Rhythm

In this video, I demonstrate how to create a super simple patch for Euclidean rhythms in the grid. I show how it looks like in Hatefish, and then explain how to implement it in the grid. I explain the three most important parameters (steps, beats and shift) and demonstrate how they can be used to create interesting rhythms. I also show how to use macros to control the parameters and how to use the Grid Node Out plug-in to generate notes. Finally, I provide a preset to make it easier to use the patch.

I created a new preset called "Groove Machine" which adds a groove to note clips. The main feature of this preset is the step sequencer, which allows you to dial in delays of up to 90 milliseconds to push and pull notes. Additionally, you can dial in randomization and different step patterns to create unique grooves. I showed how to use it on a drum loop and a bass line to demonstrate how it works. You can download this preset and experiment with it to create your own unique grooves.

In this video, I showed how to create interesting rhythmic effects by using various modulators, such as the ramp modulator, the beat LFO, and the scalar. I demonstrated how to use the ramp modulator to modulate a filter, how to blend in different rhythms with the LFO, and how to use a replacer to create note-generating signals. Additionally, I showed how to use the Poly-Grid to trigger notes and modulate their speed, as well as how to use a delay to create off-grid high hats.

In this video, I downloaded the new version of Bitwig Studio 3.0 Beta 2 and explored the new features, including an output clipping parameter on the audio out of the grid device. Then, I discussed pulley rhythms and chords and how to turn chords into pulley rhythms and back. I demonstrated a small setup in the Grid with multiple oscillators playing chords and how to modulate their pitch using a value parameter and an I/O output modulator. I also implemented filter devices to distinguish the sounds and used the low-pitched LFOs as timing signals to trigger other oscillators in a more audible range. I showed how this technique can be expanded and used to create different rhythm structures, using different ratios and even playing on the keyboard. Overall, it's a fun and easy way to create rhythm structures with oscillators.

In the last couple of videos, I discussed pulley rhythms and pulley meters in the Bitwig grid. Today, I want to take a look at how these concepts apply to the Arranger window and Clip Launcher, and share a tip on combining multiple instrument tracks for one synthesizer. By utilizing polyrhythms and polymeters, you can create interesting and complex patterns by varying the subdivisions and clip lengths. This technique can be enhanced further by grouping multiple clips and having them played by a single synthesizer on a group track.

In this video, I explain how to create easy and interesting rhythms in Bitwig Studio using the Poly Grid, by sequencing pitches and controlling their playback with triggers, counters, and various clock modules. I show how combining different rhythms and voice stacking can quickly lead to complex, evolving melodies, and demonstrate how to record the resulting MIDI for use elsewhere. Overall, the workflow is flexible, allowing for endless creative possibilities with just a few simple modules.

In this video, I discussed how to extract grooves from drum loops. I showed how a Transient Control can be used to detect transients within the drum loop, and then how that signal can be routed through a Note Grid and converted into a gate signal. I then discussed a more complicated method which involves creating a chain device, putting an audio receiver and transient controls in each band and using a node receiver to grab the signal from each band. I also discussed a solution to preserving note lengths when using the clock quantizer. Finally, I showed how the resulting signal can be delayed to create unique grooves.

In this video, I explain the difference between Polyrhythms and Polymeters. Polyrhythms involve subdividing a one-bar grid into equally spaced steps using triggers, while in Polymeters, the subdivisions stay the same but the length of the bar changes. To achieve Polymeters, I demonstrate using a reset module to reset the face signal at a certain point in time.

In this video, I explore the new Stepwise sequencer and modules in Bitwig Studio 5.3, showing how they simplify creating polyrhythms and polymeters within the Grid environment. I demonstrate how to manipulate sequence parameters like loop length, step offset, and playback speed, using features like voice stacking and stereo signal processing to create complex and unique sequences. I'm excited to see how these updates enhance creative possibilities and invite you to share your thoughts and questions in the comments.

In this video, I demonstrated how to create a code progression tool or preset inside Bitwig Studio. I explained step-by-step how to create quads, change the relationships between notes, introduce rhythmic elements, apply swing and groove, route notes to different instruments, bounce MIDI clips, and tweak further. I also showed how the Poly-Grid device works and how it can interact with VST instruments, synthesizers and external hardware. Finally, I introduced some tips such as using attinuates to scale down the pitch range, creating chromatic chords, quantizing the rhythm with sample and holds, and using a macro knob to change the scale from the outside.

In this video, I discuss the problem of using delays in situations where there is a shuffle or groove setting. When a straight melody is overlaid with a shuffled delay, it can sound off and disrupt the groove. To address this, I demonstrate how to create a shuffled delay using the FX grid and a feedback loop, allowing the delay to align with the groove setting. I provide a patch for download and encourage viewers to try it out and provide feedback.

The Steps modulator in Bitwig Studio is a versatile tool allowing you to create and manipulate sequences for modulation with features like step painting, shape generation, randomization, and uni/bipolar modes. It offers flexible playback options including forward, backward, ping-pong, looping, synchronization to transport or groove, and even per-voice polyphony, while supporting advanced audio-rate and pitch-based modulation. Its ability to draw custom modulation curves and integrate with note effects and other Bitwig devices enables quick creation of dynamic, rhythmic, or melodic modulation patterns that can be both random and predictably repeatable.

I love the clock quantizer in Bitwig Studio, as it allows me to quantize signals to a steady trigger so that I can create interesting rhythms. I demonstrated how it can be used to delay manual triggers, to quantize two triggers, to create vinyl crackle, and to extract grooves from drum loops. I highly recommend using the clock quantizer to create interesting rhythms in your music.

In this video, I showed how to create a random melody preset in Bitwig Studio. I demonstrated how to use the Polygrid to generate notes and how to use a NoteFX layer to combine different synths and effects. I also showed how to change the scale and the length of the melody, as well as how to record it into a note clip. Finally, I discussed how to use the Euclidean rhythms generator to create shuffling rhythms.

In this video, I demonstrated how to use the E-Hat device in Bitwig Studio to create interesting hi-hat patterns. I went through the different features of the device and showed how to use velocity, decay, filter and modulation settings to create dynamic and varied sound. I also demonstrated how to use the arpeggiator, note repeater and humanize functions in the plug-in to come up with unique patterns and grooves. Finally, I showed how to record these patterns as note clips so they can be used in a track.

In this video, I explored the new Bitwig Studio 4.1 Note-FX devices, including Ripple, Ricochet, Quantize, Randomize, Band, Note Repeat, and Sampler Release. I showed how to use them to create interesting rhythms, textures and soundscapes, as well as to constrain notes to a specific scale. I demonstrated how to use the devices to transform simple note clips into complex and expressive rhythms and melodies.

In this video, I showed you Goran Groove's handy drum library called 'Studio Standard'. It has multiple velocity layers for each instrument and the sounds are already well-mixed, so you don't need to adjust the volume sliders. There are some drawbacks though, like no built-in EQ settings. I demonstrated how the plug-in works by creating a drum groove in Bitwig and showed you some of the features like velocity spread and probability settings. Finally, I also mentioned that the library is very affordable and that there is a free trial available on the website.

In this video, I show how to create a hocket machine in Bitwig Studio using audio receivers and modulation. I use a track called "hocket" with a classic 8 modulator and multiple audio receivers that receive audio from different tracks. To prevent unwanted noise, I adjust the smoothing value when switching between audio sources. I also demonstrate how changing the playback speed, time base, phase modulation, and direction can create different grooves and patterns. I use unusual rhythms on all the tracks to create a more drastic effect. The limitation of this system is that it only has eight steps in the classic 8 modulator. Overall, this effect is easy to setup and can create some interesting outcomes in a track.