Music Production Knowledge Backlog

In this video, I am working on creating some pets using Bitwig and my MIDI keyboard. I start by recording some audio material and then work on manipulating it using different modules and effects. I enjoy exploring different sounds and creating something new each time. I also talk about my own process of making music and how it is fluid for me, with sound design and mixing all being part of the same process. I take suggestions from the chat and try out different techniques for creating percussion sounds. Overall, it is a chill and meditative process for me.

In this video, I show how to replace Kick 2 with basic grid patching in Bitwig Studio. I demonstrate how to recreate the functions of Kick 2 using the grid, including the oscillator, envelopes, click sound, EQ, distortion, and more. This offers more flexibility and customization options compared to using Kick 2, allowing users to create their own unique kick drum sounds.

The Transfer module in Bitwig 5 is a flexible, drawable wave shaper that lets you edit custom transfer functions to shape and distort audio or other signals in creative ways. It features intuitive options like antialiasing for smoothing, drive control for input gain, and the ability to load or design complex wave shaping curves. Perfect for personalizing distortion effects, it gives you precise control to craft everything from subtle saturation to wild custom transformations.

KeyTrack Plus allows you to create custom modulation curves by mapping keyboard notes to modulation values using a simple graph interface, where each key's position is visually represented. You can easily adjust the modulation amount globally and draw unique curves to control how parameters like cutoff respond to different keys, enabling highly expressive modulation. This flexible system lets you apply nuanced or unconventional modulation to any input, making creative sound shaping straightforward and intuitive.

Segments is a versatile multi-stage envelope generator that lets you freely draw custom shapes, define sustain phases, and choose from multiple play modes like one-shot, hold, repeat, and ping-pong. It features flexible time settings synced to project tempo, smoothing options, polyphonic or monophonic operation, and easy shape manipulation with copy, paste, and snap features. This tool can be used at both standard and audio rates for advanced modulation possibilities, making it perfect for creating unique envelopes in any sound design workflow.

The Curves LFO is a customizable LFO that allows you to draw your own modulation shapes, synchronize them to tempo, and fine-tune settings like smoothing, retriggering, and polarity for precise control. You can edit the shape grid, snap points to rhythm divisions, save and recall curves, and apply modulation to synth parameters such as filter cutoff, supporting both monophonic and polyphonic modes. Its versatility enables you to create dynamic, rhythmically synchronized modulations and unique sound design movements, all fully integrated with your project’s groove and timing.

In this video, I discussed the new features in Bitwig Studio version 5. This includes the new browser, with a compact design and the ability to install packages directly from within the browser. I also discussed the new track modulators and global modulators, which allow users to easily control multiple parameters from the same modulator and access them in the mixing panel. Finally, I talked about the new multi-stage envelope generator, curves and wave table oscillator. These new features make it easier to create interesting sounds and complex modulation patterns.better understand it and provide a proper response?

The Wavetable LFO in Bitwig Studio lets you swap traditional LFO waveforms for wavetables, allowing for fluid modulation between shapes like sine, triangle, saw, and square, and offering advanced options like polyphonic mode, bipolar switching, and synchronized timing. This modulator can control various parameters or even act as an oscillator, especially when paired with pitch-tracking and phase options for creative sound design. You can layer multiple Wavetable LFOs on any device for unique and complex results, making it a powerful tool for both modulation and synthesis.

In this video, I explain why Sine-Oscillators can give back crackles when triggered with an AD, and I share a trick to solve this issue. When using a short attack time and triggering the Sine-Oscillator, we start at minus one, which causes a crackle. To solve this, we can ease out the attack time, or we can move the cycle to a zero crossing by using a constant and the phase knob. However, a long decay time can still cause crackles when re-triggering the oscillator. To solve this, we can use a comparison with the AD output and a gate input to wait until the decay phase is finished before re-triggering the oscillator. Additionally, I suggest starting at zero value to prevent crackles and explain how this applies to other sounds. Overall, following these tips can help solve crackle issues in Sine-Oscillators.

In this video, I demonstrate how to create a generative music patch in Bitwig using the Polygrid module. I start by generating a melody using a step module and modulating the pitch with the dice module. I also use a quantizer to ensure the melody is played in a specific scale. To create percussion, I use a noise module and trigger it with a step module as well, using a filter and distortion to shape the sound. I then combine the melody and percussion patches together and also add a bassline using a filter and octaver. Finally, I show how to export the MIDI data from the patch and use it in another plugin like Polycent. The patch is available for download in the video description.

The Bitwig Studio peak limiter is a simple, low-latency tool designed to control audio peaks and prevent signals from exceeding 0 dB. It features intuitive visual displays for input, output, and gain reduction, with easy controls for input gain, ceiling, and release time to tailor its response to different types of sounds. While not the most advanced limiter, it is highly practical for managing unpredictable audio and increasing volume safely in any project.

In 2065, scientists discovered a multi-dimensional concept that allowed them to access a new world beyond our universe. Excitement turned to horror when they realized that this new world was the true reality, and that everything they had known was merely a simulation.

In this video, I talk about various topics and share some tips and tricks. First up, I discuss the release of Bitwig Studio 4.4.9, which comes with bug fixes and improvements. Next, I share my thoughts on WavTool, a DAW in the browser that has some interesting features, such as a chatbot that can create MIDI clips with a melody. I also mention the possibility of having a chatbot in Bitwig Studio and an interface designer to create simplified interfaces for the grid. In the next section, I discuss using the phase four as an additive synthesizer to create lush pads. I also show how to use a step modulator to add rhythms to the pads. In the final section, I talk about a plugin called Gain Aim, which can be used as a leveler, compressor, and normalizer. I also mention Microtonic, a drum machine plugin.

Art and AI's intersection offers unique challenges and opportunities. Learning from past technological shifts, like the MP3 revolution, can guide us in adapting to change. Exploring alternative compensation models for artists, such as basic income, will help support creators. Embracing this evolving relationship enriches our cultural landscape and inspires future generations.

30min drone in Bitwig and some @devicemeister Stepic magic. Yesterday, I created a music video using Bitwig that features a ...

In this video, I talk about three new plugins by Sonoble that just came out today: Pure Verb, Pure Comp, and Pure Limit. These are smaller versions of their bigger plugins, which have fewer controls. These plugins are perfect for creative people who want to dial in a few parameters and move on. I demonstrate how to use each plugin and offer some tips along the way. These plugins are a great addition to any mixing or mastering workflow, especially for those who want to simplify the process. If you're interested, check out the links in the description to try them out for yourself.