Nov 29, 2025 Tutorial
This video demonstrates how to create realistic hi-hats, cymbals, and crash sounds in Bitwig Studio using a free native preset based on physical modeling principles, similar to Excite Cymbal plugins. The patch includes features like a stick simulation, dispersion feedback with low delay times, and a resonator made from stacked comb filters, with macros and EQ for versatile sound shaping. The presenter also highlights ways to sample these sounds and mentions alternatives like the open-source Excite plugins and pure data patches for deeper customization.
Jun 08, 2025 Tutorial
Resonarium is a free, open-source synthesizer focused on waveguide modeling, allowing users to create complex resonator-based sounds with varied exciter and filter options. Currently in alpha at version 0.0.1, it features a straightforward interface but is prone to bugs and heavy CPU usage when using multiple resonators. Users can experiment with impulses, noise, samples, or external audio, and while it has no manual yet, it is powerful for those interested in physical modeling synthesis.
Feb 17, 2025 Tutorial
In this video, I introduce and explore RipplerX, a new and completely free open-source physical modeling plug-in that works across Mac, Windows, and Linux. It offers a simple, straightforward interface without effects or excessive modulation features, allowing users to focus on crafting sounds through its resonator configurations. I appreciate its low storage requirement and encourage viewers to try it out, highlighting the link in the description for easy download.
Mai 11, 2023 Tutorial
In this video, I explain how to make a physical modeling synth in the Reason software. Physical modeling is a way of replicating real-world objects in a synth by modeling their resonances and frequencies. To start building the physical modeling synth, we need to introduce an exciter and use multiple bandpass filters. The resonance frequency of objects is specific to their material, and the frequencies of the overtone change with time. We need to introduce envelopes for each overtone that changes over time. We can use multiple partials and tune the frequencies of the bandpass filters to replicate specific objects' resonances. Loudness is also crucial, and we can use multiple envelopes for each harmonic. We can use a comp filter or use a ratio knob to target specific harmonics. Alternatively, we can introduce all harmonics and remove the ones we don't want. It's an intricate process, but the result is worth the effort.
Jul 06, 2022 Tutorial
In this video, I discuss my preset called "Comb Guitar" which is available on my Patreon with the lowest tier. I show how it can sound like an acoustic guitar and I explain how the tonality, decay, pitch mod, and impulse responses can be used to change the sound. I also demonstrate how it can be used with Betwick Studio to create interesting guitar sounds. Lastly, I encourage viewers to check out my Patreon and download the preset.