Posts tagged with Bitwig-5.2.4

Here you can find a listing of all posts with the tag Bitwig-5.2.4 on my page.

Plasma by iZotope in Bitwig

Oct 02, 2024 Tutorial
In this video, I demonstrate how to replicate the functionality of the Plasma plug-in by iZotope within Bitwig Studio. By using techniques like loud split, EQ adjustments, and saturation, I create a flexible method to achieve similar frequency-specific saturation effects without the high CPU usage. I also provide a free preset for download, encouraging viewers to like, subscribe, and share their thoughts in the comments.

EQ Cloning with Impulse Responses

Sep 30, 2024 Tutorial
In this video, I demonstrated how to clone EQ settings using impulse responses, showing the process with tools like an EQ curve analyzer, Ozone 8 EQ, and a convolution device. By recording the output of the Ozone 8 and using a test tone or Dirac signal, I showcased two methods to replicate the linear phase EQ setting. This technique is useful especially if you don't have a built-in linear phase EQ in your DAW like Bitwig.

Cyberpunk and Dark Techno Basics in Bitwig

Sep 19, 2024 Tutorial
In today's video, I explore how to create cyberpunk, dark techno, and 90s Prodigy-style sounds using basic subtractive synthesis techniques, focusing on raw sounds and heavy distortion. I walk you through setting up a monophonic saw wave, creating a repetitive bass pattern, and adding various effects like LP filtering, diode distortion, and bit reduction to achieve a signature cyberpunk vibe. Lastly, I show how to complement the synths with simple drum patterns and side-chaining for added depth and rhythm, and mention that the project file will be available on my Patreon.

EDM Chords with Bitwig's Note Grid

Sep 18, 2024 Tutorial
In today's video, I demonstrated how to create interesting harmonic ideas using Bitwig's note grid by setting up chords with a pedal tone and fifths, making it simple to form complex chords and EDM sounds. I also added elements like an arpeggiator, reverb, and delay to enhance the sound, and showed how to manage different channels for more intricate compositions. This technique allows for quick and easy creation of harmonies without the need for complex chord progressions.

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