Melody

In this video, I showed how to build a melody maker in Bitwig Studio and the Grid. I demonstrated how to use a pitch module, select, max min and probability selector and combined them together to build a melody maker. I also showed how to use a sample and hold, ADSR, face input, scaler, mirror and band, and a recorder to add groove and repetition to the melody. Finally, I showed how to use a clock one ties to synchronize the melody to the beat grid.

I'm here to show you how to use the new Note Grid and NoteFX tools in Bitwig Studio 4.2 to create a melody maker. I demonstrate how to set up a repeater, step mod, sample and hold, and a quantizer to create a random melody generator. I also show you a chord generator I created called the Circle of Fifths, and how to use it with the pitch quantize to create melodies that stay in scale. I provide a preset in the description below so you can follow along and have some fun creating your own melodies.

In this video, I showed how to create a random melody preset in Bitwig Studio. I demonstrated how to use the Polygrid to generate notes and how to use a NoteFX layer to combine different synths and effects. I also showed how to change the scale and the length of the melody, as well as how to record it into a note clip. Finally, I discussed how to use the Euclidean rhythms generator to create shuffling rhythms.

In this video, I start with a completely empty project in Bitwig Studio and build a track from scratch. I start by creating a loop with a melodic kick drum using a Grid patch. I then add variation to the pattern by using a note delay effect. Next, I add hi-hats and claps using the E-Hat device and XO plugin. I create a drone sound using PianoTek and Supermassive, and then add melodic lines using the Polymer synth and a note grid step sequencer. I also use various modulators to add movement and variation to the melodic lines. Finally, I create a bassline using the Polymer synth and apply sidechain compression to the bass and the entire music bus.

In this video, I introduce the latest update to my melody maker script, showcasing new features that allow for more expressive and randomized sequences with just one click. I demonstrate how the updates include randomized parameters like timbre, pressure, and release velocity, as well as advanced options like motif development and rhythmic emphasis for creating more dynamic melodies. Additionally, I discuss some technical challenges with the API and share plans for upcoming updates to my other music scripts.

In this video, I walk you through a simple and straightforward Bitwig Grid setup for generating probabilistic melodies by storing scale notes and assigning individual probabilities to each. I show how to record and synchronize these generative sequences so you can capture stable, repeating patterns with easy logic for playback and triggering new sequences. This patch is perfect for creating evolving melodies, and you can download it on my Patreon if you don't want to build it yourself.

In this video, I produce a melodic techno or melodic house tune inside Bitwig Studio. I start from zero with no idea what to do and end up with a track that is 7 minutes long. I use a variety of techniques such as automation, modulation, sound design, mixing, arranging, and keeping the sequence interesting. I show how to create a root drone, how to use an instrument, how to apply audio effects, and how to use a step modulator. I also demonstrate how to use an LFO, an EQ, and a reverb device.

In today's video, I want to discuss melodies, chords, and scale highlighting features. Somebody commented on my previous video about using a note grid that emits random melodies and modifying it with a key filter to accommodate those who are less familiar with music theory. However, I believe this approach is not feasible because the scale highlighting feature in Ableton Live, for example, can be misleading. When you select the scale feature in Ableton Live, it highlights certain notes in green. For C major, all the white keys are highlighted. However, it also selects other scales and modes such as D Dorian, E Phrygian, and so on.

In today's video, I show you how to create a music track in Bitwig Studio. I start off by using various modules and sequencers to generate a melodic sequence. Then, I add convolution and delay effects to create depth and ambiance. Finally, I layer in drums and bass, apply sidechain and modulation, and add some additional melodies to complete the track.

In this video, I demonstrate how to create a melodic house/techno track from scratch. I start by creating a polygrid with a filter, envelope, and output, and then modulating the pitch with a step mode. I then add a kick drum, bass line, and percussion elements to the track, and use effects such as auto level, delays, and a reverb to create a more interesting sound. I also use the note side chain to duck the music with the kick drum.

In the video, I address someone named trendcast who commented on my videos, expressing frustration with making music and comparing themselves to others. I encourage them to reach out to me on Discord to discuss their thoughts and feelings. I then demonstrate how to start making music with simple elements in Bitwig, gradually building complexity over time.

In this walkthrough of Bitwig Studio 6, I demonstrate how to use the new global scale feature to create dynamic and interesting sequences by combining a variety of note effects and MIDI processing tools. By relying on note FX like arpeggiators, randomizers, and quantizers, you can quickly generate complex basslines, melodies, and pads that always stay in key, making generative and experimental music workflows much more accessible. This approach allows you to break out of repetitive habits and explore fresh melodic ideas without being tied to manually drawing notes, harnessing the power of modulation and scale quantization for creative results.

In this video, I show you how to create a step sequencer that generates a melody on a click and in scale. I start by setting up a polygrid and creating a clock using a scaler. Then, I use a counter to create the step sequencer and apply some math to get clean integer values for each step. I use a dice to generate random notes and a comparing module to trigger the steps. I also use a pitch scaler to narrow down the range of the notes and a pitch quantize module to further refine the melody. Finally, I demonstrate how to use logic operators like smaller and bigger to manipulate the signals. Overall, it's a basic setup, but you can customize and expand on it as you wish.

In this video, I introduced a new script I created for Bitwig Studio that addresses user complaints about the piano roll by generating random melodies in chosen scales with various customizable options like rest probability, note length variation, and octave start. The script is still experimental, and I'm seeking feedback from viewers to improve it, with plans to develop more features in the future. You can find the script in the description or on my GitHub or Patreon, and using it involves downloading a JavaScript file and setting it up in Bitwig's controller settings.

In this video, I talk about a diatonic transposer that can be used in Bitwig to create chord progressions. By using the diatonic transposer, you can correct wrong notes to the right notes of a scale, making it easier to create chord progressions that stay within a specific scale. I demonstrate how to use the diatonic transposer in Bitwig by choosing a scale and mode, and then using the multi-note function to duplicate the notes to different keys. This allows you to easily find starting chord progressions. I also show how to use the diatonic transposer with an arpeggiator to experiment with chord changes, and how to use it with a bassline by using the note receiver and the arpeggiator. Additionally, I introduce the plugin "Cthulu" which allows you to choose specific notes from a chord to create melody lines. I explain that while diatonic chords can be a good starting point, it's important to break out of the diatonic scale scheme at times to add variation and interest to your compositions. I hope this tutorial provides some ideas for creating interesting melody lines and chord progressions, and I encourage viewers to comment with any questions or tutorial requests.

In this video, I demonstrate how to create a generative music patch in Bitwig using the Polygrid module. I start by generating a melody using a step module and modulating the pitch with the dice module. I also use a quantizer to ensure the melody is played in a specific scale. To create percussion, I use a noise module and trigger it with a step module as well, using a filter and distortion to shape the sound. I then combine the melody and percussion patches together and also add a bassline using a filter and octaver. Finally, I show how to export the MIDI data from the patch and use it in another plugin like Polycent. The patch is available for download in the video description.

In this video, I demonstrated how to create deterministic melodies with the sign mode in the Polygrid. It starts with setting up a face input to get a steady signal. I then used a sign mode to transform the signal, followed by an oscillator and amplifier to produce sound. I also used a pitch scalar, pitch quantizer and sample and hold to create a pitch signal that is within an audible range. I then used a clock quantizer to synchronize the signal to the transport, and a trigger module to create a static pulse. Finally, I showed how to use random modulators to create evolving patterns and an average module to even out the signal.

In this video, I show you a simple way to synchronize melodies or bass lines to a sloppy drum groove using Bitwig. By using a note grid and the audio signal from the drum channel, I demonstrate how to use an audio follower and delay to detect the transients in the drum loop and use them as a clock signal to synchronize the arpeggiator. This technique allows you to apply a custom groove to your melodies while maintaining the swing feel of the drums.