning.
[00:30:54] Or maybe on each note, you can hear it's, it's, it's pretty fast.
[00:31:07] Um, just delete this here.
[00:31:10] Use this one, um, I have to use automation mode here, make a filter on that, um, make
[00:31:20] this one thing, just loop it.
[00:31:29] So yeah, instead of using basically a modulator, you can now use the automation and it's pretty
[00:31:34] on point, um, in how it sounds.
[00:31:40] So again, this is the spray paint mode.
[00:31:43] I don't want to go too deep into that now.
[00:31:46] Um, so another way of doing this is, um, to have my keyboard on, yeah, I have my keyboard
[00:31:53] on, uh, so when you have the keyboard, um, enabled, I think it also works with a screen
[00:31:58] keyboard.
[00:31:59] Um, there's now here a step sequencer mode, um, these small little footsteps there.
[00:32:04] Okay.
[00:32:05] Um, then you can start here at any point.
[00:32:08] You can say, I want to bring in a note.
[00:32:11] So you press and hold a key on your keyboard, right?
[00:32:15] Let's say this one, I can see it highlighted here.
[00:32:18] When you release the key on the keyboard, it just paints this note.
[00:32:21] So you can pretty fast, uh, make a sequence out of this, right?
[00:32:36] And you can start at any point with the step sequencing.
[00:32:44] If this mode is enabled, you have this, uh, bright white bluish line and you can start
[00:32:51] at any point.
[00:32:52] Okay.
[00:32:53] And bring in your step sequences, which is nice.
[00:32:58] Um, there are also some additional modifiers here.
[00:33:01] Um, the change looks that you just have to use the arrow keys, but for me, I had to use
[00:33:06] control key and arrow keys.
[00:33:08] Maybe you can change this probably in the shortcuts.
[00:33:10] So you can do something like hold down, um, a key and then you can use a control and arrow
[00:33:17] keys to the right and make it longer, right?
[00:33:20] And then, uh, you can also delete it.
[00:33:23] So it's more like, um, deleting words.
[00:33:27] And then when you release the key on the keyboard, um, it's done.
[00:33:32] You set basically this, this note.
[00:33:35] Okay.
[00:33:36] So you can paint another note here, this, or if you just use control and arrow keys,
[00:33:41] you can just make spaces or empty spaces and then start again with a keyboard, hold down
[00:33:47] the new key, make it longer and so on.
[00:33:50] If you don't use the arrow keys, it just uses the length of the current, uh, yeah, grid
[00:33:56] sizing here for me.
[00:33:58] It's 16 nodes, probably, but you can also define this here or redefine it.
[00:34:03] If you don't want to have adaptive grid, you can change it here to eight nodes or whatever
[00:34:07] the, whatever quarter nodes or half nodes and so on.
[00:34:10] Um, you can also change this of course by zooming in and out, right?
[00:34:15] Now we have here and see the sizing, the grid sizing is different and then it uses a different
[00:34:22] sizing for the step sequencing.
[00:34:25] Um, so yeah, this is step recording here.
[00:34:28] It's available basically on the right side now.
[00:34:31] Uh, they change this.
[00:34:33] Um, so yeah, then what else we have spray painter.
[00:34:38] This is, uh, we have auditioning tool, um, the auditioning tool also works of course
[00:34:43] here in the ranger.
[00:34:44] So everywhere where you click, it just plays whatever is there.
[00:34:49] So if we have this here audition, right?
[00:35:06] And then it goes back to where it was before.
[00:35:08] So it's not like you mess up your, uh, current position playback position.
[00:35:12] You can just use here this, uh, auditioning tool and then you just play it back.
[00:35:17] So inside here, you can also use it of course.
[00:35:24] And then you hear what's going on there.
[00:35:27] Um, maybe there's something like a shortcut for that.
[00:35:30] I haven't figured this out yet.
[00:35:33] Um, so yeah, this is step sequencing.
[00:35:36] This is here auditioning tool and back to the normal mode.
[00:35:39] You can also of course select here on the right side, everything with the numbers on
[00:35:44] the keyboard.
[00:35:45] That's not one, two, three, four, five, six, when I press six, right, and I have, uh, or
[00:35:52] this is four, um, then I have here the razor.
[00:35:55] So everything is also available via shortcuts.
[00:35:59] Um, so let's, uh, let's bounce something here.
[00:36:04] Let's bounce the drums, right?
[00:36:05] So we have here, uh, bounce post fader.
[00:36:10] We have a new track.
[00:36:13] Um, we can also do something like now go into the editor here and say we want to see audio
[00:36:21] files in the background.
[00:36:23] So maybe you want to edit the groove or you want to combine something with an audio file.
[00:36:28] You can overlay now your, all the audio files you have in your project inside of, uh, your
[00:36:34] note, uh, clips or in the piano role can also just long click here.
[00:36:40] This is basically new, uh, in between six that's that you have long click buttons.
[00:36:46] Um, and you can see this here with the small arrow down there, right?
[00:36:50] You press and then you can select something also here with, uh, uh, micro expressions
[00:36:56] mode or what's the name expression overlay.
[00:36:59] So you click longer and you can say, instead of just having pitch overlaid over these notes,
[00:37:04] you can have now pressure, tumble, timbre, gain and pan, and then you can change it here
[00:37:10] on a per note basis.
[00:37:12] So it's not longer just down here, right?
[00:37:15] Um, pretty dope.
[00:37:18] Okay.
[00:37:19] That's that.
[00:37:20] Then also the, uh, folded view looks a bit different here or the drum editor view looks
[00:37:25] a bit different.
[00:37:26] Um, I think you can't, you can show here, um, in the background, no audio file, but what
[00:37:36] you can do is you can just select this hold down control and select here the strum thing,
[00:37:43] right?
[00:37:44] Go into that and then you have the drum, um, wave form down here and also do this with
[00:37:49] multiple files.
[00:37:50] So maybe when you bounce this here for a moment to have some kind of wave file.
[00:37:56] Um, so we can also select this, we can select the drum file on this one and then you have
[00:38:02] basically here the, um, this audio file here and the drums here and then you can edit on
[00:38:09] top.
[00:38:10] So you have always in view in your detail editor, um, all the things just selected.
[00:38:15] We can also bring in here automation to that.
[00:38:19] I think I guess, uh, no, not really.
[00:38:24] So you can't bring automation in here, but audio files and clips together basically or
[00:38:30] just, uh, the audio files or just the notes or just automation.
[00:38:35] Um, and there's something like this here on top.
[00:38:40] This is actually happening here now we have to select multiple things here.
[00:38:44] So when you go in here, you can see everything overlaid, right?
[00:38:49] You can see the drums in the background.
[00:38:50] You can see the notes, the chords.
[00:38:53] And at the top here, you can select what you want to, uh, what you want to use.
[00:38:59] I think you can also select it in a different place.
[00:39:03] Oh yeah.
[00:39:04] It's here.
[00:39:05] Um, so these are basically the ARPs, uh, there's the drum machine, there's the bass, can select
[00:39:10] this also here, right, bass.
[00:39:11] And then you see in the foreground what you want to edit and all the other things on the
[00:39:16] background.
[00:39:17] So this overlay, uh, thing is also reworked in a different way.
[00:39:22] Also automations here on top, uh, comping, just way files.
[00:39:29] So everything changed basically in a, in a small little way and, um, is a bit better
[00:39:35] than before.
[00:39:36] We can also disable the way file background.
[00:39:39] Yeah.
[00:39:40] That's how it works.
[00:39:42] Um, let's go back to that here.
[00:39:47] Um, so yeah, what I showed you before, uh, in back in Bittwick five, we had basically
[00:39:55] down here, these, um, modifiers for this velocity, um, what's this here for these velocity?
[00:40:04] This timber, this is pressure, uh, gain and so on.
[00:40:09] So we could edit this here down here, but now we can also edit this on the note directly,
[00:40:14] right?
[00:40:15] So these, uh, expression overlays and by default, this is pitch as we can use MPP pitch down,
[00:40:22] pitch up as before, uh, but now we also have pressure so we can change the pressure on
[00:40:29] each note, which is, which sounds not a big deal, but sometimes you have chords, right?
[00:40:35] So we can now change the expression for each note differently like this.
[00:40:40] And before it looked like more or less like this, so this pressure, yeah, it looked like
[00:40:45] this.
[00:40:46] And now it's more clear what happens on which note, okay?
[00:40:52] So, um, these note expressions we had before, but only pitch and now we also have for all
[00:40:57] the other, um, properties inside of the note clip, lots of love given to automation drawing
[00:41:12] and linear tracking.
[00:41:13] Yeah, exactly.
[00:41:15] So what do you guys think so far?
[00:41:16] I mean, I haven't showed you any, uh, everything so far, but I think there are already a lot
[00:41:23] of cool changes made inside of Bitwig 6.
[00:41:30] Feels better now, okay.
[00:41:33] It's more able now.
[00:41:34] Is it not a chord live?
[00:41:36] Um, I mean, we have just more features, right?
[00:41:40] So there's more stuff to, to use to unpack also your note transpose has also this steps
[00:42:06] mode and then it switches from semitones to scale steps.
[00:42:12] So this is basically the, the next note in the scale, the second note in the scale.
[00:42:17] And it's not semitones basically.
[00:42:20] Uh, so we can just have one, one note or multiple, uh, one line notes.
[00:42:26] Maybe I'm making you track here for that, um, use a clip, maybe a user clip launcher
[00:42:36] here for now, you can use to spray paint mode here and just paint something in at C major.
[00:42:45] Um, I actually don't want to have this enabled here.
[00:42:50] That's okay.
[00:42:52] Uh, so let's say I just paint in here one note, something like this, then we can use
[00:43:02] here to transpose for instance, no transpose and then randomize here this, the semitones,
[00:43:11] random, uh, 16 notes and then just what you later, and it's all over the place, but then
[00:43:20] you enable basically here, uh, the scale mode and select, uh, scale and then we have to
[00:43:31] modulate this again because it's different parameter and then it's in, inside of the
[00:43:38] scale.
[00:43:39] Right.
[00:43:40] So, uh, you can do this, but you don't need to know transpose for this.
[00:43:43] You can just use the randomizer as I showed it for, and then use your pitch randomized
[00:43:49] and then enable scale mode down here.
[00:43:56] And then you get random notes out of nowhere.
[00:44:03] So it's very easy to make generate of music.
[00:44:05] That's what I want to say.
[00:44:06] Okay.
[00:44:07] You don't need to open up the grid.
[00:44:12] Use different velocity, use different pressure and all of this just with the, you know, with
[00:44:17] just one spray paint of notes in here and then we get, um, random nice things.
[00:44:25] Is it just me or does bitwig six feel a lot snappier and reactive?
[00:44:28] Yeah.
[00:44:29] They, they made some changes also.
[00:44:31] They probably touched everything, the piano role and the ranger, uh, the note clips look
[00:44:36] different here.
[00:44:37] And by the way, there's also a feature to use large clip headers in a range view.
[00:44:42] So you have small headers and larger ones, which I like more because I'm old.
[00:44:49] Okay.
[00:44:50] I'm an old guy.
[00:44:51] Let's use random timber.
[00:45:01] This is enabled.
[00:45:02] Yeah.
[00:45:03] This is enabled.
[00:45:04] Or you, let's use random pressure here, pressure for modulation amount and Timber for position
[00:45:19] percent.
[00:45:25] I've used a random waste table here.
[00:45:35] I don't like it.
[00:45:56] This is the pitch mode, um, or this global use global scale mode or however you want
[00:46:02] to call it.
[00:46:04] Now also things inside of the grid, I want to show you this quickly.
[00:46:12] So usually, uh, what you want to do inside of the grid is you took, or I took the pitch
[00:46:19] quantizer here and this one, and then selected always the scale, um, of the track.
[00:46:27] Usually it's the shop minor for some reason.
[00:46:29] Don't ask me why.
[00:46:30] Okay.
[00:46:31] Um, but now you can use here, um, what's the name scale by scale.
[00:46:37] You can use this one and this one uses what you, what you selected up here.
[00:46:42] Okay.
[00:46:43] And then you can just go into, uh, your thing here and do whatever you want to do.
[00:46:49] Let's use, um, let's use a dice for now, I don't know.
[00:46:55] Um, so you can use random nodes, trigger that 16 nodes, we generate your random numbers,
[00:47:07] we scale the numbers and then we go into the scale thing, um, quantize incoming signal
[00:47:13] to the global key signature.
[00:47:14] I have no idea why this input is red, um, probably because it's, you can send in anything,
[00:47:24] but usually you want to send in pitch signals, um, yeah, idea.
[00:47:38] And then we get something like this.
[00:47:47] And the best thing about this is that when you have your selected scale, right, you can
[00:47:52] also say on top, um, let's change the root key at some position, right?
[00:47:58] So we have something like a global, um, key change track.
[00:48:02] We can say we want to have here, actually paint something in.
[00:48:07] Yeah.
[00:48:08] So we have EB, right?
[00:48:10] And here you want to have something different.
[00:48:12] I don't know, a different scale.
[00:48:14] You can do this now and select us on the left side, um, maybe go to, um, what's the next
[00:48:20] in the circle of fifth, probably this one, no, it's BP this one, right?
[00:48:25] So you can change the, you can change the scale on the fly and everything inside of
[00:48:30] the project.
[00:48:31] Then accordingly, um, tries to fit this, um, we can also change the scale here.
[00:48:37] So you can change from minor to major or whatever you want to use.
[00:48:41] I don't know why a double click doesn't work, but you can also right click and say, in sub
[00:48:45] key signature here, um, then you can say, I want to switch to major.
[00:48:50] For whatever, right?
[00:48:54] And, um, yeah.
[00:48:55] Then if you have a grid, it changes then basically, um, so let's try this.
[00:49:02] Let's go to a different, make it a bit longer.
[00:49:13] Right?
[00:49:20] It goes to a different scale.
[00:49:22] Also when you have note clips here, uh, below that and your different note clip here, you
[00:49:28] can see the grid or the, the scale grid, the scale highlighting changes with it.
[00:49:35] Right?
[00:49:36] So you can paint in BP major in here and EB minor in here.
[00:49:41] And it's kind of the same thing.
[00:49:43] I think if you have this here in track mode, you can see we have two grids now or two scale
[00:49:48] modes highlighted.
[00:49:49] So there should be no excuse anymore to make some melodic music in Bitwig six.
[00:49:56] Okay.
[00:49:57] If you have no idea about, um, harmony theory or anything, you just put on a diatonic, a
[00:50:07] diatonic grid, okay?
[00:50:09] And then you just, just spray paint away and, uh, you have it.
[00:50:14] Uh, by the way, you can see, uh, this is a bit, uh, lighter, a bit brighter than all
[00:50:20] the other, uh, fields.
[00:50:22] This means this is the root key of the scale.
[00:50:25] Okay.
[00:50:26] So this is where your home is.
[00:50:31] BAM melody, okay.
[00:50:39] It's the best melody ever, but, uh, you mean you have to see it's diatonic, right?
[00:50:47] So it's not, it's sounding good, but it's also, um, yeah, a bit, a bit boring, maybe,
[00:50:57] but you get it.
[00:50:59] You get something out there fast and you can now make melodies that doesn't, that don't
[00:51:04] sound shit or whatever.
[00:51:07] Um, and by the way, the spray paint tool, you can just click once to delete and wants
[00:51:19] to make a new thing.
[00:51:32] Okay.
[00:51:33] Very nice.
[00:51:34] Um, so, oh, actually in the grid, there are more modules.
[00:51:39] I just, you know, I was distracted.
[00:51:41] Um, so yeah, we have by scale in the node grid.
[00:51:45] There's also something like root key, which gives you the root of the current scale.
[00:51:49] You can see it's EB minor.
[00:51:52] So it's D sharp, of course, which is EB or E flat.
[00:51:57] Um, if you are here and you can see it's a sharp, which is B beef or B flat.
[00:52:04] Um, so it gives you the root node, just the pitch.
[00:52:07] Um, there are some options here on the left side.
[00:52:09] So you can choose, uh, I want to have the root pitch in a different octave.
[00:52:14] The wrapping, I don't get what this exactly does.
[00:52:18] Um, it's a very technical.
[00:52:20] The key we're outgoing message to drop down an octave.
[00:52:23] So let's get into it wraps inside of an octave or something like that.
[00:52:27] Um, when the key changes, so it stays within one octave, I guess, something like that.
[00:52:33] Um, there's more, uh, oh, there's your pitch.
[00:52:38] What's the name?
[00:52:39] Pitch class.
[00:52:40] Um, pitch class, you can create, it's basically a constant.
[00:52:46] You can say, I want to have a constant instead of, um, just a number or integer you have
[00:52:52] now a pitch.
[00:52:53] Uh, so it's basically something like, uh, is this one here, something like this, but
[00:52:59] here it's not bound to an, uh, octave.
[00:53:05] It's basically always media octave three.
[00:53:08] You can change this also here on the left side.
[00:53:11] Um, this is new.
[00:53:12] Is there something else in the grid?
[00:53:15] I probably forget something.
[00:53:17] So they have basically, uh, they are going through all of the devices and modules and
[00:53:24] see if they can add something that fits the new, uh, between six or scale steps here.
[00:53:30] So instead of going semi tones up or down, uh, now you have scale steps.
[00:53:35] So this is not plus one semitone.
[00:53:38] It's basically plus one note inside of the scale or two notes inside of the scale, right?
[00:53:45] So, um, that's also new, um, by scale.
[00:53:50] Yeah.
[00:53:51] And there's also, you're on the left side, uh, quantize up.
[00:53:54] So when the note basically is not inside of the scale that you are selected, you can say,
[00:54:00] please move the note up until it reaches a note that is in the scale or make a smart
[00:54:08] constrain.
[00:54:09] So, uh, quantize up or down or just always quantize down if you, so you can select how
[00:54:14] the quantizing basically affects the notes, you can change this, um, lots of small little
[00:54:22] nice additions.
[00:54:24] If you ask me, okay.
[00:54:26] Um, so there's a question.
[00:54:29] "Are you able to stretch clips inside the arranger, not from the edges, but from inside
[00:54:36] of them?"
[00:54:37] Looks like it was show in Bittwick sex six video in, uh, you mean instead of doing this
[00:54:44] here, right from in here, you mean maybe you can do it, maybe here at the top.
[00:54:52] Yeah.
[00:54:53] You can do it in, in the detail editor.
[00:54:57] But I'm not sure, wasn't this not available before?
[00:55:00] I'm not sure.
[00:55:01] So yeah, this, that's hopefully answering the question.
[00:55:08] "Did I miss it or is there still no MIDI preview on highlighting notes?
[00:55:17] Uh, what do you mean, uh, what do you mean with highlighting notes when you click on
[00:55:24] it?
[00:55:25] You can hear it, it's auditioning or you can use the auditioning tool.
[00:55:32] I don't know what, I don't know what you mean.
[00:55:39] Outable preview of chords or when you have multiple notes.
[00:55:42] Okay.
[00:55:43] I see.
[00:55:44] Um, I don't know.
[00:55:47] Let's paint something in, let's use the clip here.
[00:55:55] So you basically mean when you have one chord thing here and then you want to preview just
[00:56:07] this, you have to probably use the, this tool, I guess, or playback from there.
[00:56:17] Uh, you probably mean just play what's selected in here.
[00:56:22] Maybe there's a shortcut for that.
[00:56:25] I don't know.
[00:56:28] Maybe there's something in here, but I haven't figured this out yet.
[00:56:32] Um, preview, audition, audition tool seven, audition notes, control and space.
[00:56:43] That's what I defined.
[00:56:47] Control and space.
[00:56:48] Okay.
[00:56:49] Let's try it out.
[00:56:50] No, it doesn't do anything, but there is something like this here, right?
[00:56:56] Maybe it's just a bug.
[00:56:57] I don't know.
[00:56:58] Maybe I have to define something different here.
[00:57:08] Already assigned.
[00:57:09] Okay.
[00:57:10] Control, space, shift, space, control, shift, space.
[00:57:13] Okay.
[00:57:14] Let's try this.
[00:57:15] No.
[00:57:16] No, doesn't do anything.
[00:57:22] It's probably planned.
[00:57:23] So I guess this is maybe buggy or I don't understand what this is, but there is something
[00:57:29] like this here.
[00:57:34] It's a thing enabled.
[00:57:36] So yeah, yeah, I know what you mean when you have basically, when you try to make chord
[00:57:40] progressions here and you just want to play what's selected.
[00:57:45] That's maybe coming.
[00:57:46] That's maybe exactly this shortcut, what I showed you.
[00:57:50] I hope so.
[00:57:54] And by the way, we can also use the ARP now here and say use scale mode and then you can
[00:58:17] use five and then we use your maybe, I don't know, plus seven or plus six or something
[00:58:22] like this, right?
[00:58:26] And then you can make the ARP sound much better than before.
[00:58:30] And you, you are always in the scale.
[00:58:40] Let's make this long.
[00:58:59] Let's double this.
[00:59:15] Yeah, we have to change this here.
[00:59:20] Can I delete this?
[00:59:24] Can you pitch an audio clip by pitch without wrapping it?
[00:59:49] So basically the audio will show that when pitching up in vice versa, I have to try this
[00:59:56] out.
[00:59:57] Let's see.
[00:59:58] Let's bounce this here.
[01:00:04] So you probably mean in stretch mode you can pitch it, okay?
[01:00:08] But you probably mean re-pitch.
[01:00:10] No, it's disabled here.
[01:00:12] It's still, it's still there.
[01:00:14] You have to change the tempo.
[01:00:21] What do you mean by wrapping it?
[01:00:22] There is something like, what's the name?
[01:00:27] Slice.
[01:00:28] So it's slice each of these things is pitched differently.
[01:00:37] And then we have instead of ping-pong.
[01:00:52] Did they add any alternative waveform displays on the timeline playlist?
[01:00:57] You mean this here?
[01:00:59] It looks different now.
[01:01:02] A bit different.
[01:01:04] I think they also made some changes here, let me see.
[01:01:15] I remember they had something like a gradient on there, so you could see how intense something
[01:01:21] is or which frequency or something like this, but I can't recall it if you had to enable
[01:01:32] something.
[01:01:40] It looks a bit different, but in my opinion it's a bit sharper.
[01:01:46] And I want to show you something before I start to make some chords.
[01:01:51] Maybe use, I want to bounce here some audio.
[01:02:02] So something like this and then maybe song, it is on, then make this mono and let's make
[01:02:31] here something pretty steep.
[01:02:35] Let's make a 3.
[01:02:48] Then when you bounce it, flatten track as automation.
[01:02:56] What does this mean?
[01:03:03] Have to try this out.
[01:03:05] So when you bounce this, postfader, you can see here it's pretty on the grid what you
[01:03:14] automate, so this is here where the automation point is.
[01:03:22] So it's really precise, I would say there's still some smoothing in there, but that's
[01:03:27] what you need if you don't want to have clicks and pops.
[01:03:31] But they worked on the precision of the automation, if you ask me, just very nice.
[01:03:52] This is kind of new, but they had some kind of, you can see there's a small gradient here.
[01:03:58] Maybe if there are, when there are different pitches, you get different, but I think this
[01:04:02] is here the intensity for how loud something is, so it gets, you get a nice little gradient
[01:04:12] there.
[01:04:14] Let's fade this out here for a moment and then bounce it.
[01:04:24] Yeah, there's a slight gradient, yeah, that's the intensity or the loudness.
[01:04:34] Yeah, I just get really confused by the waveform rendering.
[01:04:44] Being a bipolar filled from zero crossing, yeah, it looks like it, yeah.
[01:04:52] So yeah, there are some changes.
[01:04:55] I know it takes some time to get used to some of the things here, right?
[01:05:00] So for instance, we have, we have here these gradients, right?
[01:05:04] So you can see with this gradient that here basically the clip goes to the next clip,
[01:05:11] right?
[01:05:12] So the iteration or the looping is happening here.
[01:05:13] So there's a slight gradient there.
[01:05:16] Here's no gradient because it doesn't loop.
[01:05:18] If I loop this, then you can see here gradient.
[01:05:22] So this is something different.
[01:05:24] We have gradients then in the waveform, so you can see the intensity.
[01:05:29] So yeah, small little changes and it needs time to get used to it.
[01:05:34] There's also something here on the left side, auto zoom select the track.
[01:05:40] So when this is enabled, every track that you select is made bigger a bit.
[01:05:49] And there's also something like horizontal zoom also, you can make this everything very
[01:05:55] small, that doesn't work.
[01:06:01] Something like this, okay, this doesn't work, okay.
[01:06:14] You can do something like this.
[01:06:15] And there's also a zooming, vertical zooming, but I don't know how this works, to be honest.
[01:06:23] Vertical zooming, I probably have to use a shortcut, but that's vertical zooming, trust
[01:06:41] me.
[01:06:45] Vertical zoom in vertical.
[01:06:47] Okay, this is, but we had this before, right?
[01:07:01] This wasn't the big five already.
[01:07:04] But yeah, there's an auto zoom here on the left side.
[01:07:06] I don't know how useful this is or you probably, you have to get used to it.
[01:07:13] That was something I want to tell you, I forgot something.
[01:07:26] Maybe select all, all scroll, no, no, no, no support for mouse wheel.
[01:07:37] Yeah, looks like it.
[01:07:39] Maybe there is.
[01:07:40] I mean, they made so many changes.
[01:07:43] No idea.
[01:07:44] Maybe there is.
[01:07:51] V6 trailer looked like it had pitch correction or MIDI notes over audio clips.
[01:08:04] Yeah.
[01:08:05] This is what I showed earlier.
[01:08:06] You can have just multiple notes, right?
[01:08:10] And then you have here the audio track down there.
[01:08:13] If you want to, you have something like this, and then you can show here in the background
[01:08:24] basically the audio file, but it's not the pitch of the audio.
[01:08:30] That's misleading.
[01:08:31] You can just overlay note clips and audio clips and then just to draw something in to
[01:08:37] have the same rhythm.
[01:08:40] As far as I know, there's no pitch correction or Melodyne or something like this in there.
[01:08:50] At least for now, for now, okay.
[01:08:53] Just got here.
[01:08:54] What's new?
[01:08:55] Just finished talking for one hour.
[01:09:13] I just finished.
[01:09:17] Maybe we have to look here at the videos.
[01:09:21] Let me see.
[01:09:33] Automation can be as important as notes or audio, and Bitwig Studio's improved workflows
[01:09:40] will elevate how you work with it.
[01:09:44] For starters, there are multiple ways to access automation.
[01:09:49] In addition to unfolding all lanes in the arranger, the automation mode keeps your layout
[01:09:54] in place, overlaying one parameter lane on each track.
[01:09:59] Whatever parameter you click on will be automatically focused and editable.
[01:10:10] Or use the detail editor panel, which offers access to all automation for any track.
[01:10:16] This will show both track.
[01:10:17] I mean, I have to say, it takes a bit of time until you get everything.
[01:10:22] At first it feels a bit weird because there are so many changes, right?
[01:10:26] And everything feels a bit familiar and everything feels a bit strange and new.
[01:10:31] So it takes a bit of time to get used to it, okay?
[01:10:36] Track automation and clips, or you can click directly on an automation clip to focus on
[01:10:42] it.
[01:10:48] Wherever you're working, automation gestures have been extended and improved.
[01:10:53] The pointer tool allows you to click on a line to create a point.
[01:10:58] Oh yeah, this is also new.
[01:11:01] They reworked this heavily.
[01:11:03] Oh, this automation line system works.
[01:11:06] Clicking just above or below the line lets you move that segment.
[01:11:11] This also works using the time selection tool for defining a segment of your own.
[01:11:17] Oh, look at this.
[01:11:20] The tool lets you freely draw a shape and then transforms it into an accurate, simple curve.
[01:11:28] Simple.
[01:11:29] I like simple.
[01:11:30] You can tool to paint stepped automation at the current beat interval.
[01:11:35] Those points look a little different, well, they are.
[01:11:40] Automation points can have a hold behavior.
[01:11:43] When enabled, the value will hold steady until the next point is reached.
[01:11:48] This saves a lot of headaches when editing and it requires half as many points for flat
[01:11:53] shapes.
[01:11:54] Oh, the spread, the spread, I forgot to show you the spread.
[01:11:57] This is a numeric control for each point's curvature.
[01:12:00] This offers precision for single points and is an expressive way to reshape an entire
[01:12:05] curve.
[01:12:07] And you can also add playful instability with spread, giving randomness to any point each
[01:12:13] time it's played.
[01:12:16] I mean, randomization on, randomization on automation.
[01:12:22] Let that sink in.
[01:12:24] I think it just automates stuff to have something very precise and on point.
[01:12:31] And then you say, hmm, it's actually very static.
[01:12:34] Let's add randomization to it.
[01:12:37] I mean,
[01:12:46] Finally, event expressions have the same options.
[01:12:50] So whether working with automation or polyphonic note streams, any point can hold, spread,
[01:12:58] or even both.
[01:13:03] Intuitively designed, elegantly simple.
[01:13:07] Automation power.
[01:13:08] Yeah, it's basically dynamic and generative at the same time.
[01:13:13] So you can say exactly what to automate and what to modulate to the point, precise, and
[01:13:23] then you just add randomization to it and it gets generative.
[01:13:27] And you have small iterations, small little changes over time.
[01:13:31] Pretty dope.
[01:13:32] Now in Bitwig Studio.
[01:13:36] Nice.
[01:13:44] I think this is the biggest update yet they made so far.
[01:13:49] I think this is much bigger than 5.0 in terms of content because there are so many small
[01:13:56] little small changes and additions.
[01:14:01] Yeah, let's let's watch the automation clip thing here.
[01:14:12] I had recent project with 400 tracks and life was a slideshow.
[01:14:16] Yeah, I've had some problems in Bitwig also with the grid when I have a lot of modules,
[01:14:23] but there's a lot of stuff going on with the patch cables and over sampling and so on.
[01:14:27] So my CPU was really, you know, struggling with this, but with tracks usually I also
[01:14:34] don't have a problem.
[01:14:35] I have a lot of tracks sometimes and it works neatly in Bitwig.
[01:14:42] German time.
[01:14:43] That's right.
[01:14:45] When did the live stream start?
[01:14:47] One hour ago.
[01:14:48] One hour, 14 minutes.
[01:14:50] And I started right at the beginning with telling you what's going on, okay?
[01:14:56] Damn it, I'm out at work.
[01:15:00] Okay, you have to wait.
[01:15:05] Okay, looks like a lot of people actually like to change so far what I can see.
[01:15:17] So, automation clips.
[01:15:29] Let's watch this together, okay?
[01:15:38] Clips let you step aside from the details and think in musical blocks.
[01:15:44] Automation clips offer this same approach for automation.
[01:15:52] Alt-clicking beneath a note or audio clip creates a matching automation clip.
[01:15:58] Edits to the parent clip will also affect matching automation clips.
[01:16:04] If you want automation to be treated separately, just edit those clips directly.
[01:16:14] Just the fact that you can make these clips, these automation clips and then you have notes
[01:16:20] or sounds on the arranger and you can just take this automation and put it into the clip
[01:16:25] launcher and just loop it in a very short kind of polyrhythmic way.
[01:16:33] It's so nice just to have this on bass sounds to bring in nicely the rhythms, okay?
[01:16:38] And then when you have this inside of the clip launcher you can say just spread the points
[01:16:45] or spread the values and then you have randomization on top so the sound kind of is modulated
[01:16:52] in the same way over and over but always a bit different.
[01:16:55] This is such a big thing for me because usually I want to have exactly that.
[01:17:08] Or enable the global automation lock in the transport area.
[01:17:28] Speaking of familiar workflows, the clip launcher works similarly triggering everything
[01:17:33] with a parent clip and you can directly trigger automation clips to find new ideas.
[01:17:44] This is also such a huge thing actually that you can trigger now these clips on the same
[01:17:55] audio content or on the same note content or whatever.
[01:18:01] It's what you want to do when you are working live, you just have the same sound but you
[01:18:07] want to modulate a bunch of different parameters differently and you just group everything together.
[01:18:14] It's really great, I love it.
[01:18:26] Basically automation clips are interchangeable with BW curve files for our Msec type devices.
[01:18:34] This is also big.
[01:18:35] Curves browser offers both file types.
[01:18:47] And dragging an automation clip onto a device or grid editor.
[01:18:58] Familiar workflows fully integrated.
[01:19:02] Automation clips now in Bitwig studio.
[01:19:06] This is basically the modularity what I want.
[01:19:09] I can exchange the things from here, you can just take it and put it in there and it works.
[01:19:16] Would be great to have also the oscilloscope when I make some sound experiments and I have
[01:19:21] a weird curve on my oscilloscope inside of the grid.
[01:19:24] Just let me drag it out into the oscillator.
[01:19:30] This would be really dope, so just let me drag what I see into things that look different
[01:19:36] or this kind of the same and just let me exchange stuff.
[01:19:40] This would be nice, but this goes into the right direction here for me.
[01:19:55] Really dope.
[01:19:57] Let's look at the clips here or the alias clips.
[01:20:13] Music is based on structure and form.
[01:20:17] Some patterns loop immediately and others come back later.
[01:20:22] Clip aliases let you share content or patterns between different clips on the same track.
[01:20:30] This can work for note clips, audio clips or automation clips.
[01:20:35] Creating an alias clip is as simple as dragging with a different modifier.
[01:20:41] Multiple clips share the same pattern, editing any clip effectively changes all of them.
[01:20:53] From the inspector panel, you can see how many clips use the same pattern.
[01:20:58] The pattern chooser lets you swap out this clip's contents and it also offers a shortcut
[01:21:05] to two functions.
[01:21:07] This is interesting, you can swap out clips.
[01:21:12] You select the clip and then you go to the left side and you can swap out this clip to
[01:21:18] a different clip inside of the current track.
[01:21:25] The pattern chooser lets you swap out this clip's contents.
[01:21:31] The pattern chooser lets you swap out this clip's contents and it also offers a shortcut
[01:21:37] to two functions.
[01:21:39] When this clip needs to go its own way, Make Unique removes it from the group.
[01:21:47] And if you have clips with identical content, Merge Duplicate Patterns will make them aliases.
[01:21:58] This is basically the feature for me because I just clone or copy clips all over the place.
[01:22:07] It's basically the same clip, I just copy it all the time.
[01:22:12] And with this I can just merge duplicate patterns and then everything is just perfectly grouped
[01:22:19] together in one clip that's originating the pattern and then all the alias clips for that.
[01:22:28] And, yeah, nice.
[01:22:31] Forward focused.
[01:22:33] Clip aliases, now in Bitwig's studio.
[01:22:44] Key signature.
[01:22:49] A song's key is its musical coloring lines.
[01:22:59] Key signature in Bitwig's studio can both guide your work and animate your note effects.
[01:23:05] Key signature lives beside tempo and other global settings in the transport.
[01:23:11] It comprises two parameters.
[01:23:14] Note key defines the anchor pitch.
[01:23:17] All piano roll editors will highlight this note and scale represents the set of stable
[01:23:25] notes.
[01:23:26] 23 scales are available including traditional modes, compositional scales and alternate patterns.
[01:23:34] From the editor settings you can either keep the piano color pattern or have the background
[01:23:40] adapt to the current scale.
[01:23:43] Once you enable snap to key, out notes are painted differently.
[01:23:48] And now edits via mouse, touch or arrow keys are all locked to the current scale.
[01:24:05] So if this mode is active or enabled, you can't paint any dissonant melodies, it's just impossible.
[01:24:15] You always snap to the grid.
[01:24:17] A lot of people wanted this for years and there's no excuse anymore.
[01:24:24] I want to see a lot of tracks in the community, okay, post it every day.
[01:24:30] So you can finally start now to make big hits, okay, no pressure.
[01:24:44] In the device realm, the original key filter is now legacy.
[01:24:49] And a new key filter plus has additional options and a matching 23 scale choices.
[01:24:54] Yeah, I wish they made here these kind of things clickable.
[01:24:58] So you can change it like the pitch quantizer inside of the grid, right?
[01:25:03] So you can enable this, this, this and this, also you get a global thing in here.
[01:25:10] It felt like to me, you can, why is it actually disabled?
[01:25:15] It felt like to me you can customize the scale or you can add your own scale to it.
[01:25:22] Why is it taking so long?
[01:25:32] Probably after we started.
[01:25:35] So yeah, I wish they made here some kind of adjustments to that so you can customize your
[01:25:39] scale or maybe add your own scales to it.
[01:25:42] I know there are already a lot of scales that probably cover everything, but you know, there's
[01:25:47] always someone trying to have a different scale.
[01:25:52] And it looks like it, it looks really like it, you can click on it.
[01:26:05] I'm sure there's come some kind of options text, yeah, that could be Julia.
[01:26:11] By the way, hey Dash, welcome to the stream man.
[01:26:14] Thanks for watching.
[01:26:18] So how do you guys like the updates so far, the features, do you like it?
[01:26:23] Is it too much?
[01:26:24] Is it not, not much enough?
[01:26:27] I guess a lot of people have completely different focus that want something completely different.
[01:26:33] And this update or this new version is more or less focused, more or less on nodes and
[01:26:42] ranger and automation and clips and so on.
[01:26:45] So it has a specific focus.
[01:26:49] I'm very satisfied, okay, nice.
[01:26:54] Let me know what you think.
[01:26:59] I don't like the looks of Bitwig, but the features are amazing.
[01:27:01] So you basically want the themes, okay.
[01:27:08] Looks kind of good.
[01:27:09] They create update, very happy, stoked that they made six a door feature update.
[01:27:15] Yeah, it's not like one big feature is like, for me, it's like a lot of small things, but
[01:27:23] they're all kind of big features in a way.
[01:27:25] So they're all useful.
[01:27:30] They probably change the way I walk with Bitwig in a big way.
[01:27:40] Love the updates sitting with Bitwig open while watching you.
[01:27:43] Okay, nice.
[01:27:45] Needs more instruments.
[01:27:46] Nah, come on, you have the grid.
[01:27:51] I wanted other stuff, but this blew my mind.
[01:27:53] Update is dope as fuck.
[01:27:55] Nice to hear.
[01:27:57] Nice features.
[01:27:58] You get used to it.
[01:27:59] MIDI comping.
[01:28:00] I don't think there's MIDI comping in there.
[01:28:04] I'm digging it better than five.
[01:28:05] They got that horrible menu from five.
[01:28:08] Okay.
[01:28:09] Yeah, the update is much bigger than 5.0, I would say.
[01:28:14] Still can't make coffee.
[01:28:15] Yeah, sadly, you have to make it yourself.
[01:28:20] No themes.
[01:28:21] Zero out of 10, okay.
[01:28:23] So a lot of people just want themes, okay.
[01:28:26] Yeah, probably a lot of people start to cry about themes not in there and ARA and a lot
[01:28:34] of people always bitch about this ARA and themes and what was the other one.
[01:28:41] Groove pools or something like this and a lot of people want grooves.
[01:28:50] Themes would be amazing, but I'm very happy they implemented what I was complaining about
[01:28:54] and with automation snapping, this is huge.
[01:28:59] How can this update have me finally getting from a loop to an actual track?
[01:29:03] I told this yesterday is someone.
[01:29:06] If you are able to make a loop inside of a door and you have problems getting this to
[01:29:10] a track, just make another loop.
[01:29:13] You have one loop and then you make another loop, okay.
[01:29:16] If you are familiar and you have no problems making a loop, just make multiple loops and
[01:29:22] then try to make transitions between the loops and then you have a track done, arrangement
[01:29:28] done 9 out of 10, great update.
[01:29:33] Nice.
[01:29:34] I have to keep up here.
[01:29:48] Do gridlines follow the swing amount?
[01:29:50] I don't think this would be overkill.
[01:29:55] I have to restart it here probably.
[01:30:03] By the way, this is my background image, okay.
[01:30:05] Bitwig 5 forever.
[01:30:12] Beta 1.
[01:30:17] Do your script work in this version?
[01:30:19] The script work.
[01:30:27] When I select basically a clip, I can do, let me see, melody maker, I can say natural
[01:30:36] minor, I can say the sharp arranger, generate sequence, you can see it does the sequence
[01:30:44] in here.
[01:30:45] The maker works and I guess all the other things also work because most of my scripts
[01:30:52] are based around writing into the clip launcher here or into the node clip.
[01:31:00] And of course I have to use here synth.
[01:31:16] So the scripts work, nice.
[01:31:44] My autocolor script stopped working.
[01:31:46] Oh, there's probably an API feature, maybe buggy or you have to change some small things.
[01:31:55] Maybe because it's based on clips, so I guess the API changed there.
[01:32:05] I'm so happy.
[01:32:06] Oh my god, thanks Bitwig.
[01:32:07] Okay, Bitwig is the best.
[01:32:20] So in Bitwig 5, you were able to touch a parameter and then it would show up there in the drop
[01:32:24] down.
[01:32:25] Exactly.
[01:32:26] This is also my problem, right?
[01:32:29] Back in Bitwig 5, we could open up here basically the automation lane.
[01:32:36] That's what I did.
[01:32:37] And then you had down here, the first lane was the current touch parameter.
[01:32:45] You can see this also here on my screenshot.
[01:32:47] So you had like this button and then you could open up the automation lane and then the first
[01:32:53] parameter you touched were down here.
[01:32:56] And on top of that, you had the node clip.
[01:32:59] So node clip and then the first touched parameter as automation lane and then all the other
[01:33:04] automation lanes that are currently have values.
[01:33:07] And in Bitwig 6, it's different.
[01:33:10] And I'm not sure if I like this change or no, or if I'm just need time to adjust to it.
[01:33:17] So now when you hit here this button, you have to select something to automate.
[01:33:23] So there is no automation lane that shows you the current selected parameter.
[01:33:28] To make this happen, you need to use this automation mode now or press A looks like this.
[01:33:36] And you switch basically between, you switch between this clip here and the first lane.
[01:33:45] That's what you do.
[01:33:46] This is different now.
[01:33:47] So you hit A and then you have the automation.
[01:33:49] And then here you see the touched parameter, maybe the K or maybe this one.
[01:33:54] And then you can draw in here, automation, right?
[01:33:59] I feel like this, this is for the cutoff or maybe you want to change the index.
[01:34:06] So you do this here.
[01:34:10] So you see on top of the clip in this automation mode, the last auto current touched parameter
[01:34:17] and then you can edit this.
[01:34:19] And if you want to see all the things, all the things you already edited, you have now
[01:34:25] this here then, right?
[01:34:26] So the plus is gone and then you can unfold, you can see we modulated to the table index
[01:34:32] and filter cutoff.
[01:34:35] And the grand touched parameters always on top.
[01:34:38] The problem then is you can't edit basically the nodes or you can't move it around.
[01:34:43] You have to move out of the automation mode.
[01:34:47] So it's either one or the other and I'm not sure if I'm a fan of this or I'm just need
[01:34:52] time to get used to it.
[01:34:59] Also you have some of the buttons are different kind of so I have like muscle memory, right?
[01:35:05] So I always want to, what's here, I always want to click here, right?
[01:35:10] But at this position, there is no button anymore here, there is nothing you can click.
[01:35:16] So you have to get used to it.
[01:35:18] It's now here, but this button also is not always here to unfold.
[01:35:22] If there is no automation, this is basically a plus button.
[01:35:27] If there is automation, then it's an unfold button.
[01:35:29] So it changes some interactions there and you have to get used to it.
[01:35:35] And at first it was completely throwing me off.
[01:35:44] You can leave the track closed and open the automation.
[01:35:47] Yeah, exactly.
[01:35:48] Do you often, if you have this detail editor here, right?
[01:35:55] Where's the mode?
[01:35:56] Is there actually a mode?
[01:35:58] No, you have to use this one.
[01:36:03] You have to use a clip before you can use the detail editor, right?
[01:36:07] Something like this.
[01:36:08] And then you can edit in here.
[01:36:10] You have multiple lines then there.
[01:36:12] You have to use clips then, I guess.
[01:36:16] And also, if you use here, multiple screens, if you have a dual display, let's say, dual
[01:36:24] display master in detail, it looks like this, you have two windows and this is probably on
[01:36:30] your second screen or whatever.
[01:36:33] And you can just have always this open here, this detail editor and the automation lane.
[01:36:39] And then you can go in your main window on your main screen and you click on different
[01:36:43] things and it shows you exactly what you selected in here, maybe an audio clip, right?
[01:36:51] You just select it and on your second screen, you can already see what's in there.
[01:36:57] So you don't need to change anything.
[01:36:59] So I guess if you have two screens and you use this different mode here, it's much easier
[01:37:07] than what I have here with my single display large.
[01:37:10] But I need to use this because I'm streaming and streaming and showing or recording just
[01:37:22] one audio, just one window, so it's better.
[01:37:29] So I limit myself just for you, okay?
[01:37:32] Just for you.
[01:37:35] I could use two screens, but I choose not to do it just because it's better for recording.
[01:37:39] That's what I'm doing for you guys.
[01:37:49] Can anyone convince me in a few words as possible to switch from Aboard Live to Bitwig?
[01:37:53] You can load up Aboard Live projects inside of Bitwig.
[01:37:59] You can try this out.
[01:38:00] That's your first task.
[01:38:02] Just go to bitwig.com, download Bitwig, open the demo and just try and open an Aboard Live
[01:38:09] project just for fun.
[01:38:13] In Aboard Live, we have Max for Live.
[01:38:26] Yeah, you have something like the grid in Bitwig.
[01:38:28] It's not that powerful than Aboard Live's Max for Live, but also Max for Live feels
[01:38:35] a lot like tacked on to Aboard Live and doesn't feel like integrated enough.
[01:38:42] It's different interface, different workflow.
[01:38:46] It's much powerful, but it's also like Max for Live is more like a programming, visual
[01:38:50] programming language and the grid is more like an instrument, but it's a very powerful
[01:38:55] instrument.
[01:39:01] Does the API still work?
[01:39:02] Yes, it worked, Frank.
[01:39:06] My script still works.
[01:39:24] It's probably nice to have your spray paint and do something like this and then let me
[01:39:39] see, can I select everything and then yeah.
[01:39:47] And finally, we can do something like this.
[01:39:49] I mean, let's disable this here, we can do a time selection like this and then we can
[01:39:58] now move this up and down, yeah, and do something like this, right?
[01:40:04] How will you Macaroni?
[01:40:27] Sorry, I don't make any serious music today.
[01:40:30] I'm just trying out stuff, so I also have to get used to all the new things.
[01:40:49] Let's do a step sequencing here.
[01:41:13] By the way, we can also do the step sequencing thing here.
[01:41:20] We can also do something like I have to click once and I do, I always want to use backspace
[01:41:39] to delete this stuff for some reason.
[01:41:47] That would be nice if I could like this.
[01:41:56] It's very hard to hold multiple keys and use the keyboard at the same time.
[01:42:16] Snapping is not active.
[01:42:32] Now it's active.
[01:42:49] You can see it snaps to the next scale, so one of my scripts is useless.
[01:42:55] You can install it.
[01:43:10] I'm going to do a step sequencing here.
[01:43:29] I'm going to do a step sequencing here.
[01:43:49] Having near the scale a snap on the arpeggiator is really nice, so you can just modulate the
[01:44:10] stuff here, just call it "day".
[01:44:21] So this pitch here, you can switch here to -1 on five, six, seven, eight.
[01:44:33] This one, you want to switch here to five.
[01:44:50] Something like this.
[01:44:51] It stays within the scale, really dope.
[01:44:56] One thing I forgot was the multi-node, I think.
[01:45:01] The multi-node also has this use global scale mode.
[01:45:05] If this is on, this is not semitones anymore.
[01:45:09] This is then scale steps, okay?
[01:45:12] So let's create a clip, something like this.
[01:45:34] So this is pitch, this is semitones, this is basically a minor chord, but this is not
[01:45:42] the minor chord anymore.
[01:45:44] This should be a minor chord, because it just counts the numbers inside of the scale and
[01:45:53] you skip certain semitones, of course, inside of the scale, and it also can do like this.
[01:46:06] You don't need to use now the multi-node with semitone steps and then a key filter or diatronic
[01:46:12] transposer afterwards to just keep it inside of the scale.
[01:46:16] You can just use the multi-node now and use a global scale and this pitch snapping or
[01:46:24] scale snapping.
[01:46:39] And you can then use the automation also.
[01:46:49] Let's use polyphonic manual.
[01:47:08] You can say then here, let's say we have here two, four, maybe go down 12, this is actually
[01:47:19] a number, I probably need to go down seven or one octave, yeah.
[01:47:31] And then you can say I want to have here this number, you can see it down here, you can
[01:47:37] bring in a value, here's two and here's maybe now three, it's also in the scale.
[01:47:51] And you can make chords this way, so you don't need to use just note stacks or you can just
[01:47:56] use the multi-node for that.
[01:48:01] Let's make it a bit bigger, bam.
[01:48:08] Yeah, this would be nice when I change here the automation, that it previews what I actually
[01:48:16] just do here.
[01:48:21] There should be a suspended, yeah, without addition tool I have to switch to it, but
[01:48:48] then without addition tool I can't change any parameter, it just gives me, I have to
[01:48:54] switch constantly between the two, that's a bit of a problem, it's seven.
[01:49:14] And it switches of course away, why, I don't know.
[01:49:40] So yeah, you can make chords this way, so I'm just automating here the third or whatever
[01:49:53] inside of the audio clip.
[01:49:57] The previews with the addition thing here, it's nice, but I think I guess I need to shortcut
[01:50:05] for this where I can just quickly toggle, but now without addition tool on, you can't
[01:50:11] zoom in and zoom out, you can't change the notes, you can't change the automation here,
[01:50:19] just bring a new one here, five, five, five, five, five, five, five, five, five, five,
[01:50:49] six.
[01:51:08] I'm hoping it's a bug, but other than that it's very necessary update, yeah, even didn't
[01:51:13] get what I was hoping for.
[01:51:14] Yeah, I mean they have very strong focus on certain things, but it's important to have
[01:51:22] this and yeah, I mean, you can't have everything.
[01:51:43] In the version I used, they took away latch automation unless you activate automation
[01:51:48] mode.
[01:51:49] Oh, okay.
[01:51:50] I haven't tried this yet.
[01:51:59] Are different lengths, polymeters possible inside one clip for notes and clip automations?
[01:52:06] I don't think this is possible.
[01:52:08] You can only change the clip size itself, but not, you need to have then some kind of group
[01:52:17] inside of the note clip that you can change in size, not really.
[01:52:25] So clip is basically the thing that you can change in length and then use different clips
[01:52:31] for polymeters or poly rhythms.
[01:52:39] I mean, it's already pretty cool to have polymeters in between inside of the clip launcher with
[01:52:49] different length.
[01:52:50] I don't know if it's necessary to have it also within the clip, so a clip within the
[01:52:56] clip that you can change the size and loop, maybe that's too fine grained.
[01:53:05] Does the global scale work for input filtering?
[01:53:07] I don't think, no, I don't think so.
[01:53:11] That's also one of my feedback, that was one of my feedbacks.
[01:53:16] When you have the global scale on, you want to record notes on the keyboard and then they
[01:53:20] are constrained and you hear the right notes, but when you start recording it, it's basically
[01:53:25] on the wrong note.
[01:53:31] There's nothing here where you can filter the notes before it goes into the note clip.
[01:53:40] This is actually what I dreamed about yesterday.
[01:53:54] Automate oct in ARP and you can see the current value text.
[01:53:57] Yeah, you can see this in all of the smaller tools also here, right, two, eight, so it gives
[01:54:05] you the right numbers.
[01:54:07] That's not just percentage or anything like this or...
[01:54:22] I need to download this ASAP, yes.
[01:54:42] I have to play around myself because it opens up so many different workflows and how I work
[01:54:51] with Bitwig here.
[01:54:53] Like you can see with multi-notes, you don't need a key filter anymore, you can just use
[01:54:57] the multi-note and I have to figure out some ideas I have how to use this, all of this stuff
[01:55:06] in a very meaningful way.
[01:55:09] Also probably there are some things changing over the course of the beta, which is pretty
[01:55:14] usual.
[01:55:16] So take notes, try everything out, make notes, make a text file and then send it over to
[01:55:23] Bitwig so they can maybe make some useful changes here and there.
[01:55:30] Okay, time to start experimenting.
[01:55:34] Stop YouTube.
[01:55:35] Yeah.
[01:55:36] No problem.
[01:55:37] What do I want?
[01:55:56] There was also a problem with what was the name with recording automations.
[01:56:06] Let's see if this is still in there.
[01:56:13] Let's just do here some kind of bass sound.
[01:56:23] Okay.
[01:56:26] Yeah, this is already annoying to me here that it opens up this editor, it's completely
[01:56:35] out of my, that's not how I want, every time I create a new note clip, there's this editor
[01:56:41] going up.
[01:56:45] This is, yeah, a bit annoying.
[01:57:01] Not the bass sound.
[01:57:07] So when you record in a loop, let's say this, which you can see then it's completely giving
[01:57:19] up, I have to delete everything and then I record the automation and it works.
[01:57:31] But then when I start the loop, it works and then it gives up at some point.
[01:57:41] I don't know what the problem there is, but there is something there.
[01:57:45] The solution is, of course, to not use the loop.
[01:57:50] Maybe I have to switch to touch, but latch should work too or what up, it's on.
[01:57:56] Oh, yes, that's also something I forgot.
[01:58:02] When you have here a clip inside of the clip launcher and you just want to record it, right?
[01:58:13] You can have here, where does it play?
[01:58:18] You can have this enabled, records to arranger as alias clips.
[01:58:22] So instead of just recording a new take or new copy of this clip, something like this
[01:58:36] and you have a new thing, right?
[01:58:38] Then you see, oh, we have two separate things and then you can merge it.
[01:58:42] But you can also just initially just record to the arranger as an alias clip.
[01:58:54] And then you have here an alias clip and yeah, you can just make your whole project and then
[01:59:00] you have just a few alias, a few original clips in the clip launcher and then you can
[01:59:05] go in here and did all the stuff you want and then the whole project changes, okay?
[01:59:11] That's also nice.
[01:59:12] So you can really use the clip launcher now as an central hub for all the clips you use
[01:59:18] inside your project.
[01:59:36] Maybe I have to use, not the note filter, why is the note filter there?
[02:00:03] Okay, this is recorded.
[02:00:29] Okay, it's not recording the EQ gain here or just, oh, this is on, okay.
[02:00:57] And then we can make clips out of that and then, can I just select everything and I select
[02:01:14] all the clips?
[02:01:15] No, you can only select one clip, okay.
[02:01:21] Let's take this, put it in there, yeah, delete it and I have to put this in there probably.
[02:01:39] No, it's not working, okay.
[02:01:41] I move this there, it overrides all the automation.
[02:01:54] Okay, I have to get used to that after this workflow, yeah, if this is disabled, I move
[02:02:21] the clip and automation, I mean, I move this here, then automation is attached and I disable
[02:02:27] this, I can move it there, okay.
[02:02:31] Now I get it.
[02:02:32] Now when I delete this, then they stay, if this is disabled and I delete this, the automation
[02:02:37] is also gone, okay, I get it.
[02:02:40] Polarity checked it, okay.
[02:02:42] Clip style, thanks for the donation, 11 euros, whoop, whoop, thanks for that, yeah.
[02:02:49] Thanks man, thanks for the donation, I appreciate it.
[02:03:00] Like the video, yeah.
[02:03:01] Please like the video, it helps on YouTube for whatever reason.
[02:03:08] So yeah, as you can see, there are some things you have to get, how clips now interact with
[02:03:15] each other and sometimes you can, you know, have these problems here, but you get used
[02:03:21] to it, it's actually too big.
[02:03:40] When I edit only the automation here, why does it show me the notes?
[02:03:46] Just want to have this, okay, I see everything because now I see only one, okay.
[02:04:02] So this is to cut off.
[02:04:19] Just again.
[02:04:36] Hmm.
[02:04:41] Can I record automation into the clip launcher?
[02:05:05] Alright, control, yeah, just this one.
[02:05:23] Hmm.
[02:05:39] Can't record automation into the clip launcher, is this right, or do I miss something?
[02:05:49] Right, shouldn't this not be red?
[02:05:56] This is orange, hmm, not sure.
[02:06:24] And then it deletes everything here when I hit the end of the loop.
[02:06:27] Okay, yeah, that's a problem.
[02:06:36] So I think this is a bug here, but the loop doesn't work.
[02:07:03] But I think this is a bug here with the loop recording.
[02:07:31] Just use a bunch of filters.
[02:07:33] Why is it actually showing me in the browser here, the note filter?
[02:07:39] It's clearly an audio effect, so the filter doesn't work here.
[02:07:47] Yeah, let's make something here.
[02:07:58] Okay, so I have to use the automation mode.
[02:08:15] And then you'll need the pitch.
[02:08:45] Yeah, with this automation mode, hmm, and it also copies this or loops this, okay.
[02:09:14] Okay., so I have to use the automation mode., okay., and then I have to use the automation.,
[02:09:44] okay, this is, I need this here.
[02:10:03] Why does it not loop here, my, I want to have, I want to have a loop here, I have to join
[02:10:10] this.
[02:10:17] What's this?
[02:10:18] Okay, and this looks like a bug also.
[02:10:45] Yeah, this is, they need to change this here because I do this all the time.
[02:11:14] And I need to stop the recording before I hit here the end of the loop.
[02:11:32] Yeah, okay.
[02:11:38] Getting closer to that similar vibe here, okay.
[02:11:41] No, then some makes bass sounds possible.
[02:11:55] Automation mode is not for me.
[02:11:56] I don't like stacking personally.
[02:12:00] You mean this, this automation mode on top here, yeah, it's also not my, I don't like
[02:12:04] it too much to be honest.
[02:12:05] I liked how it was before because I can access the note clip and the automation.
[02:12:13] Yeah, it's an extra annoying step, exactly.
[02:12:24] Is it possible to both have bitwig 5 and bitwig version six on the same PC?
[02:12:28] Yes, it is.
[02:12:30] You just, you basically install it in a different directory.
[02:12:44] Yes, the UI looks cleaner for sure.
[02:12:50] Yeah, for me the most, actually I can get my head around everything, but the automation
[02:12:58] mode, that's something I don't know.
[02:13:07] Maybe it takes time for me to get used to it, but it's always you have to click and you
[02:13:11] know, you have to switch between this and that.
[02:13:14] And it was much better beforehand or maybe I, because I was used to it and the another,
[02:13:21] the another thing is creating a new clip opens up the note editor down here because I never
[02:13:28] use the note editor down here.
[02:13:31] I always want to use the detail editor and I have now basically an extra step where I
[02:13:37] have to double click here or I need to switch the mode here or use a shortcut to just go
[02:13:43] back to the device chain.
[02:13:46] I want to have the device chain always inside.
[02:13:52] That's what I want.
[02:13:53] And then I basically go in here with tap and it did my stuff go out and it did something
[02:13:58] else.
[02:14:00] And that's how I was used to the workflow.
[02:14:03] So these are the two things that are basically annoying to me right now.
[02:14:09] And yeah, this is probably a bug with the recording here inside of the loop that it gets, you
[02:14:17] know, that it deletes the automation.
[02:14:23] It looks a bit like comping, automation comping, but I don't think it's automation comping.
[02:14:29] So it just that's just a bug I think to the website provide downloads of legacy versions.
[02:14:43] Yes, there's old versions page for downloading or it was just realized when you group a
[02:14:58] few tracks and duplicate the group, it doesn't re-duplicate the group, you group a few tracks
[02:15:06] and duplicate the group, okay, I put this in a group and then you duplicate the group.
[02:15:13] Okay, it just makes two of these devices inside of the group, okay, this is also a bug probably.
[02:15:27] So yeah, take notes, write notes, okay, autocorrect bug, yeah, a high polarity, can you please
[02:15:50] check if the device lane remembers its position when changing tracks or doesn't it revert
[02:15:56] to the beginning of the chain, okay, when you go in here and go there and go back, then
[02:16:07] it's back in the beginning here.
[02:16:12] So no, it doesn't remember its position inside of the scrolling view.
[02:16:17] It's just resets to the beginning.
[02:16:22] Can I use automation clips to other tracks?
[02:16:25] You can, just move automation from one lane to another, that's possible for sure.
[02:16:40] Just have to, if this is the volume, you can use the cutoff modulation here and just move
[02:16:46] it to the volume of this track, so this is possible.
[02:17:11] Just read, let me read here the chat for how do you zoom in on the wave so that it looks
[02:17:21] bigger in windows, thanks.
[02:17:26] You mean in the ranger, bounce, you can zoom in all, just take the timeline here and click
[02:17:44] and drag, you can zoom in, all the clips gradient in color now, yes, they basically, the gradient
[02:17:55] indicates inside of wave files, the gradient shows you how loud something is, when something
[02:18:03] is quiet, it's much more gray, so there's more gradients to it.
[02:18:07] And here, inside of the note clips, you can see because of the gradient that track or
[02:18:13] does it that the clip basically repeats at this position.
[02:18:20] I think the show automation lanes button is kind of weird because of the positioning,
[02:18:24] if it's on the group, it kind of looks like it's expand the group instead, yes, this was
[02:18:30] also my problem.
[02:18:33] You have basically different things here, right, so here's automation now.
[02:18:40] I think this was also in Bitwig, you can see here, right, in Bitwig 5, we had here this
[02:18:45] folder button to unfold basically, and then down here on the tracks itself, you could
[02:18:51] unfold automation here, so it was very clear and was always in the same place.
[02:18:59] And now it's here, right, to opening up the group, it's not here anymore, it's here, and
[02:19:06] then there's a plus button here, which looks like it should doing this, but instead you
[02:19:11] have automation now here.
[02:19:14] And when you have automation already in place, then you have no plus button here, you have
[02:19:18] now this unfold button here.
[02:19:21] So this is, yeah, I'm not sure if this is the right way, it messes me up all the time,
[02:19:31] you probably also get used to it at some point.
[02:19:35] So we all have basically muscle memory for years, building up about how Bitwig works
[02:19:42] now, where the buttons are and so on.
[02:19:45] And now we have major changes, also here, this now bar at the side, I don't know how
[02:19:52] to call it, action bar or however you want to call it.
[02:19:58] It's now on the right side, also in the editor, we have on the right side now here these buttons,
[02:20:04] which is a bit different.
[02:20:06] Also here new buttons, then we have also here long click, this was also a kind of a feedback
[02:20:11] of mine that we have this button.
[02:20:13] This is the first thing that we are the first icon, where you have to make a long click.
[02:20:22] One click is enabling this labeling and then you click and hold and then you get a drop
[02:20:26] down menu also here.
[02:20:30] So it's there are some new interactions there with the interface.
[02:20:36] But this is something I get used to it probably pretty fast.
[02:20:46] I much prefer all of those changes, it's much more intuitive we're just used to old inefficient
[02:20:52] Bitwig.
[02:20:53] Yeah, this could be true.
[02:20:56] So it needs a bit of time, this is why we have beta, this is why we have demos so we
[02:21:01] can try it out, maybe we get used to it.
[02:21:04] And at some point, if you are using the new version Bitwig 6, then you probably can't
[02:21:11] go back to Bitwig 5.
[02:21:17] Actually I don't actually don't that much impressed with the new stuff could totally live
[02:21:22] without it.
[02:21:23] Yeah, if it's not in your scope, for me actually also here the global scale, I think it's totally
[02:21:29] fine to have this.
[02:21:31] I like how they implemented this also, and I probably also use this a lot.
[02:21:37] But I could live without it.
[02:21:40] So I do drum and bass drum and bass is chromatic.
[02:21:43] So I just use random notes all the time.
[02:21:48] So I'm not really, I don't really need a scale feature, but it's nice to have it.
[02:21:55] I mean, there are probably a lot of beginners that need this.
[02:21:59] And also for my ambient stuff, which is mostly diatonic, I have my scale, my minor scale
[02:22:05] down.
[02:22:06] And yeah, but it's nice to have, it's nice for others, right.
[02:22:12] So long click is definitely an obscure command by itself.
[02:22:21] Yeah, long click is also weird on iPhones and iOS.
[02:22:28] Always find it weird because it takes a bit of time, right.
[02:22:31] You want to have snappy, you want to click and then something happens.
[02:22:34] But here you have to click and wait, and it feels like forever.
[02:22:40] It's fast.
[02:22:41] It's not, you know, but it's always a bit weird.
[02:22:47] But it's also not like that you need to access this all the time.
[02:22:53] You need it only sometimes.
[02:23:09] Could just right click instead of long click.
[02:23:12] Let me see.
[02:23:16] Right click is enabling disabling.
[02:23:18] Yeah, but you could implement it.
[02:23:22] Oh my, that's a couple hundred milliseconds.
[02:23:26] Exactly.
[02:23:27] It's like forever.
[02:23:34] Scales always a good feature to market to beginners, exactly.
[02:23:37] So they are pretty safe.
[02:23:39] They just enable this and use whatever scale and then they just paint in some random things
[02:23:44] and it sounds great.
[02:23:46] It sounds OK.
[02:23:56] On Linux works with the right click.
[02:23:58] That's nice.
[02:23:59] Yeah, they maybe have to change this also for Windows.
[02:24:12] Hamburger menu to the right.
[02:24:14] It's itching me to know what's this hamburger menu looking button to the right of the edit
[02:24:19] mode.
[02:24:20] Hamburger button, hamburger button, edit mode.
[02:24:30] I don't see it.
[02:24:32] There are three lines, right?
[02:24:48] I don't see it.
[02:24:56] Some left, bottom left, this one here.
[02:25:06] No, this is new.
[02:25:19] That's expressions.
[02:25:23] This one here is not a hamburger icon.
[02:25:28] Hamburger icon has three lines.
[02:25:38] So I think in my opinion, this is the biggest update yet to any in any version, there are
[02:25:45] so many small changes and it changes a lot of things to automation, how you work with
[02:25:51] clips that you can make automation actually work exactly in the same way as note clips
[02:25:57] and audio clips, the global scale feature.
[02:26:02] So many things and so many small things.
[02:26:06] If you look at the changelog, maybe you can look at the changelog here, there's so many
[02:26:12] small little things.
[02:26:15] When I log in, hello, changelog, bam.
[02:26:27] What's new in Bitwig Studio 6.0 Beta 1?
[02:26:30] So there you have it, alias clips, automation clips, automation editing, key signature support,
[02:26:38] editing improvements.
[02:26:39] I would say it's improving in a lot of places and some places you really need to get used
[02:26:45] to it or maybe there needs to be some changes.
[02:26:49] Spray can tool is new step input tool where you can step with the MIDI keyboard, which
[02:26:57] is really great.
[02:26:59] Audition tool, maybe this needs a shortcut where you can quickly activate it.
[02:27:03] So you press a button, you have Audition.
[02:27:05] If you release the key, it's not at auditioning anymore.
[02:27:09] Maybe there is already something like this.
[02:27:12] Clip launcher status display, these are basically these things here.
[02:27:18] I think this one showing you where you are inside of the clip and general improvements.
[02:27:28] And to all of this, we have a lot of things.
[02:27:38] So many things, clips that use the same pattern are alias clips marked with the little paper
[02:27:42] clip icon.
[02:27:44] This was already people found out from the teaser picture already.
[02:27:52] When capturing a launcher performance into the ranger, alias clips can be written to
[02:27:57] the ranger with the record to arranger as alias clips option in play menus clip launcher
[02:28:01] section.
[02:28:02] This is what I showed you here, record to ranger as alias clips.
[02:28:09] So you can really build loops inside of the clip launcher and then record to the arranger,
[02:28:16] but only the alias clips, which means you can then change all the clips in here and
[02:28:22] the complete project changes with that, right?
[02:28:25] If you just want to have one sequence different, change it here and all the other alias clips
[02:28:30] change in the project.
[02:28:32] So a pretty big change actually in how I probably work with Bitwig in the future.
[02:28:42] There's also a merge duplicate patterns for project function for linking duplicate clips
[02:28:49] on any note track, audio track and automation lane.
[02:28:53] And this is really great for old projects.
[02:28:57] If you open up an old project and you have all the note clips, all the audio clips copied
[02:29:04] over the project and what you can do then, I haven't found the button yet, but you can
[02:29:09] open up here the commander.
[02:29:13] And it's called merge duplicate patterns for project and it takes all the clips and matches
[02:29:19] them basically into one original clip and alias clips.
[02:29:24] And then you can change just one clip and all the other clips change.
[02:29:28] So it's also big for older projects and you don't need to do this for every track for
[02:29:32] every small clip.
[02:29:34] It's just one fun function for everything.
[02:29:39] Just dope.
[02:29:42] Automation clips.
[02:29:43] Oh yeah, here it says also opening previous projects and immediately taking advantage
[02:29:49] of alias clips.
[02:29:50] So old projects benefit from this working in your normal copy duplicate way.
[02:29:56] That's probably what I do.
[02:29:58] And then linking duplicate material afterward, right?
[02:30:01] You just clone and copy and make and in and then just do this feature and it makes alias
[02:30:08] clips from your original clips and so on big.
[02:30:14] Yeah, automation clips makes all the automation on this brings it to the same level as note
[02:30:24] clips and audio clips pretty big.
[02:30:32] Use familiar clip workflows on automation, including content scaling, stretching from
[02:30:36] functions or mouse interactions.
[02:30:38] Yeah, this is also what I showed you here clips will follow the parent node so you can
[02:30:45] move around the clip and automation follows with the with the note clip with the audio
[02:30:51] clip, but you can also detach it here with the automation lock feature, which is basically
[02:30:58] this button here, right?
[02:31:01] So the automation is detached from the clip.
[02:31:06] Also showed you this.
[02:31:13] Easily adjust note audio clips and automation loops to use different lengths.
[02:31:18] So poorly rhythms, not only for notes and audio now also for automations, you can make
[02:31:27] like a four bar sequence and then a three bar long automation and then you have poorly
[02:31:34] rhythms with this with this, the range of your free to use track automation and or automation
[02:31:45] clips.
[02:31:46] Okay.
[02:31:47] So it's basically just having automation without a clip surrounding it, the turn, the turn
[02:31:59] track automation beneath a note audio clip into an automation clip of the same length
[02:32:04] alt click the lane above or below the automation curve.
[02:32:10] Yeah, that's that's basically what I did here with this.
[02:32:16] And you just modulate stuff and you hit alt and it gives you this and it makes a clip
[02:32:23] out of that now to turn a time selection of track automation into an automation clip, use
[02:32:37] the time wrap as automation clip function, which is mapped like group control G. Okay.
[02:32:44] So you can use three or two time selection say, I only want to have this as a clip and
[02:32:51] then you can use control and G like grouping or right click and say wrap as automation clip.
[02:32:57] And then you have only this part as a clip as an automation clip nice.
[02:33:07] Preferences are available for how a range automation is recorded in different contexts.
[02:33:11] Okay.
[02:33:12] Dashboard on a settings recording a range of parameter recording when notes recording
[02:33:18] track automation when writing out don't get that.
[02:33:30] Dashboard settings recording a range.
[02:33:39] When notes recording create automation clips when audio recording create automation clip.
[02:33:46] Okay, so I can define when I record something out automation is displayed as just normal
[02:33:55] track automation or a clip.
[02:33:59] Okay.
[02:34:01] Nice.
[02:34:04] Automation clips on the clip launcher will follow their parent note audio clips.
[02:34:15] So automation clips always be triggered and stopped directly in the clip launcher.
[02:34:20] Okay.
[02:34:21] Triggering a note audio clip launcher, including an example also launch its automation clip.
[02:34:26] So yeah, when you basically go from one clip to another clip in the clip launcher automatically,
[02:34:31] it also triggers the automation below that.
[02:34:50] Automation clips can be saved to your library.
[02:34:53] So you can make curves and just reuse it and just put it on the automation lane that you
[02:35:02] want to automate nice.
[02:35:06] Not that like I needed, but it's cool to have clicking plus in an empty automation clip
[02:35:14] load slot loads the visual curve browser offering automation clips and bb curve files.
[02:35:23] Oh, we can have an empty automation clip or to create an automation clip on empty one.
[02:35:38] Maybe this one here, like this, um, clicking plus and plus in an empty automation clip
[02:36:02] slot.
[02:36:03] Oh, this plus.
[02:36:08] Oh, okay.
[02:36:09] I see.
[02:36:10] So here, this one, then it loads up this one and then you can just have this.
[02:36:15] Okay.
[02:36:16] I get it.
[02:36:17] Damn it.
[02:36:18] That's nice.
[02:36:19] And here I can load.
[02:36:22] Okay.
[02:36:23] Okay.
[02:36:24] I never used this.
[02:36:27] Nice.
[02:36:28] Um, tracking automation clip from the current spread into a device modulator panel, loads
[02:36:37] the shape into the segments.
[02:36:38] I showed this all track loads the shape into a curves LFO.
[02:36:45] Ah, okay.
[02:36:46] When there is, when there is no thing here, right?
[02:36:49] So I can use this and I drag it in and it becomes a segment when I hold down alt, it's
[02:36:54] a curve modulator.
[02:36:55] Okay.
[02:36:56] Easy.
[02:36:57] That's what I, that's what I like.
[02:37:02] Same is true for tracking an automation clip from the grant project in this grid device,
[02:37:07] grid editor, loading the shape into a segments.
[02:37:10] Okay.
[02:37:11] So when I have here, uh, poly grid, but I need to have this, this, okay, makes the segments
[02:37:24] out of it.
[02:37:25] Nice.
[02:37:26] Basically also segments when I hold down alt, it's curves.
[02:37:32] Nice.
[02:37:34] Clip launch is very, where, where it starts, where it all starts.
[02:37:42] Yeah.
[02:37:43] I like it.
[02:37:54] Six point one will be sampler plus, okay.
[02:38:03] I run away from Cubase to FL studio, then the Bitwig, I love Bitwig.
[02:38:08] It's true for me.
[02:38:09] I, I really love it.
[02:38:11] I sound like a shill, but I, I really love it.
[02:38:14] It's just, it's so, it's just so good.
[02:38:18] It doesn't feel like an application from 20 years ago.
[02:38:23] It feels like really modern and playful and thought out.
[02:38:32] You can't put this in here.
[02:38:45] Add automation, automation, clip to library, alchemy.
[02:38:48] You're wrong.
[02:38:49] Okay.
[02:38:50] You can put the automation into your library and then recall it.
[02:38:57] Game one is there.
[02:39:07] There is no, yeah, this is how an automation looks like.
[02:39:15] So you can drag it in easy or weird.
[02:39:21] It didn't let me do that in my version.
[02:39:23] Yeah.
[02:39:24] Use the new version, the beta version.
[02:39:30] Yeah, they change a lot.
[02:39:33] They make a lot of progress.
[02:39:34] They are heavily, heavily working on that.
[02:39:39] So I guess there will be quite some changes still in the beta over the course of the
[02:39:44] beta.
[02:39:45] All the new stuff is like on an old compact mini stereo system with EQ and sound improvement
[02:40:07] stuff you don't not really need and ever will use.
[02:40:09] Now, that's not true.
[02:40:11] That's not true.
[02:40:12] Some of the stuff is really, really nice.
[02:40:14] And you will try it out and then you will recognize or maybe this is how I should make
[02:40:22] music in the future or something like this.
[02:40:26] Not everything, but some of the stuff will be handy in some one or the other case.
[02:40:33] And just having touched everything now, the ranger making everything a bit sleeker, dark
[02:40:39] backgrounds, having everything a bit snappier is also a big win and why not touch all the
[02:40:45] other things while doing that.
[02:40:58] Can you expand drum machine tracks in the ranger view?
[02:41:01] No, I don't think so.
[02:41:03] If you have your drum machine, you still need to go into the clip.
[02:41:14] Wait a minute.
[02:41:18] Drum machine?
[02:41:19] Hello.
[02:41:20] Kick.
[02:41:21] This is not my thing here, opening up this editor down here.
[02:41:49] Hey, trap.
[02:41:58] No, that's not my snare here.
[02:42:09] Okay, it shows.
[02:42:25] There's no, no thing to make this visible in the ranger, but I don't know if you just
[02:42:32] double click it.
[02:42:33] You see it down here.
[02:42:34] Why what's the difference between seeing it here and here?
[02:42:38] So I don't know.
[02:42:42] Sometimes I don't really get what people want and what, you know, and sometimes I, I don't
[02:42:47] get it.
[02:42:48] Just people want something because they know it from, from a different application and just
[02:42:56] drive it exactly this way without having a reason.
[02:42:59] So I don't see a reason why we should have now here expanding notes or having a note
[02:43:05] editor in place inside of the ranger.
[02:43:08] Why not just opening this up or having this here or it just makes things more complicated
[02:43:16] in my opinion.
[02:43:17] You have to.
[02:43:18] I don't know what I want.
[02:43:31] Everybody wants a Frankenstein of all those.
[02:43:32] Yeah, that's true.
[02:43:33] It's, it's also something that we talked about yesterday and yesterday's stream with gaming,
[02:43:39] right?
[02:43:40] The more popular something gets a game, more casual players come in, more casual users
[02:43:46] come in, come in and they have different skill sets and they want to have different things
[02:43:50] and they used all the different doors and they know this from that and this from that.
[02:43:55] And of course they want to have everything in just one door and for, for half the price
[02:44:00] and every feature possible in no time.
[02:44:04] You know, it's, that's how the market works.
[02:44:07] That's usually always the case.
[02:44:12] But for me, I don't, I know how it works.
[02:44:16] I see it and it's okay.
[02:44:19] That's how things work.
[02:44:20] The more popular Bitwig becomes, the more people come in and the more it gets dragged
[02:44:26] into all kinds of different directions, right?
[02:44:28] I want to have more modular stuff.
[02:44:30] Other people want to have a video track because they make music for ads.
[02:44:34] Other people don't know harmony theories, so they want scales.
[02:44:39] Other people want ARAV or ARAV or Melodyne because they use Melodyne a lot.
[02:44:44] I don't use Melodyne at all, so, right?
[02:44:47] So different people want different stuff and everyone tracks Bitwig into a different direction
[02:44:52] and Bitwig has to implement this or it goes down, nobody wants to buy it or, you know,
[02:44:59] stuff like this.
[02:45:00] You can, it's basically the internet.
[02:45:01] Every possible comment you can think of is written down somewhere under some post.
[02:45:09] Man, I'm having a blast here.
[02:45:14] These new automation clips are amazing for making 90s hip-hop genre low, exactly.
[02:45:21] I'm not moving to Bitwig 6, that's okay.
[02:45:25] That's perfectly fine.
[02:45:34] You really looks great.
[02:45:35] ARAV 2, I can't see it anywhere.
[02:45:37] It's not in there, but the UI looks great, okay.
[02:45:43] I'm happy everyone got automation now.
[02:45:48] Logic Pro is only for Mac, that's true.
[02:45:54] That's how the market works.
[02:45:55] If you didn't catch up, you will end like reason.
[02:45:59] Yeah, with reason, I think it never had really a big, it was never a big door anyway.
[02:46:11] It was more like marketed in the beginning as like this tool that you can use on the
[02:46:17] laptop because it doesn't use much CPU resources and it looked like, yeah, like a very beginnerish
[02:46:28] thing to play around with all the devices and so on with this rack.
[02:46:33] So I don't know, there's probably also the marketing at fault there and how they treat
[02:46:40] that it took way too long to implement audio tracks I think in reason also.
[02:47:00] Can you explain me what you mean about the clip editor opening at the bottom in Bitwig
[02:47:05] 5 is the same for me when I double click a clip, it opens the editor at the bottom.
[02:47:11] Yes, that's true.
[02:47:13] If you double click this here, it opens up, this is completely fine.
[02:47:18] But now in Bitwig 6, when you create a new clip here by double clicking, it opens up
[02:47:25] the clip automatically down here in the editor.
[02:47:27] This was not the case in Bitwig 5, at least for me.
[02:47:31] Maybe there's an option to switch this off, but for me I always want to see basically
[02:47:37] the device chain down here without having an editor there.
[02:47:42] Also when you use here the spray paint, you make this, it opens up the editor automatically,
[02:47:48] which is a bit annoying for me.
[02:47:52] It's not a big thing, it's just, it will probably change or maybe there will be an option hopefully.
[02:47:59] Because I never use this editor down here, I always go into this editor mode with tap.
[02:48:14] So I made this change at some point a few years ago.
[02:48:17] Some people recommended this and I made the change and now I'm so used to it by going
[02:48:23] in here, making edits go out, go in here, go there.
[02:48:27] And when I'm editing notes, I want to change also at the same time my instruments or my
[02:48:35] chain.
[02:48:36] But with this thing here, you basically change the notes and then you want to change the
[02:48:41] cutoff and you have to go back in here, you have to switch here.
[02:48:44] And it's not my thing.
[02:49:04] I think reason just re-specialized into what it was good for to begin with, kind of.
[02:49:14] So it's a nice, nice application.
[02:49:16] But I think also going for making this available as a plug-in was not a big or was not a good
[02:49:23] move from a company standpoint, I would say.
[02:49:29] It's good for the users, of course, but from a company standpoint.
[02:49:32] So now you don't have to use reason as a door.
[02:49:36] You just use it as a plug-in in whatever door you use.
[02:49:42] And I don't also see a need for that.
[02:49:50] But I also had to learn this in the recent years or the recent decades that a lot of
[02:49:55] people actually really want to use multiple doors for some reason.
[02:50:01] I was never a friend of this.
[02:50:03] And they want basically to have every door in every other door and then load up reason
[02:50:08] and reason.
[02:50:09] They load the VST with this stuff and then you can load up Omnisphere, which also can
[02:50:13] load up VSTs, right in the left, like this VST doorception, which I don't get.
[02:50:24] It's one more click every clip you add, yes, exactly.
[02:50:29] That's a bit annoying.
[02:50:31] Currently, I really like how the BV Bitwig team is handling the request and still doing
[02:50:38] it in the Bitwig way.
[02:50:39] With every update, I see how Bitwig is turning from a child into a capable but playful adult.
[02:50:46] Nicely worded, nicely said.
[02:50:51] How do you do that is that from pressing tab.
[02:50:54] It's actually by default, it's not tab.
[02:50:56] It's for you, it's probably shift tab and I change this to tab only.
[02:51:03] Settings, shortcuts, tab, toggle edit view.
[02:51:09] For you, it's probably shift tab.
[02:51:11] For me, it's tab and it's really nice also for videos.
[02:51:16] So most of the things I change or how I use Bitwig is mostly because I do YouTube videos
[02:51:22] or because I do streams, because I want to have everything on one screen and show you
[02:51:28] also the full thing, right, the full edit, what I do.
[02:51:32] So for me, having here actually this blown up, increased GUI scale and having everything
[02:51:39] on one screen and having this detail editor here is mostly only because I do streams and
[02:51:45] YouTube videos.
[02:51:46] If I didn't do this, if I just was a normal producer, I would have wrote the other scale
[02:51:54] way down.
[02:51:56] So this is how I had it in the beginning and I did YouTube videos and then people said,
[02:52:00] "I watched it on my smartphone, I can't see anything."
[02:52:03] Okay, so I had to blow it up and then when I blow it up and I do streams like this and
[02:52:08] people say, "Oh, you're actually blind, right?
[02:52:11] Why do we have it like this big?"
[02:52:12] And then I say, "I'm actually a grandpa."
[02:52:21] Will the project from Bitwig 5 open correctly in Bitwig 6 or is it better to create a new
[02:52:26] project in Bitwig 6?
[02:52:27] Yeah, of course, if you can open up old projects, okay, but you probably don't want to save
[02:52:35] it right now in the beta because there are bugs and stuff like this.
[02:52:40] So if you have an important project, please don't open it in Bitwig 6 and save it.
[02:52:47] But they made some changes.
[02:52:49] Let me see.
[02:52:50] It's way down here somewhere.
[02:52:52] Yeah, it's a new way they save versions.
[02:52:58] Let me see, or is it called backup?
[02:53:08] Yeah, here, "When you open a project made in the previous version, the original project
[02:53:16] file is automatically backed up.
[02:53:19] When the current project's auto-backup folder, a folder called versions will be created.
[02:53:24] So now we have a versions folder inside of backup.
[02:53:28] The backup will use the original project file name plus the version it was saved with and
[02:53:33] the last modified date, such as the year Listener 4.8, whatever, bbproject.
[02:53:42] While the top-level backup folder only keeps 10 most recently saved copies, backups in
[02:53:48] the versions folder will now be automatically erased, will not be automatically erased.
[02:53:55] So it basically saves now backups with the versions or with Bitwig versions.
[02:54:01] So you can also go back, you know, when you started in Bitwig 1, whatever, and you open
[02:54:08] this up, this project in Bitwig 6 and save it, you can still open this then up in the
[02:54:14] last version you saved it with Bitwig 1, something like this.
[02:54:19] So this is a nice addition now.
[02:54:23] It's very hidden here in the change log.
[02:54:27] I also saw this yesterday evening.
[02:54:31] I read red through all of this and try to remember everything.
[02:54:35] Yeah, they also have something like this in there, which is not super big, but if you
[02:54:41] have a mid-site split container, you can right-click and you can say convert to stereo split.
[02:54:47] Or you have a stereo split and you can convert it to mid-site split.
[02:54:50] And a lot of devices here that you can then have in the device chain, you can right-click
[02:54:55] and convert it to something else.
[02:54:57] So Compressor offers an upgrade to Compressor Plus, for instance, with all the settings.
[02:55:06] That's important.
[02:55:07] So when you have a Compressor on a device or on a chain and you have dialed in some
[02:55:11] settings you like, you right-click, you upgrade to Compressor Plus and the Compressor Plus
[02:55:16] then tries to use or mimic the behavior of the old Compressor.
[02:55:21] Also with EQ2, you have an EQ curve in there and you want to upgrade to EQ5 or EQ+, you
[02:55:26] can do this with the right-click and all the settings of EQ2 are now implemented in EQ5
[02:55:31] and EQ+.
[02:55:32] So you can switch between different devices without losing values or settings.
[02:55:46] In my opinion, that's nice to have.
[02:56:03] I'll show you for a minute the video maybe and then I'll get the banana, where is it?
[02:56:26] I really like the design of this and in a way also Bitwig 6 looks like, as you can
[02:56:42] see here with the buttons, they are a bit more edgy.
[02:56:45] It reminds me a bit of Bitwig 1 or Bitwig 1 or Bitwig 2.
[02:56:51] Some of the buttons here are a bit more edgy, so it has a certain feel to it.
[02:56:56] So, yeah.
[02:56:57] Bye.
[02:56:58] Bye.
[02:56:59] Bye.
[02:57:00] Bye.
[02:57:01] Bye.
[02:57:08] Bye.
[02:57:15] Bye., bye.
[02:57:43] Bitwig Studio 6.
[02:57:56] Isn't possible to move the browser on the left?
[02:58:01] Let me see.
[02:58:02] Is it possible to move the browser on the left, like stacked with it?
[02:58:08] There is an option called display profile, I think, single display small.
[02:58:19] The inspectors on the left side, no, it's not possible, I think.
[02:58:24] The music they used is so not hype, yeah, it's playful.
[02:58:48] I'm not a fan of the rounded corners on the clips.
[02:58:51] Yeah, some, I think this was also kind of a small feedback of mine that some of the things
[02:59:01] don't match up in a way.
[02:59:07] I'm not sure what it was.
[02:59:11] By the way, I never eat a banana on stream, this can lead to strange memes.
[02:59:21] Well, I do it anyway.
[02:59:32] Another problem of this automation mode is when you have this on, when you have automation
[02:59:42] mode on like this, you can see is soloing mute and record is basically hidden.
[02:59:49] It's you can't solo, you have to switch back solo, switch back.
[02:59:57] I don't feel it and polarity choking and it happens.
[03:00:09] If you want to eat and talk at the same time, they had chopped corners which people didn't
[03:00:22] like, but the surrounding is subtle enough in my opinion, yeah.
[03:00:30] What I said, I think some of my criticism or feedbacks, Watson's criticism, but when
[03:00:35] you go in and you have the first, you know, the first impression, you have like rounded
[03:00:40] corners here, which is different radius than this rounded corner and this button button
[03:00:47] here also have a different rounded corner than I don't know this one here.
[03:00:51] So it's, you know, it feels a bit, and I said maybe I am too German for that, you know,
[03:01:00] it's not a big problem.
[03:01:01] It's just what I see.
[03:01:04] Also when you open up here, the settings, you can see there's no spacing here between
[03:01:08] the settings and the top bar of Bitwig, which I don't like.
[03:01:13] And also if I decrease here the scaling, right, it's just, it's just hooked up to the top,
[03:01:20] which doesn't look good.
[03:01:22] In my opinion, there needs to be some spacing at least.
[03:01:27] Maybe they don't want to touch this because they want to revamp here the settings page
[03:01:31] or the dashboard or whatever.
[03:01:35] But for now it's a bit too crammy, too cramped, crammed in.
[03:01:41] That's the right work, I think.
[03:01:47] But outside of that, I think the update looks really good.
[03:01:54] Maybe here also with the slider, I was really used to having the slider here.
[03:02:03] Having the slider now here, this is actually zero, yeah, that's zero dB, right?
[03:02:10] All the way up is six plus six dB.
[03:02:14] So yeah, it's a bit all over the place sometimes.
[03:02:21] But it's not that bad, it's just some small things that I can see here and there.
[03:02:30] Oh, the quartz at the top is not the MIDI quartz plate, no, no, no, it's a choosing key
[03:02:45] by the user.
[03:02:46] Yeah, it's basically defining the scale of the project.
[03:02:50] You can also change this by using automation here on top, right?
[03:02:55] So you can have multiple scales, multiple or yeah, scale changes in here.
[03:03:03] You can say here we play basically in E flat minor and then you can change the thing here.
[03:03:11] And everything inside of Bitwig changes with that.
[03:03:17] So inside of the note clip we have then this kind of overlay that you can enable here with
[03:03:27] this button can also change here the snap to key, piano pattern or it looks like if you
[03:03:37] like to have here these small little bluish lines instead of having this.
[03:03:46] So also devices using this kind of global scale.
[03:03:52] So it's basically a project, yeah, project scale feature.
[03:04:06] This opportunity to have scale degree note clips instead of absolute pitches in more.
[03:04:12] What do you mean with scale degree note clips?
[03:04:22] The gradient thing looks kind of weird.
[03:04:24] Yeah, you have to get used to it, maybe use it a bit more and then you get used to it.
[03:04:31] It's just, you know, you're used to the old look and they changed a lot of things.
[03:04:37] So you need a bit of time to adapt for sure before you have your opinion.
[03:04:44] Just take some time to use it and write down what you think, what you feel and then maybe
[03:04:51] send it over to Bitwig.
[03:04:59] Still no video support sticking to Ape of the Life, okay, bye.
[03:05:11] Have fun with your videos.
[03:05:37] Colority is back.
[03:05:50] If you want to make generative music, it's, you don't even need to open the grid anymore
[03:05:58] in Bitwig.
[03:05:59] You just can do it with just some notes.
[03:06:09] Step recording, painting, I tried to use this paint tool here.
[03:06:17] Or maybe just one line again.
[03:06:36] Randomize.
[03:06:54] Then.
[03:07:14] Oh, yeah, that's also the note echo.
[03:07:37] Every time I want to do some music, I have a new brain fart.
[03:07:44] There is, what's the name?
[03:07:50] The note echo.
[03:07:52] Also the note echo we have here, this pitch option, right?
[03:07:58] So you can say every time an echo is appearing, pitch up three semitones.
[03:08:05] Five repetitions, and then you play a note and it goes up in the scale.
[03:08:13] If this is disabled, this is semitones, put it this, pretty nice.
[03:08:32] Also nice for generative music.
[03:08:40] It's that randomization for delayed time randomization.
[03:08:54] And quantize this.
[03:09:08] The note echo also has this global key feature.
[03:09:11] So everywhere there's pitch involved, you have now this button kind of, which is really
[03:09:17] nice to have.
[03:09:20] This upgrade was very musical, yes.
[03:09:37] Is the randomize keeping it in key now to C minor now in Bixix?
[03:09:42] Yes, exactly.
[03:09:43] By the way, there's also a new key filter here.
[03:09:46] I think I showed it already.
[03:09:48] It looks like this, there's still the old key filter available.
[03:09:57] Probably have to, legacy content, yeah, key filter.
[03:10:03] This is the old one.
[03:10:04] You can see it's a graveyard now, RIP, Rest in Peace key filter.
[03:10:08] This is the old one.
[03:10:09] So the U1 looks like this and you can use, of course, the global scale if you use this
[03:10:14] button here, or use a local different scale.
[03:10:20] It looks like you can click this, but it's not possible.
[03:10:23] I would wish they did this here so you can have a custom scale, but whatever.
[03:10:41] I think the new GUI looks really nice, minus some of the new workflow issues that give
[03:10:46] you extra steps.
[03:10:47] Exactly, that's nicely worded.
[03:11:00] I kind of don't feel a need to defend Bitwig because it sort of speaks for itself.
[03:11:08] People expecting something kind of outside its usage specializations, it's just showing
[03:11:13] lacking info.
[03:11:14] Yeah, the problem is what I said earlier.
[03:11:18] A lot of people coming in from different doors, they have different expectations, they have
[03:11:22] different workflows, different goals, and they like Bitwig for certain type of reason,
[03:11:29] and then they think, oh, when there just would be some kind of video track, I could do everything
[03:11:34] just in Bitwig.
[03:11:35] It would be so nice, and if Bitwig just had ARRA, I could just use Melodyne with Bitwiggens,
[03:11:45] it would be so great, and then everyone is super kind of disappointed when it's not coming
[03:11:51] in the next update, but it needs some time.
[03:11:55] Now we have here the feature updates on the arranger, on the clips, on automation, and
[03:12:01] so on.
[03:12:04] It's probably coming at some point, you just need to wait, and it's still a small team.
[03:12:12] They are not vibe-goating in Berlin, in Berlin there's still real coding happening, it takes
[03:12:19] time.
[03:12:28] This update is pretty amazing from what I'm seeing, yes, I would say so.
[03:12:46] I think the new key scale at the top should have been track-based, not project-based,
[03:12:52] I think it's good in this way, so we can disable this here on the track itself.
[03:13:01] One of my feedback was also having a key filter already included into the inspector
[03:13:09] here on the left side, so you can actually record the right notes to the note clip.
[03:13:15] At the moment you basically can play wrong keys out of scale keys on the keyboard, and
[03:13:24] then you record the wrong keys in the note clip, but then you have to put the key filter
[03:13:31] on there to correct these out-of-scale notes to the scale.
[03:13:40] I wished we had something that you can actually correct the notes before you record it to
[03:13:46] the piano roll, this would be nice to have.
[03:13:52] So maybe here's something before you have the input, I did a script for this, and it
[03:13:57] works with a controller script, but would be nice to have this included here into the
[03:14:02] inspector.
[03:14:14] The ski recording thing is something I wanted to, yes, because you want to have the right
[03:14:19] keys in the piano roll or in the note clip.
[03:14:44] It's just what I see, I'm completely fine how it is, I'm completely fine if people
[03:14:53] won't have different things in there, I can get used to everything.
[03:15:01] If they don't change here for instance this stuff and open up the editor, I have to live
[03:15:06] with that, it's just how this application now works, it's not like I have to stop using
[03:15:17] it, I need to use something different or I need to go repo or whatever, that's not how
[03:15:24] I work.
[03:15:26] I worked with so much worse software over years, I'm getting used to that.
[03:15:36] This show mix panel, oh yes, the mix panel, that's something I never use, we can resize
[03:15:41] this here, look at this, can make it really, really small, you can also see the EQ curve
[03:16:02] in here.
[03:16:11] Modes, text, cool, can make comments also, I mean this was in before, but it's still
[03:16:41] good, I never use it.
[03:16:44] So yeah I think the biggest change here is that you can make it really small.
[03:16:55] The trick is the door for scientists anyways, if you can't find a solution for your needs
[03:17:05] it's probably the wrong door, yes I can make everything work in Bitwig, I can find my way
[03:17:11] around it.
[03:17:19] Okay so we just got Bitwig 6, okay 6.0, people already waiting for 6.1, Mark, Tilesia, I
[03:17:32] see you, Bitwig 7 waiting, oh I have to change the name, the discord channel to Bitwig 7,
[03:17:59] oh it's got removed, okay, we have to wait for Bitwig 7.
[03:18:10] Man I really love this update to be honest, it's really dope, it's probably also interesting
[03:18:21] for me because I don't need to see all the comments bitching about scale highlighting
[03:18:31] all the time, okay, I see this in the comments every time I make a video, every time I make
[03:18:36] a video I have feature requests in the comments or if I show a trick how I can make notes
[03:18:45] in Bitwig, yeah we need scale highlighting and finally these comments are gone, okay,
[03:18:57] this is why I'm the most thing I'm happy about, will you make a recap video with all
[03:19:13] your good and bads of Bitwig 6, yes, I make a smaller video, try to make it positive but
[03:19:24] I also bring some downsides, but I also say that it's not like I'm moving to repo or anything
[03:19:34] like this, I'm perfectly fine and some of the things are probably changing anyway over
[03:19:39] the course of the beta, so I will highlight all the positive good things and things I
[03:19:47] really like, can we change automation clip colors, I guess so, automation mode, then
[03:20:09] you have different color, yeah, nobody moves to repo, every time you hear something like
[03:20:19] this I'm moving to repo, it's not gonna happen, they open repo and then they create two clips,
[03:20:26] two audio clips and then they close repo down and then they use Bitwig again, trust me,
[03:20:32] nobody uses repo for making music, that's just a door for mixing stuff or mastering
[03:20:38] stuff, but nobody, if you make creative music in Bitwig your maniac, if you make creative
[03:20:45] music in repo your maniac, and I know this because I did this before, not with Bitwig
[03:20:59] or with other things where I was like oh damn, I have to use something different, then you
[03:21:04] try to use something different then nope, nope, nope, nope, I'm going back, it's so
[03:21:13] hard to switch applications, trust me, once you have the habits down and the muscle memories,
[03:21:23] it's very hard, which is why we need video, yeah, yeah, yeah, yeah, I mean I talked to
[03:21:38] some of the developers a while ago and also with video and someone said yeah, we already
[03:21:46] have for conversion wave to mp3 and so on, we have already ffmpeg included, so it also
[03:21:57] doesn't need to be very special, just have a video track that synchronizes with the music,
[03:22:06] it doesn't need to be complicated edit features or anything like this, maybe to have at least
[03:22:13] something, I know a lot of people use some external solutions with mpc time synchronization
[03:22:21] and so on, I know it never works really really great, I also have some friends doing music
[03:22:29] for ads and they just use external solutions and it never works really great, just so you
[03:22:38] can drag in a video and it kind of synchronizes, but that's also a problem with video, you
[03:22:45] have to have certain formats, so you can actually have time frame between frames, sometimes you
[03:22:54] have 30 frames per second and then you have, I don't know, 85 ppm and then you put it here
[03:23:01] on the second bar and this is then in the video between two frames or something like
[03:23:08] this, so there are some problems you have to solve, that's what I want to say, so it's
[03:23:19] not super easy, I really hope pittwick adds more macro modulation types, I really hope
[03:23:33] they do something like this percentage thing here, where you have a macro and then you
[03:23:41] modulate this here, which just hurts, so you have like the values or the unit of what
[03:23:50] you modulate inside of the macro, this would be really dope to have, sometimes this is
[03:23:58] a struggle, so you have to use remotes, which do that, but then you can only map to one
[03:24:05] parameter, so having units for automations, not automations, modulations would be nice
[03:24:15] to have and also something like here, when you modulate this stuff, you dial in something
[03:24:23] like this and then the position of this cutoff is basically here and just give me an option
[03:24:31] where I can right click and say, change this static frequency to this modulation position,
[03:24:39] so I can adapt basically a set modulation value or anything like this, because sometimes
[03:24:47] I randomize these synthesizers here and I have random values on multiple knobs and then
[03:24:54] I like how it sounds and I want to make it static, I want to save it as a preset and
[03:25:00] then it would be nice to have an option and say, make all modulated dynamic values static
[03:25:06] to real values, this would be so nice to have.
[03:25:11] Also what I ask for for 20 years, also make it possible to map modulations to this dice
[03:25:18] button here or the chain has here this level feature, right, you can click it and then it
[03:25:29] analyzes the audio signal for loudness, so maybe make it possible so you can modulate
[03:25:35] it with the button, which is not possible, right, you can modulate this here, it's also
[03:25:43] not possible to get this with the remote control, this would be nice to have because sometimes
[03:25:50] I have multiple chains of these and I want to analyze multiple things at once and then
[03:25:53] I want me to use a button and it's not possible, so some things are not possible, but they
[03:26:00] should be possible in my opinion, so these are basically my things I know from the top
[03:26:09] of my head, I should get paid for this but not length as mod source in the grid, all
[03:26:26] I'm gonna say as I have that already, so do you want to change, yeah, but it's not easy
[03:26:36] to do because you need to know the end when the note is gonna end or maybe you can define
[03:26:43] how long its play is, yeah, whatever, the more drum lanes that are at play, the smaller
[03:26:58] the notes will be, yes, if you have a drum computer, drum synth, it gets smaller and
[03:27:06] smaller, if you have just two it's very big, actually show it up again, drum machine, it's
[03:27:19] very small here, right, but if you have there maybe a kick drum, kick in there, is it actually
[03:27:29] changing when I change this, yeah, you have three big things here, why it's not deleting
[03:27:49] this here, sometimes I don't get it, oh it's the spray mode, oh because this is, yeah,
[03:28:05] okay, yeah, it's scaled basically, also velocity here on each note, chance, and I added the
[03:28:22] chance on here, I have to enable this, okay, wait a minute, click on that, I should be
[03:28:35] able to change this, right, velocity here, yeah, this is probably also back here, but
[03:28:44] you can't change this, the note editor, it probably works, yeah, I think this is also
[03:28:56] back here that it's not possible to move, why are the notes in the drum editor so big
[03:29:04] you modify the grid, no, it's just two notes, when you add more notes, right, they are
[03:29:14] smaller, because you have now one, two, three, four, five, you basically fold the piano roll
[03:29:21] to what's in there, if you have only two notes in there, you have only two things in here
[03:29:29] in the V8 kick, because it's on a different note, yeah, yes, the note, so it becomes bigger,
[03:29:44] if you only have one note in there, it's probably the biggest like this, so it's more or less
[03:29:50] like a step sequencer, if you like that, also open this up down here, and if you just don't
[03:30:06] like double clicking here, you can always go to the spray paint tool, you have to click
[03:30:12] just once, up and down is velocity, or just draws this, so it's basically a step sequencer
[03:30:29] if you want to call it this way, in a different way, I feel ridiculous for it, but I love
[03:30:42] it for the drum, why not, it's a great view, and it looks like a step sequencer, just like
[03:30:49] I said, a lot of people actually wanted the step sequencer, no, but probably in a different
[03:30:56] way, like it is in, what's the name, Logic, FL, okay, FS Studio, I know it is, I don't
[03:31:22] know, it's also great that you can change here the grid, right, that you have options
[03:31:31] there, dark grid, if you prefer black grid, if you ask me, I want the bright, I want to
[03:31:43] have the white background back, okay, but I'm okay with it, it's not bad, timeline background
[03:32:01] level, this is randomized, delete automation lane, here also, in Bitwig 5, we had like
[03:32:28] this small little delete button here, which was really cool, because it just could click
[03:32:34] on here, click, click, click, click, click, click, and then all of these lanes are deleted,
[03:32:39] one after the other, not so here in Bitwig 6, there's no cross delete button, you have
[03:32:49] to now right click and say delete automation lane, to make it move away, I don't know why.
[03:33:14] This is kind of cool, is there a way to actually scrub this here, no, probably not possible.
[03:33:33] Okay, so that's it, I hope you enjoyed this video, I hope you enjoyed it, I'll see you in the next,
[03:34:00] bye.
[03:34:25] be down.
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[03:52:09] Why is it not looping here? Looping is on.
[03:52:13] [Music]
[03:52:23] [Music]
[03:52:33] [Music]
[03:52:41] [Music]
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[03:55:33] [Music]
[03:55:43] [Music]
[03:55:47] They have to optimize it or maybe do something wrong.
[03:55:51] I don't know. Maybe there is a setting somewhere.
[03:55:57] [Music]
[03:55:59] Can I actually make this here?
[03:56:03] [Music]
[03:56:07] Can I make this one big thing?
[03:56:11] [Music]
[03:56:13] [Music]
[03:56:17] [Music]
[03:56:21] [Music]
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[03:57:21] [Music]
[03:57:25] [Music]
[03:57:29] [Music]
[03:57:33] Maybe use something different.
[03:57:37] [Music]
[03:57:41] [Music]
[03:57:45] A lot of people are actually starting to follow you.
[03:57:49] I didn't see this. I don't see this in my OBS.
[03:57:53] But thanks for following. Thanks for subscribing.
[03:57:57] And if you donated something, I appreciate it.
[03:58:01] Thanks.
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[03:58:25] [Music]
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[03:58:33] [Music]
[03:58:37] how I do music. I just record everything to audio pretty quickly when I do ambience or I do a fiddle
[03:58:48] around for five hours with bass sounds and kick drums when I do drum bass. Nothing in between.
[03:58:55] Hey state! Did you see the update? Have you tried it already?
[03:59:16] Automation curves and modulation curves can be exchanged. Yeah, you can exchange it with everything.
[03:59:44] You can just drag this automation here into the synthesizer and you can use it then as a
[03:59:54] segments modulator or you can hold down alt and it becomes a curve modulator. And then you can
[04:00:01] tweak it in here if you want to or load a different curve here and then just drag this out and use
[04:00:09] it as an automation curve if you want to do that. Which is really great. I probably use this.
[04:00:20] So glad to see sampler plus.
[04:00:49] Maybe next year. Yeah, I know it's just not most of the updates or most of the things except maybe
[04:01:00] the automation update. I really like all the scaling stuff, right? It's not if you are experienced
[04:01:06] producer, it's not giving you much but for beginners it's really great.
[04:01:34] Let's just put a big ass long reverb on that.
[04:01:55] Hey TP, LTP, LTP, LTP, LTP, LTP. Thanks for subscribing.
[04:02:01] Can I kind of wish they had taken your scripts and integrate them into the Bitwig? Yeah, I see.
[04:02:16] Yeah, my influence is not that big. But I'm kind of also happy with the script so far.
[04:02:30] If how you can use them and it's not like they are hidden or you can access them pretty fast.
[04:02:58] Been on the Bitwig train since 2020. Haven't looked back.
[04:03:12] (eerie music)
[04:03:15] , (eerie music)
[04:03:20] (eerie music)
[04:03:22] (eerie music)
[04:03:25] (eerie music)
[04:03:27] (eerie music)
[04:03:30] (eerie music)
[04:03:32] (eerie music)
[04:03:35] (eerie music)
[04:03:37] (eerie music)
[04:03:40] (eerie music)
[04:03:42] (eerie music)
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[04:03:50] (eerie music)
[04:03:52] (eerie music)
[04:04:09] (eerie music)
[04:04:11] (eerie music)
[04:04:32] (eerie music)
[04:04:35] Oh, let's put the filter there.
[04:04:42] Not not filter, filter plus.
[04:04:47] (eerie music)
[04:04:50] (eerie music)
[04:04:52] (eerie music)
[04:04:58] (eerie music)
[04:05:08] (eerie music)
[04:05:11] (eerie music)
[04:05:26] (eerie music)
[04:05:37] (eerie music)
[04:05:40] (eerie music)
[04:06:05] (eerie music)
[04:06:08] With Ableton, there was always the separation of DAW
[04:06:19] and Max for Life, not fully integrated.
[04:06:21] Yes, it's basically two programs tagged together.
[04:06:25] (eerie music)
[04:06:27] (eerie music)
[04:06:30] (eerie music)
[04:06:32] (eerie music)
[04:06:35] (eerie music)
[04:06:37] (eerie music)
[04:07:05] Um, yeah.
[04:07:07] (eerie music)
[04:07:12] Hey Alex, thanks for subscribing.
[04:07:19] Uh, kick.
[04:07:23] Why is the sword order?
[04:07:28] Oh, okay, because this is updated here.
[04:07:30] Okay.
[04:07:32] (eerie music)
[04:07:34] Bam.
[04:07:38] That's a kick.
[04:07:40] (eerie music)
[04:07:44] Can I switch this actually off here?
[04:07:58] Completely?
[04:08:00] Snap to Key, Note Background, Piano Pattern, okay.
[04:08:04] (eerie music)
[04:08:07] Into the Snare.
[04:08:26] (eerie music)
[04:08:29] Maybe I'll layout this.
[04:08:33] (eerie music)
[04:08:35] I made some type of hi-hat generator here
[04:08:44] a few weeks ago, some random reason.
[04:08:47] (eerie music)
[04:08:50] (eerie music)
[04:08:52] And all the doors is basically mixed and matching,
[04:09:08] I don't know, 10 different impulse responses.
[04:09:12] (eerie music)
[04:09:14] It gives you a different hi-hat sound.
[04:09:17] (eerie music)
[04:09:19] The only downside is you have to sample it
[04:09:43] because if you put this in a group, if you bounce the audio
[04:09:47] or if you want to bounce the whole track,
[04:09:50] it resets basically every randomizer setting here
[04:09:54] and you get the default hi-hat.
[04:09:56] (eerie music)
[04:09:59] Let's use this one.
[04:10:12] And you can also not right-click and bounce the audio
[04:10:15] because it also resets all the modulators,
[04:10:17] so you have to record it.
[04:10:19] (eerie music)
[04:10:40] Let's delete this.
[04:10:42] (eerie music)
[04:10:45] I always like to use here this squash.
[04:10:52] What's the name, squash?
[04:10:54] Squash.
[04:10:56] Squash.
[04:10:58] It's just basically a four-band OTT for free.
[04:11:03] I kind of like the sound, it's just a freebie.
[04:11:07] (eerie music)
[04:11:09] (eerie music)
[04:11:12] Drums.
[04:11:20] (keyboard clicking)
[04:11:25] Nice.
[04:11:32] Yeah, it's a freebie fuse compressor.
[04:11:38] I also have the full version of fuse, but
[04:11:40] I don't know, I just like when there is a tool
[04:11:46] and you have just one button or one knob
[04:11:48] and it just sounds exactly okay and sounds exactly right.
[04:11:52] Compressor plus there are 5,000 knobs I have to turn
[04:11:57] and everything sounds a bit different
[04:11:59] and so I just put this on.
[04:12:02] (eerie music)
[04:12:05] Maybe I use here a different, a second one,
[04:12:09] a second snare.
[04:12:10] I'm at a lot of snares.
[04:12:16] (eerie music)
[04:12:20] Something like this.
[04:12:21] There's also, maybe you can hear this.
[04:12:32] (keyboard clicking)
[04:12:35] There is.
[04:12:36] (eerie music)
[04:12:39] This noise, this noise is coming from the selling key filter
[04:12:43] here for some reason.
[04:12:45] You exchange this.
[04:12:47] No noise.
[04:12:51] The selling key filter always makes a bit of noise.
[04:12:55] So sometimes when you amplify a lot in your track
[04:12:59] and you have like an OTT on there
[04:13:02] with some upwards compression, it brings up all the noise
[04:13:06] and then sometimes you can hear the selling key filter.
[04:13:11] Yeah, noise.
[04:13:12] Just if you're wondering sometimes.
[04:13:15] (keyboard clicking)
[04:13:17] (eerie music)
[04:13:19] (keyboard clicking)
[04:13:22] (eerie music)
[04:13:25] (keyboard clicking)
[04:13:28] (eerie music)
[04:13:30] (keyboard clicking)
[04:13:33] Maybe some ghost notes.
[04:13:36] (keyboard clicking)
[04:13:39] A bit lower in volume.
[04:13:41] (eerie music)
[04:13:43] (keyboard clicking)
[04:13:46] (keyboard clicking)
[04:13:49] Let me join this.
[04:13:51] (keyboard clicking)
[04:13:54] I don't know if I actually use here velocity
[04:13:59] if I react to the velocity.
[04:14:01] (eerie music)
[04:14:04] (eerie music)
[04:14:07] Maybe some small changes.
[04:14:09] (eerie music)
[04:14:12] (eerie music)
[04:14:15] (eerie music)
[04:14:17] (keyboard clicking)
[04:14:20] (keyboard clicking)
[04:14:22] Nice.
[04:14:23] Yeah, I already want to click here on this plus button.
[04:14:27] As you can see, that's just muscle memory.
[04:14:29] I have to click here on this folder icon.
[04:14:32] (keyboard clicking)
[04:14:34] I have to remember it.
[04:14:36] (keyboard clicking)
[04:14:39] (keyboard clicking)
[04:14:41] Phase four, let's build some kind of base groove.
[04:14:44] (keyboard clicking)
[04:14:47] Or you can utilize here the automation capabilities.
[04:14:51] (keyboard clicking)
[04:14:54] (keyboard clicking)
[04:14:57] (keyboard clicking)
[04:14:59] I need to sign.
[04:15:01] (keyboard clicking)
[04:15:04] That's a bit too low.
[04:15:06] (keyboard clicking)
[04:15:09] (keyboard clicking)
[04:15:12] (keyboard clicking)
[04:15:15] (keyboard clicking)
[04:15:18] (keyboard clicking)
[04:15:21] (keyboard clicking)
[04:15:24] (keyboard clicking)
[04:15:27] (keyboard clicking)
[04:15:30] (keyboard clicking)
[04:15:33] (keyboard clicking)
[04:15:36] Why isn't here a hold?
[04:15:39] Get it.
[04:15:40] (keyboard clicking)
[04:15:43] (keyboard clicking)
[04:15:46] (keyboard clicking)
[04:15:49] Here I want to have some kind of pulley rhythm.
[04:15:52] It would be nice to have the clip here.
[04:15:55] You can loop it in a different way.
[04:15:58] Here it's a clip, but here I want actually...
[04:16:02] (keyboard clicking)
[04:16:05] (keyboard clicking)
[04:16:08] (keyboard clicking)
[04:16:11] (keyboard clicking)
[04:16:14] (keyboard clicking)
[04:16:17] (keyboard clicking)
[04:16:20] (keyboard clicking)
[04:16:23] (keyboard clicking)
[04:16:26] (keyboard clicking)
[04:16:29] Then I want to loop this.
[04:16:32] (keyboard clicking)
[04:16:35] Actually, there's no chase, not on.
[04:16:38] Why does it...
[04:16:40] (keyboard clicking)
[04:16:42] No chase, it's off.
[04:16:44] (keyboard clicking)
[04:16:47] (keyboard clicking)
[04:16:50] (keyboard clicking)
[04:16:53] Can I stretch this? Yes, I can.
[04:16:56] (keyboard clicking)
[04:16:58] Can I stretch it? Yes, I can.
[04:17:01] (keyboard clicking)
[04:17:04] (keyboard clicking)
[04:17:07] (keyboard clicking)
[04:17:10] (keyboard clicking)
[04:17:13] (keyboard clicking)
[04:17:21] (keyboard clicking)
[04:17:34] (keyboard clicking)
[04:17:37] (keyboard clicking)
[04:17:40] (keyboard clicking)
[04:17:43] (keyboard clicking)
[04:17:46] (keyboard clicking)
[04:17:49] If it's too much, we can dial on this one here.
[04:17:52] (keyboard clicking)
[04:17:55] And then bring some noise to it.
[04:17:58] (keyboard clicking)
[04:18:01] (keyboard clicking)
[04:18:04] (keyboard clicking)
[04:18:07] (keyboard clicking)
[04:18:10] (keyboard clicking)
[04:18:13] (keyboard clicking)
[04:18:16] (keyboard clicking)
[04:18:19] All we need now is an EQ5.
[04:18:22] Or maybe an EQ5 inside of an FX2.
[04:18:25] (keyboard clicking)
[04:18:28] But we want to have this here.
[04:18:31] (keyboard clicking)
[04:18:34] (keyboard clicking)
[04:18:37] (keyboard clicking)
[04:18:40] (keyboard clicking)
[04:18:43] (keyboard clicking)
[04:18:46] (keyboard clicking)
[04:18:49] I don't know what's happening there.
[04:18:52] I want to have here basically
[04:18:55] only these devices.
[04:18:58] (keyboard clicking)
[04:19:01] Maybe I have to save it. I don't know why it's not saved.
[04:19:04] I haven't changed this view square in selection.
[04:19:07] (keyboard clicking)
[04:19:10] (keyboard clicking)
[04:19:13] (keyboard clicking)
[04:19:16] And a nice notch, always nice.
[04:19:19] (keyboard clicking)
[04:19:22] (keyboard clicking)
[04:19:25] (keyboard clicking)
[04:19:28] (keyboard clicking)
[04:19:31] And we need it wide.
[04:19:34] (keyboard clicking)
[04:19:37] And another filter.
[04:19:40] (keyboard clicking)
[04:19:43] (keyboard clicking)
[04:19:46] (keyboard clicking)
[04:19:49] (keyboard clicking)
[04:19:52] (keyboard clicking)
[04:19:55] And chain.
[04:19:58] And this goes to 20%.
[04:20:01] And there goes a tool in there.
[04:20:04] (keyboard clicking)
[04:20:07] And in this tool goes to zero.
[04:20:10] And there goes a reverb in there.
[04:20:13] There.
[04:20:16] Wrong. Mix 100%.
[04:20:19] (keyboard clicking)
[04:20:22] (keyboard clicking)
[04:20:25] (keyboard clicking)
[04:20:28] (keyboard clicking)
[04:20:31] That's okay.
[04:20:34] (keyboard clicking)
[04:20:37] (keyboard clicking)
[04:20:40] (keyboard clicking)
[04:20:43] (keyboard clicking)
[04:20:46] (keyboard clicking)
[04:20:49] That's cool.
[04:20:52] We can add some top end here.
[04:20:55] (keyboard clicking)
[04:20:58] Bit of distortion.
[04:21:01] (keyboard clicking)
[04:21:04] (keyboard clicking)
[04:21:07] (keyboard clicking)
[04:21:10] (keyboard clicking)
[04:21:13] (keyboard clicking)
[04:21:16] (keyboard clicking)
[04:21:19] Cool.
[04:21:22] (keyboard clicking)
[04:21:25] Can do a spectral compressor on that.
[04:21:28] (keyboard clicking)
[04:21:31] (keyboard clicking)
[04:21:34] (keyboard clicking)
[04:21:37] (upbeat music)
[04:21:40] (keyboard clicking)
[04:21:43] (keyboard clicking)
[04:21:46] (upbeat music)
[04:21:51] (upbeat music)
[04:21:54] (keyboard clicking)
[04:21:57] (upbeat music)
[04:22:11] (keyboard clicking)
[04:22:14] Okay, bass sound number one.
[04:22:37] The end, I'll put there something like the peak limiter.
[04:22:42] (upbeat music)
[04:22:44] That's one.
[04:22:48] (upbeat music)
[04:22:57] (upbeat music)
[04:23:00] (upbeat music)
[04:23:02] (upbeat music)
[04:23:05] (yells)
[04:23:31] Here we can just clone this.
[04:23:33] (keyboard clicking)
[04:23:41] Pitch, pitch down.
[04:23:48] (keyboard clicking)
[04:23:54] (upbeat music)
[04:23:57] Nice.
[04:23:59] So here we can do some different things.
[04:24:02] (keyboard clicking)
[04:24:05] I don't need this.
[04:24:26] (keyboard clicking)
[04:24:29] I have to use the automation mode.
[04:24:43] (keyboard clicking)
[04:24:56] Okay, I want to have, don't want to have this all the time,
[04:24:58] so we have to use it only here.
[04:25:01] (keyboard clicking)
[04:25:04] Okay, we have that.
[04:25:14] You want to make a small difference.
[04:25:17] (keyboard clicking)
[04:25:25] Maybe a bit earlier.
[04:25:26] Two, two.
[04:25:28] I need to get the, what's the,
[04:25:40] what's the key?
[04:25:41] X.
[04:25:44] Is it X?
[04:25:45] Oh, it's X, okay.
[04:25:48] That's, that's easy.
[04:25:50] (keyboard clicking)
[04:25:55] (upbeat music)
[04:25:58] Let's use an LFO.
[04:26:01] Classic.
[04:26:03] (keyboard clicking)
[04:26:07] Damn it, delete this.
[04:26:09] Oh, no, no, no, no, no, no, no, no, no, no, no.
[04:26:12] (keyboard clicking)
[04:26:15] Use a second, use a second track.
[04:26:17] I need a different,
[04:26:18] need a different synth here.
[04:26:23] (keyboard clicking)
[04:26:25] Damn it, delete this.
[04:26:26] What's the name?
[04:26:28] LFO, classic LFO.
[04:26:32] And sometimes forget the names.
[04:26:34] No tree trigger.
[04:26:39] (keyboard clicking)
[04:26:44] Okay, and we mutilate different things here.
[04:26:49] (keyboard clicking)
[04:26:54] I want to have this, yeah.
[04:26:57] (upbeat music)
[04:27:01] Three.
[04:27:12] (keyboard clicking)
[04:27:18] Cool.
[04:27:23] (upbeat music)
[04:27:25] And this is three, I want to have this deleted.
[04:27:42] (upbeat music)
[04:27:44] (keyboard clicking)
[04:27:47] (upbeat music)
[04:27:50] (keyboard clicking)
[04:27:53] (upbeat music)
[04:27:56] (keyboard clicking)
[04:27:59] (upbeat music)
[04:28:01] (keyboard clicking)
[04:28:04] (keyboard clicking)
[04:28:07] (upbeat music)
[04:28:10] (keyboard clicking)
[04:28:13] (upbeat music)
[04:28:15] (keyboard clicking)
[04:28:18] (upbeat music)
[04:28:21] (keyboard clicking)
[04:28:24] (keyboard clicking)
[04:28:27] (keyboard clicking)
[04:28:29] Oh yeah, mutilate this, why not?
[04:28:32] I have to use the automation mode.
[04:28:34] This is rate, yeah, this is the rate.
[04:28:42] (keyboard clicking)
[04:28:45] Where is it, there is it.
[04:28:46] Oh, you can't even see the notes here.
[04:28:49] Okay, here.
[04:28:50] (upbeat music)
[04:28:54] (keyboard clicking)
[04:28:57] (upbeat music)
[04:28:59] (keyboard clicking)
[04:29:02] (upbeat music)
[04:29:05] (keyboard clicking)
[04:29:08] (upbeat music)
[04:29:10] (upbeat music)
[04:29:13] (upbeat music)
[04:29:15] (keyboard clicking)
[04:29:17] Something like that.
[04:29:18] (keyboard clicking)
[04:29:21] (keyboard clicking)
[04:29:23] Bit of chords, chords.
[04:29:26] And I'm on a D, right?
[04:29:27] (keyboard clicking)
[04:29:32] I'm a, I'm a, I'm a, I'm a, I'm a, I'm a.
[04:29:34] I want to go here, I want to go here.
[04:29:37] (keyboard clicking)
[04:29:40] X.
[04:29:41] (keyboard clicking)
[04:29:44] (keyboard clicking)
[04:29:48] And just, three, two, one.
[04:29:52] (upbeat music)
[04:29:56] (keyboard clicking)
[04:29:59] (upbeat music)
[04:30:02] (keyboard clicking)
[04:30:05] (upbeat music)
[04:30:07] (keyboard clicking)
[04:30:10] (upbeat music)
[04:30:13] (keyboard clicking)
[04:30:16] (keyboard clicking)
[04:30:18] (keyboard clicking)
[04:30:21] (keyboard clicking)
[04:30:23] Here you go here.
[04:30:25] (keyboard clicking)
[04:30:28] (keyboard clicking)
[04:30:31] I'm constantly in this down editor.
[04:30:34] I don't want to be in there.
[04:30:36] God damn it.
[04:30:36] (keyboard clicking)
[04:30:39] (keyboard clicking)
[04:30:42] (keyboard clicking)
[04:30:45] Okay.
[04:30:46] (keyboard clicking)
[04:30:49] (keyboard clicking)
[04:30:52] (keyboard clicking)
[04:30:55] Let's make it a bit too big.
[04:30:57] (keyboard clicking)
[04:31:00] (keyboard clicking)
[04:31:04] (keyboard clicking)
[04:31:07] (keyboard clicking)
[04:31:08] (keyboard clicking)
[04:31:11] (keyboard clicking)
[04:31:16] (upbeat music)
[04:31:19] I bounced this before I fiddle around with this for five hours.
[04:31:28] No dither.
[04:31:36] It's cool, and then I do this one of the fire.
[04:31:39] (keyboard clicking)
[04:31:42] (keyboard clicking)
[04:31:47] (keyboard clicking)
[04:31:52] Reverse.
[04:31:53] I've got this again, minus 10 or something like this.
[04:32:01] (upbeat music)
[04:32:04] (keyboard clicking)
[04:32:07] Oh, it's an Adios clip now.
[04:32:12] How can I scrub?
[04:32:14] Is this not possible anymore?
[04:32:16] Scrubbing, moving this back and forth.
[04:32:20] Drag Arranger clip.
[04:32:22] Make visible.
[04:32:23] Slide content, control alt.
[04:32:25] Control alt and drag, okay.
[04:32:26] (keyboard clicking)
[04:32:30] (upbeat music)
[04:32:32] (keyboard clicking)
[04:32:35] (keyboard clicking)
[04:32:38] (keyboard clicking)
[04:32:41] (upbeat music)
[04:32:44] (keyboard clicking)
[04:32:47] (upbeat music)
[04:32:50] (keyboard clicking)
[04:32:53] (keyboard clicking)
[04:32:56] (upbeat music)
[04:32:58] (keyboard clicking)
[04:33:01] (upbeat music)
[04:33:04] Tier.
[04:33:06] (keyboard clicking)
[04:33:13] (keyboard clicking)
[04:33:16] (upbeat music)
[04:33:19] (keyboard clicking)
[04:33:22] (keyboard clicking)
[04:33:25] (upbeat music)
[04:33:28] (keyboard clicking)
[04:33:31] (keyboard clicking)
[04:33:33] I need some rights.
[04:33:35] I have XO ready for rights.
[04:33:37] (keyboard clicking)
[04:33:46] (keyboard clicking)
[04:33:50] (upbeat music)
[04:33:53] (keyboard clicking)
[04:33:57] That's okay.
[04:33:59] (keyboard clicking)
[04:34:02] No, no, no, no, no.
[04:34:03] (keyboard clicking)
[04:34:08] Put this up here.
[04:34:12] (upbeat music)
[04:34:18] Yeah, that's doubled here.
[04:34:20] There's a different right of the front.
[04:34:22] (upbeat music)
[04:34:26] (keyboard clicking)
[04:34:29] What's this here?
[04:34:34] (keyboard clicking)
[04:34:37] Two, so I don't need this anymore.
[04:34:43] (keyboard clicking)
[04:34:46] Put this down.
[04:34:51] (keyboard clicking)
[04:34:54] (keyboard clicking)
[04:34:57] (upbeat music)
[04:34:59] (keyboard clicking)
[04:35:02] (upbeat music)
[04:35:05] (keyboard clicking)
[04:35:08] (upbeat music)
[04:35:11] (keyboard clicking)
[04:35:14] (keyboard clicking)
[04:35:16] Okay.
[04:35:17] Copy this over.
[04:35:24] (keyboard clicking)
[04:35:25] And here, I add maybe another
[04:35:28] final filter.
[04:35:32] (keyboard clicking)
[04:35:35] The last one, I promise.
[04:35:37] (keyboard clicking)
[04:35:40] (keyboard clicking)
[04:35:41] Automation mode.
[04:35:42] (keyboard clicking)
[04:35:45] (keyboard clicking)
[04:35:49] Where are all the nodes?
[04:35:50] (keyboard clicking)
[04:35:53] Yeah, okay, I can't leave this off.
[04:35:56] (keyboard clicking)
[04:35:59] (upbeat music)
[04:36:02] (keyboard clicking)
[04:36:07] (keyboard clicking)
[04:36:10] (keyboard clicking)
[04:36:13] Kinda like it.
[04:36:19] (keyboard clicking)
[04:36:23] (keyboard clicking)
[04:36:26] Copy this.
[04:36:26] (keyboard clicking)
[04:36:29] (keyboard clicking)
[04:36:32] (keyboard clicking)
[04:36:35] (keyboard clicking)
[04:36:36] I really like that it's more tight now.
[04:36:39] The automation.
[04:36:41] (keyboard clicking)
[04:36:44] (keyboard clicking)
[04:36:47] (keyboard clicking)
[04:36:50] Maybe I give it, yeah, okay.
[04:36:51] I just looped that.
[04:36:53] Nice.
[04:36:55] (keyboard clicking)
[04:36:58] (keyboard clicking)
[04:37:01] (keyboard clicking)
[04:37:04] Maybe it's a bit too low.
[04:37:06] (keyboard clicking)
[04:37:09] Eight hertz is too low, okay.
[04:37:13] Let's go to 100.
[04:37:14] Oh, that's the spread, sorry.
[04:37:16] Spread.
[04:37:18] (keyboard clicking)
[04:37:21] Why is it 8.18 hertz?
[04:37:28] I don't know.
[04:37:34] 100.
[04:37:36] Or maybe 80.
[04:37:37] 80 hertz.
[04:37:38] (upbeat music)
[04:37:40] (upbeat music)
[04:37:43] (upbeat music)
[04:37:46] (upbeat music)
[04:37:48] (upbeat music)
[04:37:51] (upbeat music)
[04:38:18] - Maybe here I want to have, oops.
[04:38:22] What's the, is it this?
[04:38:28] No.
[04:38:29] Is there no cutter knife here?
[04:38:32] There's it.
[04:38:33] Yeah, I want to have just one.
[04:38:37] (upbeat music)
[04:38:43] (upbeat music)
[04:38:45] Maybe I put all of this.
[04:39:13] (keyboard clicking)
[04:39:14] For a group, call on.
[04:39:16] We can do this.
[04:39:22] (keyboard clicking)
[04:39:32] (upbeat music)
[04:39:34] (upbeat music)
[04:39:37] Oh, these are the drums.
[04:39:46] This one.
[04:39:47] This goes down to,
[04:39:54] (keyboard clicking)
[04:40:00] (upbeat music)
[04:40:03] What's the name of the V8?
[04:40:12] Clap, rim shot, is there something you can use?
[04:40:19] (keyboard clicking)
[04:40:25] That's a bit too low.
[04:40:28] (keyboard clicking)
[04:40:31] (keyboard clicking)
[04:40:41] (keyboard clicking)
[04:40:55] (keyboard clicking)
[04:40:58] (keyboard clicking)
[04:41:01] Repeat, two.
[04:41:13] (keyboard clicking)
[04:41:16] (keyboard clicking)
[04:41:20] (keyboard clicking)
[04:41:25] (keyboard clicking)
[04:41:28] (keyboard clicking)
[04:41:33] Maybe I put this together, though.
[04:41:43] (keyboard clicking)
[04:41:46] (keyboard clicking)
[04:41:52] Oh, okay.
[04:41:54] (keyboard clicking)
[04:41:57] (keyboard clicking)
[04:42:01] (keyboard clicking)
[04:42:09] (keyboard clicking)
[04:42:21] (keyboard clicking)
[04:42:24] What's the name of the song here?
[04:42:29] (keyboard clicking)
[04:42:32] Oops.
[04:42:33] ADSR, maybe we'll use the segments.
[04:42:39] Segments, I don't need this.
[04:42:41] I don't need this, I don't need this.
[04:42:43] This is not what I want, this is what I want.
[04:42:46] This is what I really, really, really want.
[04:42:50] (keyboard clicking)
[04:42:53] What's happened?
[04:43:00] (keyboard clicking)
[04:43:03] (keyboard clicking)
[04:43:10] (keyboard clicking)
[04:43:13] (keyboard clicking)
[04:43:17] (keyboard clacking)
[04:43:20] (keyboard clacking)
[04:43:23] (keyboard clacking)
[04:43:26] (keyboard clacking)
[04:43:54] (keyboard clacking)
[04:43:57] (keyboard clacking)
[04:44:00] Tool and...
[04:44:02] (keyboard clacking)
[04:44:05] (keyboard clacking)
[04:44:08] (upbeat music)
[04:44:12] (keyboard clacking)
[04:44:15] (keyboard clacking)
[04:44:18] (keyboard clacking)
[04:44:21] (keyboard clacking)
[04:44:24] (keyboard clacking)
[04:44:27] (keyboard clacking)
[04:44:30] (keyboard clacking)
[04:44:40] (keyboard clacking)
[04:44:43] (keyboard clacking)
[04:44:52] (keyboard clacking)
[04:45:02] I have to use one.
[04:45:08] Okay.
[04:45:08] (keyboard clacking)
[04:45:11] (keyboard clacking)
[04:45:20] (keyboard clacking)
[04:45:28] (keyboard clacking)
[04:45:36] (keyboard clacking)
[04:45:39] I know it's the best sound you've ever heard.
[04:45:43] (keyboard clacking)
[04:45:46] (keyboard clacking)
[04:45:53] It's named Spectrum Compressor.
[04:45:56] (keyboard clacking)
[04:45:59] (keyboard clacking)
[04:46:06] (keyboard clacking)
[04:46:09] (keyboard clacking)
[04:46:12] (keyboard clacking)
[04:46:15] (keyboard clacking)
[04:46:18] Oh, that's the filter missing here.
[04:46:25] (keyboard clacking)
[04:46:29] (keyboard clacking)
[04:46:35] (keyboard clacking)
[04:46:38] (keyboard clacking)
[04:46:44] Why not delay it?
[04:46:46] (keyboard clacking)
[04:46:49] (keyboard clacking)
[04:46:54] (keyboard clacking)
[04:46:58] (keyboard clacking)
[04:47:03] (keyboard clacking)
[04:47:06] (keyboard clacking)
[04:47:17] (keyboard clacking)
[04:47:24] Is this one?
[04:47:25] (keyboard clacking)
[04:47:28] Okay.
[04:47:29] (keyboard clacking)
[04:47:32] (keyboard clacking)
[04:47:35] (keyboard clacking)
[04:47:41] (keyboard clacking)
[04:47:44] (keyboard clacking)
[04:47:47] (keyboard clacking)
[04:47:50] That's enough.
[04:47:51] (keyboard clacking)
[04:47:54] (keyboard clacking)
[04:47:57] (keyboard clacking)
[04:48:00] (keyboard clacking)
[04:48:03] (keyboard clacking)
[04:48:15] (keyboard clacking)
[04:48:18] (keyboard clacking)
[04:48:23] (keyboard clacking)
[04:48:26] (keyboard clacking)
[04:48:29] (keyboard clacking)
[04:48:32] (keyboard clacking)
[04:48:35] (keyboard clacking)
[04:48:38] (keyboard clacking)
[04:48:41] Ah, maybe it forced too much.
[04:48:43] I want to bounce this, so I can delete this shit here.
[04:48:57] I'm going to delete this shit here.
[04:49:07] I want to bounce this, so I can delete this shit here.
[04:49:36] I want to bounce this a bit longer.
[04:49:46] That bouncing place would be better, anyway.
[04:50:12] I want to bounce this a bit longer.
[04:50:27] Crash!
[04:50:29] Okay, you're the tier the last time.
[04:50:35] Beta 1.
[04:50:38] This can happen when you use beta versions for making music.
[04:50:44] Okay.
[04:50:54] [typing sounds]
[04:51:21] [typing sounds]
[04:51:50] [typing sounds]
[04:52:01] I'm not happy with the steps, but they're okay for now.
[04:52:07] Where's the pitch?
[04:52:10] The pitch, somewhere here.
[04:52:17] [typing sounds]
[04:52:44] Okay, so we can change the bass a little bit.
[04:52:51] Something different here.
[04:53:01] [typing sounds]
[04:53:10] Also, a great idea is usually to delay the bass line by, let's say, 216 notes.
[04:53:23] [typing sounds]
[04:53:37] Maybe use automation mode.
[04:53:46] Go to 3.
[04:53:58] That was too much before, no?
[04:54:17] [typing sounds]
[04:54:37] [typing sounds]
[04:54:52] Shaping amount.
[04:54:55] This is the filter frequency, no?
[04:54:57] Why is the filter closed?
[04:55:00] It should be here, no?
[04:55:04] Now it's open.
[04:55:05] Something, maybe it's not in the range here.
[04:55:08] It should be here.
[04:55:11] Also, this one should be maybe here.
[04:55:16] [typing sounds]
[04:55:19] Something is going on there.
[04:55:22] [typing sounds]
[04:55:30] [typing sounds]
[04:55:35] This is not right.
[04:55:38] Again, filter is closed for some reason.
[04:55:51] The point outside?
[04:55:54] I don't get it.
[04:55:58] Again, filter is closed.
[04:56:04] Frequencies here.
[04:56:22] [typing sounds]
[04:56:44] [typing sounds]
[04:56:52] [typing sounds]
[04:56:55] One chance again.
[04:56:57] [typing sounds]
[04:57:14] [typing sounds]
[04:57:27] Okay, so we enable this here, but I need to switch the automation mode first on/off.
[04:57:38] [typing sounds]
[04:57:53] Another sequence.
[04:58:01] [typing sounds]
[04:58:30] [typing sounds]
[04:58:43] Drums, kick.
[04:58:45] Do I only use the kick?
[04:58:47] Master, let's see.
[04:59:00] [typing sounds]
[04:59:12] [typing sounds]
[04:59:22] [typing sounds]
[04:59:42] [typing sounds]
[04:59:57] Ah, okay.
[05:00:00] Drum bass draft done for today.
[05:00:09] Saved.
[05:00:12] [typing sounds]
[05:00:17] Let's bring in some, I don't know, some drum loops.
[05:00:25] [typing sounds]
[05:00:35] [typing sounds]
[05:00:45] [typing sounds]
[05:01:12] Oh, this too is slower.
[05:01:15] [typing sounds]
[05:01:35] [typing sounds]
[05:01:50] Why not use this one?
[05:01:54] I don't know.
[05:01:57] Go here, let's see.
[05:02:01] So this is 172, of course it's recognized as 173.
[05:02:08] Slice.
[05:02:11] [typing sounds]
[05:02:32] [typing sounds]
[05:02:52] [typing sounds]
[05:03:05] Okay.
[05:03:07] [typing sounds]
[05:03:10] [typing sounds]
[05:03:37] I basically subtract this frequency spectrum from, so I measure the drums
[05:03:42] and then I measure out these drums and then I subtract the frequency spectrum
[05:03:46] so they have all the frequencies in the empty spaces, more or less.
[05:03:52] [typing sounds]
[05:04:12] [typing sounds]
[05:04:32] [typing sounds]
[05:04:42] [typing sounds]
[05:04:52] [typing sounds]
[05:05:02] I always want to click here on this plus button for some reason.
[05:05:09] Oh, this is ghost.
[05:05:14] [typing sounds]
[05:05:24] Spectrum.
[05:05:27] [typing sounds]
[05:05:30] Drums, synth drums, synth drum master post.
[05:05:35] Ducking.
[05:05:37] [typing sounds]
[05:05:40] So now I just want to duck the drum loop here every time the snare and the kick plays
[05:05:47] so they don't overlap too much.
[05:05:51] [typing sounds]
[05:06:07] [typing sounds]
[05:06:27] [typing sounds]
[05:06:53] Okay, is there a loop here?
[05:06:59] [typing sounds]
[05:07:13] I need to figure out which kind of mode I like properly here for drum bass,
[05:07:18] something like whole tone or half diminished.
[05:07:23] Double harmonic minor stuff like this.
[05:07:26] I have to figure out what's best and how it sounds.
[05:07:29] Phrygian for sure.
[05:07:31] Phrygian.
[05:07:36] Man, I kind of like the update really.
[05:07:38] It looks very dope.
[05:07:40] I like the automation stuff.
[05:07:42] I need some more time to get some muscle memory down.
[05:07:47] And hopefully we get a different mode here for the automation mode.
[05:07:53] I don't think, I feel like it's too many clicks.
[05:07:58] And also here when you create a clip that you have the editor open.
[05:08:02] I don't think I get used to that.
[05:08:06] [typing sounds]
[05:08:09] What's this here?
[05:08:12] [typing sounds]
[05:08:17] What's the name? Impact.
[05:08:19] [typing sounds]
[05:08:26] Rust.
[05:08:29] Pleab.
[05:08:39] [typing sounds]
[05:08:49] [typing sounds]
[05:08:59] [typing sounds]
[05:09:09] [typing sounds]
[05:09:19] [typing sounds]
[05:09:29] [typing sounds]
[05:09:39] [typing sounds]
[05:09:49] Oh, no.
[05:09:53] It's five, okay.
[05:09:57] No, it's five.
[05:10:01] No, it's five.
[05:10:05] [typing sounds]
[05:10:25] [typing sounds]
[05:10:35] [typing sounds]
[05:10:45] [typing sounds]
[05:11:04] Now let's make a nice little drop in there.
[05:11:10] Ghost.
[05:11:14] [typing sounds]
[05:11:20] [typing sounds]
[05:11:30] [typing sounds]
[05:11:39] [typing sounds]
[05:11:49] [typing sounds]
[05:11:59] [typing sounds]
[05:12:09] [typing sounds]
[05:12:19] [typing sounds]
[05:12:29] [typing sounds]
[05:12:39] [typing sounds]
[05:12:43] Wait a minute.
[05:12:46] Nominator is on two, but it's still on four.
[05:12:50] So something is off with the automation there.
[05:12:53] It doesn't get sometimes the values it needs to get.
[05:12:58] So here it's still on...
[05:13:01] Maybe I need to put a point there?
[05:13:05] I can't.
[05:13:09] This is two here, but it shows four, right?
[05:13:14] [typing sounds]
[05:13:29] [typing sounds]
[05:13:41] I kind of like it.
[05:13:43] I probably need to change here this stupid step a bit more.
[05:13:48] Make it a bit more evil.
[05:13:50] It sounds more like a ringtone.
[05:13:53] [typing sounds]
[05:14:14] Something like this.
[05:14:16] [typing sounds]
[05:14:20] It does sound like a ringtone, exactly.
[05:14:23] Hello?
[05:14:28] Why is it outside of the whole thing?
[05:14:32] [music]
[05:14:55] That's okay.
[05:14:56] I can't already hear it.
[05:15:00] I need to hear something different.
[05:15:02] Get tired of it.
[05:15:05] Back to our ambient.
[05:15:09] [music]
[05:15:13] So I'm already streaming for five hours.
[05:15:16] In the beginning, I tried to explain everything from the top of my head.
[05:15:22] We watched also the videos,
[05:15:27] the announcement videos,
[05:15:30] we watched the website,
[05:15:31] we also read through the patch notes,
[05:15:34] at least halfway, because it's so, so much.
[05:15:37] A lot of people liked what they saw in Bitwig Six.
[05:15:41] Some people were disappointed.
[05:15:43] They switched to Reaper as of today.
[05:15:46] They switched instantaneously to Reaper,
[05:15:48] but they are probably back tomorrow.
[05:15:51] So I guess I tried to wrap it up with the stream,
[05:15:57] because I have to eat something.
[05:15:59] The only thing I did today was basically waking up,
[05:16:02] seeing that Bitwig was already live,
[05:16:04] switching on all the cameras,
[05:16:06] all the downloading Bitwig Six installing,
[05:16:10] and then just talking straight for five hours.
[05:16:13] So I need to eat something.
[05:16:15] I also made the tune, by the way.
[05:16:18] I need to eat.
[05:16:19] And I think I wrap it up.
[05:16:21] I probably, not probably,
[05:16:23] I do videos on Bitwig Six, of course, tomorrow,
[05:16:27] probably the next few days,
[05:16:30] trying to compress everything into one small video,
[05:16:35] so you get the idea,
[05:16:37] tell you what I like, what I don't like,
[05:16:40] and some bugs,
[05:16:43] and maybe some tips and tricks,
[05:16:45] or something like this along those lines.
[05:16:47] I hope you all had a great time with me on the stream,
[05:16:51] with my German ASMR,
[05:16:54] with watching me doing the stuff,
[05:16:56] answering the questions.
[05:16:57] I hope you all like it.
[05:16:59] Yeah, that's it.
[05:17:03] Thanks for watching.
[05:17:05] [Music]
[05:17:20] Great A-Contact during that banana.
[05:17:23] Okay, yeah, next time.
[05:17:25] I'll do it more intensively.
[05:17:32] Yeah, I tried to talk as much as possible
[05:17:35] to talk to you guys, answering questions,
[05:17:38] put in as many, as much information as possible,
[05:17:43] giving you a sense of what's in the package.
[05:17:47] I think it's a great update for many people,
[05:17:50] also for me, of course.
[05:17:53] Yeah.
[05:17:55] People already waiting for 6.1,
[05:17:59] with the next features.
[05:18:02] Bitwig 7.
[05:18:05] Thank you all for chatting and leaving comments,
[05:18:09] nice comments, also subscribing and all that stuff,
[05:18:12] liking the video, donations.
[05:18:15] There are probably some donations I missed
[05:18:18] during the stream.
[05:18:20] So, yeah, thanks for everything.
[05:18:23] [Music]
[05:18:50] See you next time, tomorrow.
[05:18:53] [Music]
[05:19:22] [Music]
[05:19:50] [Music]
[05:20:18] [Music]
[05:20:28] [Music]
[05:20:38] [Music]
[05:20:48] [Music]
[05:20:58] [Music]
[05:21:08] [Music]
[05:21:18] [Music]
[05:21:28] [Music]
[05:21:38] [Music]
[05:21:58] [Music]
[05:22:00] [Music]
[05:22:02] [Music]
[05:22:04] [BLANK_AUDIO]