Polarity Music

Polarity's Soft Orbit (Ambient Tales) turns one generative Bitwig Grid patch into four 10-minute ambient drone versions.

Neon Drizzle: nearly three hours of generative Bitwig ambient with rain, distant sci-fi sounds and quiet E-flat minor drones.

Polarity's The Storm is a four-track Drum'n'Bass EP recorded in a week, using a concept-driven approach for cohesive, cinematic club-ready energy.

A warm generative Bitwig Poly Grid drone where randomized Sine voices move through the circle of fifths while filtered Noise adds an airy, shifting top layer.

Polarity's Soft Orbit (Ambient Tales) turns one generative Bitwig Grid patch into four 10-minute ambient drone versions.

Polarity's The Storm is a four-track Drum'n'Bass EP recorded in a week, using a concept-driven approach for cohesive, cinematic club-ready energy.

I've put together three new tracks for this EP that lean towards dark wave, cyberpunk, or dystopian vibes. It's a bit darker, the harmonies aren't as minor anymore, and I've thrown in some vocals here and there too. I think it's a fresh, varied vibe for me and what I'm releasing on Bandcamp. I've got more ideas and drafts saved on my hard drive, but I wanted to test the waters first to see if people vibe with it, if they like it, and how it’s received and all that. Maybe I'll drop more stuff in this direction later. These are just the initial ideas, and I'm really into them.

I haven't released any tracks here on Bandcamp in a long time, and that's about to change today. I've got four new tracks for you, all Drum'n'Bass, and they're all pretty groovy, funky, and minimal. The spark was definitely the Funk Phenomenon track with Auralbee, and I just got inspired to update three more tunes and throw them onto the album or EP. I hope you like it! Feel free to drop a comment here, maybe leave a review, or just keep on browsing. The Project Files are available on my Patreon page, if you're interested.

Here are 4 more tracks from my vault that finally made it to completion. You can hear me trying to bridge the gap between ambient and drum and bass without making it too chill. It's deep and groovy, which is probably how I like it best.

Two deeper yet punchy drum and bass tunes from Berlin, with enough uniqueness through vocals and hinted melodies. Rounded off with dubby chords and a growling bass. That's Berlin ghetto romance in black and white, with a soulful finish.

In 2065, scientists discovered a multi-dimensional concept that allowed them to access a new world beyond our universe. Excitement turned to horror when they realized that this new world was the true reality, and that everything they had known was merely a simulation.

In a dystopian future, humanity has been forced to leave Earth and settle on a distant planet. Life is harsh on this new world, and the people struggle to survive in a hostile environment. But despite the challenges, a new form of art and culture has emerged. This new sound, born from the experiences and emotions of the settlers, is a fusion of neurofunk, ambient, and dub. This is the sound of the future, and it's what keeps the settlers going.

Neon Drizzle: nearly three hours of generative Bitwig ambient with rain, distant sci-fi sounds and quiet E-flat minor drones.

A warm generative Bitwig Poly Grid drone where randomized Sine voices move through the circle of fifths while filtered Noise adds an airy, shifting top layer.

A generative Bitwig Poly Grid soundscape where modal harmony moves upward in perfect fourths while randomized tonal and noise layers drift through delay, chorus, filtering, and diffusion.

A self-running Bitwig Poly Grid soundscape where a sustained drone carries wind, rain, noise, and small randomized percussion through dense delay and reverb.

In this modular Bitwig patch, I tried to imagine a cold, dark place somewhere inside a wide asteroid field: a small spaceship drifting between the rocks while a tired asteroid miner takes a break and tries to sleep.

In this modular Bitwig patch, I tried to create the feeling of floating at the edge of the universe, far away from everything.

In this patch I created a slow-moving ambient soundscape for sleeping, built around a looping chord progression that unfolds very gently over time.

In this Bitwig Grid patch, I tried to create the feeling of drifting somewhere between galaxies.