Bitwig Note-Sidechain Modulator - Modulate and Duck Audio with Note/MIDI Input
Bitwig Guide | Jul 18, 2022
The Note-Sidechain modulator allows you to use MIDI input or note clips to modulate parameters like volume or filter cutoff, making it perfect for tasks like ducking a bass to a kick drum. You can easily route MIDI from any channel and customize the envelope's timing, depth, and sensitivity, offering flexible control over your modulation targets. By saving the Note-Sidechain on a utility device as a default preset, you can quickly apply ducking across multiple tracks without repetitive setup.
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Short Overview #
I love using the Note-Sidechain modulator because it makes dynamic control effortless in my projects. By feeding it note input from a MIDI keyboard or another track, I can easily shape modulation envelopes to match musical events, like ducking a bassline when a kick hits. It’s versatile, allowing me to choose sources and adjust parameters like pre-delay, modulation depth, and velocity response to fit any scenario. This simple workflow saves time and keeps my mix responsive and tight.
- The Note-Sidechain modulator requires at least one note input, either from a MIDI keyboard or a note clip.
- It can use note inputs from different channels, making it useful for sidechaining effects like ducking a bass track to a kick drum.
- If no input is selected, it defaults to taking input from the same channel it is on, functioning similar to an ADSR envelope.
- The modulator offers standard ADSR controls: attack, decay, sustain, and release, along with a pre-delay option to offset the envelope trigger.
- Modulation depth is adjustable and can be reversed to either increase or decrease a parameter.
- Sensitivity control allows the modulator to react to note velocity, making modulation more expressive depending on how hard keys are pressed.
- The signal display provides visual feedback of incoming notes and the output envelope shape.
- The workflow recommendation is to attach the Note-Sidechain to a Tool device for easier duplication and ducking setup across multiple channels, rather than directly on instruments.
- Saving the Tool device with the Note-Sidechain as a default preset streamlines the process of setting up sidechain ducking in future projects.
Introduction to the Note-Sidechain Modulator #
In this video, I discuss the Note-Sidechain Modulator, a flexible modulator tool I use frequently in my workflow. This device allows for precise control of modulation via MIDI note input, whether from a keyboard or from a note clip in your DAW. It's a mainstay in my setup, especially for tasks like sidechain ducking, modulation routing, and envelope triggering.
How Note Input Works #
To use the Note-Sidechain Modulator, you need at least one note input. This can come from playing a MIDI keyboard or from a programmed note clip. When you trigger a note, you see visible signals in the modulator, showing that it's responding and ready to modulate a chosen parameter with its envelope shape.
Channel and Source Selection #
One great feature is that you can assign the source of the note input. For example, you can set the modulator on a bassline and have it respond to the note input from a kick drum channel. Every time the kick drum plays a note, the bassline can react accordingly, perfect for classic sidechain ducking. If you do not manually select an input, the device defaults to using the note input from its own channel, acting much like a standard ADSR envelope.
Envelope Controls: ADSR and Pre-Delay #
The Note-Sidechain Modulator includes the usual ADSR parameters: Attack, Decay, Sustain, and Release. This allows you to shape exactly how the modulation envelope behaves in response to each incoming MIDI note.
Additionally, the inspector panel provides a pre-delay option. You can offset the envelope's triggering by specifying a delay time (for example, a two sixteenth-notes delay). This feature is useful for finetuning the timing of your modulation relative to the incoming note input, giving you extra control over groove and feel.
Modulation Depth, Reversing, and Sensitivity #
You can control modulation depth to determine how much effect the envelope has on the mapped parameter. There is also an option to reverse the modulation direction. For example, you might want to increase a parameter like filter cutoff instead of decreasing it when the envelope triggers.
A sensitivity setting controls how much the envelope responds to MIDI velocity. At zero, every note is treated as maximum velocity; as you increase sensitivity, the modulation more closely tracks the actual velocity of played or programmed notes. This makes expressive playing and dynamic programming easy.
Visual Feedback and Handling Multiple Channels #
The modulator features a signal display so you can monitor both incoming notes and the resulting envelope shape visually in real-time.
One advanced but practical technique is using the Note-Sidechain across multiple channels. For instance, you can have the modulator respond to notes played on one track (like a kick drum) and apply the envelope to another track (like a bass). By setting different instruments or tracks as inputs, the modulator lets you build intricate, track-dependent automation and effects.
Why Use the Note-Sidechain on Utility Devices #
Instead of putting the Note-Sidechain directly on the instrument, I recommend attaching it to a utility device like a tool device. This way, you are not limited to just the instrument’s own volume or modulation parameters, you can use the same preset across any track, clone it easily, and quickly apply ducking or modulation to multiple sources without resetting everything. This modularity speeds up the workflow and maintains consistency across projects.
Personal Workflow Tips #
I always include a Note-Sidechain in my default preset for utility devices. This means every time I add a tool device, it already has the modulator ready to go. This approach streamlines the process of setting up sidechain ducking (typically tied to kick or snare tracks), letting me reuse the same setup quickly across new projects or channels.
Conclusion #
The Note-Sidechain Modulator is a central part of my modulation workflow. Its ability to trigger envelopes from any MIDI note source and its flexible routing makes it invaluable for sidechaining, ducking, and dynamic modulation. By saving it in my default tool device preset, I ensure it is always at hand, making my music production process faster and more creative. I highly recommend integrating it into your own workflow for precise, musical modulation and automation.
Full Video Transcription #
This is what im talking about in this video. The text is transcribed by Whisper, so it might not be perfect. If you find any mistakes, please let me know.
You can also click on the timestamps to jump to the right part of the video, which should be helpful.
Click to expand Transcription
[00:00:00] So this is the node side chain modulator, and you need for this modulator at least one
[00:00:05] node as an input, either from the MIDI keyboard or from a node clip to react to it.
[00:00:12] So if I hit your node on my keyboard, you can see we get here some signals, and then
[00:00:19] I can modulate something with the shape of this envelope here.
[00:00:24] And you can also select your different channel as an input, so you can maybe use this modulator
[00:00:31] on a baseline and then use node inputs from a kick drum channel.
[00:00:37] So every time you play kick drum, you can then duck the bass to the kick drum.
[00:00:42] That's at least what I use it for.
[00:00:45] And if you don't select your input, then it uses the node input from the same channel
[00:00:51] as a source.
[00:00:53] And it's basically like an ADSR then.
[00:00:57] You have also in the inspector here some pre-delays or a pre-delay option you can use.
[00:01:03] So every time you trigger this envelope, you can dial in here maybe two 16 nodes delay
[00:01:10] or this one gets fired.
[00:01:11] So you can offset basically the envelope a bit in time if you want to.
[00:01:19] We have all the normal controls here for an ADSR, so attack, decay, sustain and release.
[00:01:26] And you can also change here the modulation depth also you can reverse it so you can go
[00:01:31] into the negative way.
[00:01:33] You maybe want to increase the volume of something or you want to increase the frequency of the
[00:01:38] cutoff instead of reducing it.
[00:01:41] It all depends how you modulate parameters on your device and then you can reverse it
[00:01:47] here or you can change the modulation depth if you want to.
[00:01:51] And there's also here the sensitivity.
[00:01:55] So you can react basically to the velocity settings of the nodes you are inputting.
[00:02:02] So if you leave this here at zero, everything is velocity at max, so 127 as a value.
[00:02:11] And if you dial this up to 100%, then it's very sensitive to velocity.
[00:02:16] So how hard you press a key on your keyboard or what kind of velocity value you dialed
[00:02:23] in for your nodes in the node clip.
[00:02:27] Then we have here the node sidechain, I already explained this.
[00:02:30] We have a signal display here, you can see the nodes going in and then also the shape
[00:02:35] going out here, a modulator handle and a pre-delay option here in the inspector.
[00:02:43] So I can show you this here quickly how this looks like on the device itself.
[00:02:47] So we have here the pulleyscent, we have the node sidechain as an input and you can see
[00:02:52] we have here only one channel, the pulleyscent and it's active and when I place something
[00:02:57] on my MIDI keyboard, it takes the nodes from the same channel we have the pulleyscent on.
[00:03:02] So every time I press a key, the pulleyscent plays the node and also the node sidechain
[00:03:08] here reacts to it.
[00:03:12] We can also create a different instrument track, maybe second one.
[00:03:18] Use this as an input and on the first one we select here the second instrument as an
[00:03:25] input.
[00:03:26] When I play on my MIDI keyboard, you can see we also see this light flashing up that we
[00:03:32] have some input happening and I can then react to the second channel here.
[00:03:39] I'm playing notes on the second channel and you can see the first channel is reacting
[00:03:42] to it.
[00:03:43] So this is very important and yeah, like I said, if you use the second instrument here,
[00:03:50] maybe a kick drum, you can then create just some notes on it and then the first channel
[00:04:02] is reacting to that.
[00:04:05] You can see here and then you can say, well, I want to just duck my loudness here or my
[00:04:12] volume to the kick drum and then use that as a source.
[00:04:22] So pretty nice modulator, I use it all the time on the tool device for ducking.
[00:04:29] Yeah, as you can see, it's already attached in my default preset.
[00:04:34] So I attached basically the note side chain and then I right clicked and you save as a
[00:04:39] default preset.
[00:04:40] So I have this already on my tool device because I want to most of the times duck the loudness
[00:04:47] to kick drums or to snare drums and then have it ready.
[00:04:52] So maybe ask yourself why do you attach this to a tool device and not to the instrument
[00:04:57] itself because we have here a volume knob on that.
[00:05:00] The simple reason for that is maybe I want to use a ducking on multiple channels, not
[00:05:07] only on this one.
[00:05:08] So I can just easily drag this out and clone it to a different channel and have the same
[00:05:13] setup on a different channel without going through the setup of adding a side chain and
[00:05:20] then having setting this up and setting here the input right.
[00:05:24] So I have this already on the tool device, dragging just a tool device to every channel
[00:05:30] I need the ducking on and that's easy to do and that's basically my workflow for it.
[00:05:36] But this just as a side note.
[00:05:39] So note side chain is a nice modulator, I use it a lot and you should too.
[00:05:44] [BLANK_AUDIO]