Music Production Knowledge Backlog

In this video, I demonstrate how to create a super simple patch for Euclidean rhythms in the grid. I show how it looks like in Hatefish, and then explain how to implement it in the grid. I explain the three most important parameters (steps, beats and shift) and demonstrate how they can be used to create interesting rhythms. I also show how to use macros to control the parameters and how to use the Grid Node Out plug-in to generate notes. Finally, I provide a preset to make it easier to use the patch.

In this video, I experimented with Bitwig's modulation system and the HZF filter to create interesting sounds. I used the filter to analyze the input signal and amplify or suppress certain harmonics to get the desired sound. I also experimented with adding white noise and creating drone sounds by setting the filter to freeze and hold. I demonstrated how this could be used on a piano, vocals, and other instruments, and how presets can be saved with the current sound settings.

In this video, I discussed how the saturator in Bidig Studio works and how it can be used to enhance sound. I showed how the wave shaper works by changing the yellow line, and how the DC offset device creates a sound when modulated at audio rate. I also discussed the transfer function and how it can be used to change the wave shape of the signal in the positive and negative ranges. I then demonstrated the folding function and how it can be used to create a gate effect. Finally, I showed how the saturator can be used to add harmonics and make a sound more present, such as on a kick drum.

In this video, I showed what the new Smart EQ 3 plug-in from Sonible from Austria can do. I tested it out on my own track called Craft and went through how to use it for drums, bass, and the master. I showed how to apply different profiles and manual EQ, as well as how to use the grouping feature to make sure the tracks work well together. I also mentioned that Smart EQ 3 is aware of the context EQing and prioritizes certain things over others. Lastly, I suggested that users try out the trial version to get a feel for the plug-in, and if they like it, to purchase it.

In this video, I show how I combine sub-patterns to create a larger generative pattern. I demonstrate how to use the probability module in Bitwig Studio, and how to combine different sequences in a meaningful way. I also show how to use a sample and hold module, a transport playing module, and a compare function to create a trigger signal to reset the chance module. This technique can be used to create generative drum patterns, and it is a great way to exclude what you don't want and focus on what you do want in your track.

In this video, I showed how to use my voice as an instrument inside Bitwig Studio. I demonstrated how to create a vocal pad sound by using a Voice stack modulator and then showed how to use the Poly-Grid to control synths with my voice. I also showed how to use the Melda Auto Pitch Plug-in to create sounds on the fly and use a Zero Crossings module to get a clean pitch signal. Finally, I demonstrated how to create percussion sounds with my voice by using filters and transient shapers.

In this video, I showed how to create interesting rhythmic effects by using various modulators, such as the ramp modulator, the beat LFO, and the scalar. I demonstrated how to use the ramp modulator to modulate a filter, how to blend in different rhythms with the LFO, and how to use a replacer to create note-generating signals. Additionally, I showed how to use the Poly-Grid to trigger notes and modulate their speed, as well as how to use a delay to create off-grid high hats.

In this video, I demonstrated an easy workflow to define the loop length inside a sample in Bitwig Studio. This can be helpful when you want to synchronize the loop length with your song tempo. I showed how to copy the length of a region to the loop length, as well as how to subdivide the loop length using the quantizer. Finally, I mentioned that it is important to change the loop length on the beat grid in order to avoid any timing issues.

In this video, I showcase my new piano delays preset package, which is available on my Patreon for the five bucks tier. I demonstrate how it works by using the new electric keys package from Bitwig Studio. I explain how the seven presets work, such as creating fragments, slowing down and pitching up the delay signal, and creating a nice evolving atmosphere. I also mention how it can be used to sample for a sampler. I invite viewers to subscribe to my Patreon for the five bucks tier to download this package and have some fun.

In this video, I'm introducing my new preset package called Sequenced Synths, which consists of 10 presets for Bitwigs Studio. The main theme is that you can hold one note on the MIDI keyboard or paint it in the piano roll and a sequence will unfold over time. You can also change the sound by using the remote controls or the modulators on the preset. This package is available for my Patreon subscribers with the 5 bucks tier and above. After this introduction, there will be a preview of all the presets so viewers can decide if they want to subscribe or not. If viewers have any questions, they can ask me in the comments or join my discord. Thanks for watching and have fun playing around with the sounds.

In this video I demonstrated how to use the Supermassive reverb plugin by Valhalla to create unique sound designs. I showed how to use the noise module and the pitch shifting capabilities of the plugin to create strange, disharmonic sounds. I also demonstrated how to add distortion and filters to shape the sounds, as well as how to use multiple instances of the plugin for even more sound design possibilities. Finally, I showed how to bounce the sounds out and use them in a sampler or in a track.

In this video, I showed some of the tricks I used to create a song out of just a drum loop. I used a resonator bank with a step sequencer and an audio side chain to extract the gate signal from the drum loop. I also used a pitch shifter, distortion, peak limiter, reverb, delay and a halftime plugin to shape the sound. I also used a quantizer, a comp filter and the harmonic series to add some extra elements. Finally, I used a limiter for quick mastering. I hope this video gives you some ideas or inspiration to try out in your own environment.

In this video, I demonstrate how to use delay in Bitwig Studio. I explain how to use the delay one effect to offset audio signals, create echo effects, and even create phasing effects and filters. I also discuss the feedback FX box and explain how to use it to create glitch effects by pitching and filtering audio signals.

I downloaded a zip file with the necessary files, and copied them into my VST directory. I then opened the VCV Bridge plug-in on my instrument track in Bitwig Studio and loaded up VCV Rack. I switched on the METE-CV module to bridge, and selected the device port 1. On the audio 8 device, I switched to bridge and port 1. This allowed me to have a MIDI in from Bitwig and audio out to Bitwig. I could then use my MIDI keyboard to play VCV Rack and have some fun.

In this video, I showed how to make something sound loud and punchy. I explained that you need to balance out the frequency spectrum and reduce the dynamics with a peak limiter. I then explained how to use FX3 to make multi-band limiting easier and showed how to use a hard clip to get a lot of loudness while still sounding good.

I joined forces with Mica Franco, Joshua Zook and Wellnesspunk. Deep, dark & melancholic bass music.