Groove

I created a new preset called "Groove Machine" which adds a groove to note clips. The main feature of this preset is the step sequencer, which allows you to dial in delays of up to 90 milliseconds to push and pull notes. Additionally, you can dial in randomization and different step patterns to create unique grooves. I showed how to use it on a drum loop and a bass line to demonstrate how it works. You can download this preset and experiment with it to create your own unique grooves.

In this video, I discuss the problem of using delays in situations where there is a shuffle or groove setting. When a straight melody is overlaid with a shuffled delay, it can sound off and disrupt the groove. To address this, I demonstrate how to create a shuffled delay using the FX grid and a feedback loop, allowing the delay to align with the groove setting. I provide a patch for download and encourage viewers to try it out and provide feedback.

In this video, I show you a simple way to synchronize melodies or bass lines to a sloppy drum groove using Bitwig. By using a note grid and the audio signal from the drum channel, I demonstrate how to use an audio follower and delay to detect the transients in the drum loop and use them as a clock signal to synchronize the arpeggiator. This technique allows you to apply a custom groove to your melodies while maintaining the swing feel of the drums.

In this video, I demonstrated how to use the E-Hat device in Bitwig Studio to create interesting hi-hat patterns. I went through the different features of the device and showed how to use velocity, decay, filter and modulation settings to create dynamic and varied sound. I also demonstrated how to use the arpeggiator, note repeater and humanize functions in the plug-in to come up with unique patterns and grooves. Finally, I showed how to record these patterns as note clips so they can be used in a track.

In this video, I discussed how to extract grooves from drum loops. I showed how a Transient Control can be used to detect transients within the drum loop, and then how that signal can be routed through a Note Grid and converted into a gate signal. I then discussed a more complicated method which involves creating a chain device, putting an audio receiver and transient controls in each band and using a node receiver to grab the signal from each band. I also discussed a solution to preserving note lengths when using the clock quantizer. Finally, I showed how the resulting signal can be delayed to create unique grooves.

The Beat-LFO syncs its speed to the project tempo, allowing you to blend smoothly between different beat divisions instead of making hard switches, keeping your modulation perfectly in time with your music. It offers flexible shaping options, bipolar mode, timing offsets, and even integrates with global shuffle settings for a groovy, dynamic feel. This makes it ideal for precise, tempo-locked modulation, and you can use other LFOs to modulate its speed without ever losing sync.

In this video, I showed you Goran Groove's handy drum library called 'Studio Standard'. It has multiple velocity layers for each instrument and the sounds are already well-mixed, so you don't need to adjust the volume sliders. There are some drawbacks though, like no built-in EQ settings. I demonstrated how the plug-in works by creating a drum groove in Bitwig and showed you some of the features like velocity spread and probability settings. Finally, I also mentioned that the library is very affordable and that there is a free trial available on the website.

In this video, I demonstrated how to create a code progression tool or preset inside Bitwig Studio. I explained step-by-step how to create quads, change the relationships between notes, introduce rhythmic elements, apply swing and groove, route notes to different instruments, bounce MIDI clips, and tweak further. I also showed how the Poly-Grid device works and how it can interact with VST instruments, synthesizers and external hardware. Finally, I introduced some tips such as using attinuates to scale down the pitch range, creating chromatic chords, quantizing the rhythm with sample and holds, and using a macro knob to change the scale from the outside.

In this video, I showed a trick for synchronizing a drum loop and using it as a groove source for drum tracks. I demonstrated how to use the Note Grid, Clock Quantizer, Sidechain, Envelope Follower, Amplifier, and Gate Length to extract the groove from a drum loop and use it to control a drum sampler. This can be a helpful trick when you want to convert drum loops to other drum loops or use a different drum loop as a guide for your groove.

In this video, I dive into Bitwig Studio's new Stepwise step sequencer, exploring its integration with drum machines and how it can be customized using Bitwig's modular system. I demonstrate various techniques to enhance its basic features, such as adding probability, velocity, and groove using modulators and note effects. Through experimentation and creativity, I show how Stepwise, though basic, can be a powerful tool for creating unique musical patterns.

In this video, I showed how to use XO to Drum Sampler by XLN-Audio. I showed how to increase the scale of the GUI, the two main tabs, Edit and Space, the sample layers, the sample editor, the global settings, the mastering section, the space tab, and the search function. I also showed how to create a groove by using the step sequencer, how to use the sample combine and randomize button, how to use the preset browser, and how to export the groove. XO is a great drum sampler and it is currently available for free if you upgrade your plan of Bitwig Studio.

The Steps modulator in Bitwig Studio is a versatile tool allowing you to create and manipulate sequences for modulation with features like step painting, shape generation, randomization, and uni/bipolar modes. It offers flexible playback options including forward, backward, ping-pong, looping, synchronization to transport or groove, and even per-voice polyphony, while supporting advanced audio-rate and pitch-based modulation. Its ability to draw custom modulation curves and integrate with note effects and other Bitwig devices enables quick creation of dynamic, rhythmic, or melodic modulation patterns that can be both random and predictably repeatable.

The audio receiver in Bitwig Studio allows you to inject and blend audio from other tracks at any point in your effects chain, providing flexibility to creatively combine and manipulate audio. You can add effects, adjust gain, and automate mixing, even on instrument tracks that are typically for MIDI instruments. By using devices like Chain and modulators such as Pasek Eight, you can sequence, shuffle, and switch smoothly between multiple audio sources for dynamic and rhythmic sound design.

Parsec-8 in Bitwig Studio is an 8-step bipolar sequencer modulator with individual step disabling, holds, and output handles for each step, offering flexible modulation and creative playback options, including phase offset, smoothing, speed control, and direction modes. Unique to Parsec-8, each step can be modulated independently, with playback synced to transport, free-running, or even driven by note or pitch inputs, enabling advanced rhythmic and sound design possibilities, from stepped LFOs to monophonic synths. The device supports intricate timing adjustments, groove integration, and real-time musical manipulation, making it a versatile tool for dynamic modulation and draw-your-own oscillator shapes.

The Curves LFO is a customizable LFO that allows you to draw your own modulation shapes, synchronize them to tempo, and fine-tune settings like smoothing, retriggering, and polarity for precise control. You can edit the shape grid, snap points to rhythm divisions, save and recall curves, and apply modulation to synth parameters such as filter cutoff, supporting both monophonic and polyphonic modes. Its versatility enables you to create dynamic, rhythmically synchronized modulations and unique sound design movements, all fully integrated with your project’s groove and timing.

This video discusses the creation of an EP that will have four tracks. The artist plans to incorporate a mix of drum and bass beats and his usual ambient music style of droning, pads, and melodies. He talks about how he has already created some tracks and is working on the fourth track, which will have 170 BPM and will focus on the bass groove and kick drums. He introduces some production techniques such as layering and modulating, as well as using various plug-ins. He then talks about balancing the kick drum and bass and adding hi-hats and snare to the track.

In this walkthrough, I demonstrate how to create a complete drum and bass track from scratch in Bitwig Studio, focusing on making original sounds without relying on sample packs. I show how to design bass, kick, snare, hi-hats, and percussion, while explaining techniques for modulation, sound layering, and basic mix strategies for punchy results. The process emphasizes experimentation, customization, and the development of personal taste, illustrating that strong grooves and creative sound design are more important than complex melodies.

This detailed walkthrough shows how to start making drum and bass music in Bitwig Studio by building up drums, bass, and pads from scratch using mostly stock devices and sampling techniques. The process focuses on developing the core groove and sound design through continuous tweaking, resampling, and simple processing rather than overthinking or getting caught up in technical perfection. The most important lesson is to keep moving forward, rely on your instinct and style, and make creative adjustments until you are satisfied with the result.