Posts tagged with Generative

Learn how to build complex ambient generator patches in Bitwig Grid by layering small modules for raindrops, wind, harmony, and reverb.

I took the old idea from the previous video and pushed it a bit further. The raindrops and wind sounds create a really nice vibe, and they’re made entirely from noise and filter movements, they actually make up most of the patch. The rest I filled out with some drones and a random noise generator.

Rainy city at night! This time I’m using different oscillators again for pads & lead sounds. On top of that there’s a lot of generated synth rain with droplets and noise.

Many all-pass delays create maximum reverb on all sounds. This should create a nice atmosphere with some random sounds. The Markov Generator creates notes in specific sequences, and this is used for a sine bleep.

I tried to use as few sound sources as possible for the pad and relied mainly on all-pass filters to stretch the sound and make it behave like a pad, even though it’s just a sine bleep every few seconds.

In this generative preset, I create pad sounds using an arpeggiator that I smear with a lot of Alpha delays, so it sounds like a pad even though it’s really just an arpeggiator.

Hey everyone! I’ve got a new generative patch I made in Bitwig. This time, it’s a bit more sequenced, which means I’m using Transport Modules to time certain events, like when the drums kick in.

For the patch, I recorded my own vocals, of course, all nicely processed with reverb and packed them into the sampler. I also added some water sounds that I generate with filters. There are water droplets too, so it all kind of reminds me of a cave system on some alien planet. I kept the atmosphere pretty static, meaning there aren't many melodies or anything like that.

Alright, in this Bitwig Grid patch, I tried to create some ambient vibes using a bunch of different voices and synthesis types. Of course, there's an arpeggio in there too, and I reused the effect generator from the patch before last because I thought it fit really well and adds a nice depth to the atmosphere.

Alright, in this Bitwig Grid patch, I tried to randomly generate a new track every 32/16 bars. It's all based on randomness noise generators, so it's basically a Melodic Techno track generator (sort of). Of course, it can be expanded further, but you can already see my CPU is really pushed to its limits at the end. I’d love to add more, like percussion generators and stuff. There’s definitely more potential there.

I just built a cool drone in the Grid again, with a ton of pads and a lead sound that randomly plays every now and then. There are also some random FX sounds, plus a little wind and rain machine.

This Math based generative grid creates pad sounds, little bleeps, a bass line, drums, kicks, snares, and the snare sounds a bit like a rimshot (phaser+), and yeah, it’s all more or less generative. You can draw your own melody in the Scrawl oscillator up top, and then it behaves totally differently. Have fun with it and let me know what you think! ps: you can change the scale/mode of Bitwig and the Grid changes notes / root pitch!

This video reviews the Infinite plugin, a free AI-powered tool, likely made by Google, that generates an endless stream of music based on user prompts and context, allowing detailed control over the composition process. The creator acknowledges concerns about AI, such as data usage from artists and environmental impact, but is interested in exploring its creative potential and hopes for future open-source or local versions. Overall, the plugin inspires fresh ideas and background textures for musicians while letting them directly shape the generated output, despite some technical limitations and the broader uncertainties about AI in music creation.

This patch recreates your childhood with a nostalgic soundscape. It features a blend of ambient textures and rhythmic elements, perfect for evoking memories of simpler times.

I sat down last night and whipped up this grid patch. This time, the notes and gate triggers are based on probabilities. There are two pad synths, a random noise generator for some unpredictable FX, and a sparsely firing pulse lead. I also added a bunch of post fx like reverb and shimmer/audio pitch, all built from my own grids.

The video demonstrates how to build a generative techno grid patch in Bitwig Studio's modular environment, breaking down the process of creating drums, bass, arps, and effects step by step. While the patch may look complex, the creator emphasizes it's mainly a matter of arranging basic modules, sound design techniques, and sequencing cleverly, then compacting the layout for visual effect. The process showcases both sound creation and modular workflow tips, with the finished patch to be shared for free on GitHub.

3 Note chord based ambient sci-fi atmosphere with Bitwig. Invokes some Vangelis vibes with thick pads and a pulse lead sound drowned in a grid reverb.

Atlas 2 by Algonaut helps you organize drum samples, build random kits, and sketch beats quickly with sequencing tools for faster beatmaking.

In this video, I walk you through a simple and straightforward Bitwig Grid setup for generating probabilistic melodies by storing scale notes and assigning individual probabilities to each. I show how to record and synchronize these generative sequences so you can capture stable, repeating patterns with easy logic for playback and triggering new sequences. This patch is perfect for creating evolving melodies, and you can download it on my Patreon if you don't want to build it yourself.

In this video, I explain how to create easy and interesting rhythms in Bitwig Studio using the Poly Grid, by sequencing pitches and controlling their playback with triggers, counters, and various clock modules. I show how combining different rhythms and voice stacking can quickly lead to complex, evolving melodies, and demonstrate how to record the resulting MIDI for use elsewhere. Overall, the workflow is flexible, allowing for endless creative possibilities with just a few simple modules.

In this video, I introduce the latest update to my melody maker script, showcasing new features that allow for more expressive and randomized sequences with just one click. I demonstrate how the updates include randomized parameters like timbre, pressure, and release velocity, as well as advanced options like motif development and rhythmic emphasis for creating more dynamic melodies. Additionally, I discuss some technical challenges with the API and share plans for upcoming updates to my other music scripts.

In this video, I explored Bitwig Studio by using the Delay 1 device to create extended looping effects without relying on a VST. By chaining multiple delay units and incorporating quantization, I achieved synchronized, polyrhythmic loops that can be layered to produce ambient tracks effortlessly. I shared this technique as a straightforward yet powerful way to innovate within Bitwig Studio, inviting viewers to try it themselves and share their experiences.

In this video, I introduced a new script I created for Bitwig Studio that addresses user complaints about the piano roll by generating random melodies in chosen scales with various customizable options like rest probability, note length variation, and octave start. The script is still experimental, and I'm seeking feedback from viewers to improve it, with plans to develop more features in the future. You can find the script in the description or on my GitHub or Patreon, and using it involves downloading a JavaScript file and setting it up in Bitwig's controller settings.

In this video, I demonstrated a random noise generator I created using a simple grid setup, which can produce interesting and usable sounds by applying various modulations and randomizations. I explained how to blend between random and sub oscillators to achieve different tonal qualities and shared that you can download this preset on my Patreon. Additionally, I highlighted the technical aspects behind the setup, aiming to inspire viewers to experiment with creating random sounds.

In this video, I explore the new Stepwise sequencer and modules in Bitwig Studio 5.3, showing how they simplify creating polyrhythms and polymeters within the Grid environment. I demonstrate how to manipulate sequence parameters like loop length, step offset, and playback speed, using features like voice stacking and stereo signal processing to create complex and unique sequences. I'm excited to see how these updates enhance creative possibilities and invite you to share your thoughts and questions in the comments.

In this video, I dive into Bitwig Studio's new Stepwise step sequencer, exploring its integration with drum machines and how it can be customized using Bitwig's modular system. I demonstrate various techniques to enhance its basic features, such as adding probability, velocity, and groove using modulators and note effects. Through experimentation and creativity, I show how Stepwise, though basic, can be a powerful tool for creating unique musical patterns.

In this video, I demonstrated how to create feedback loops in Bitwig Studio's grid using noise sources, delay, and auto gain to maintain stable levels and explore unique soundscapes. I showed how to incorporate various effects, such as phasers and filters, within the loop to alter the sound while using post-effects like reverb and pitch correction for additional texture. I've also included a downloadable setup for you to try out and experiment with the techniques discussed.

I recently explored the Ripple Delay plugin by Process Audio and found its ability to integrate effects within the feedback loop, while allowing delay times as low as one millisecond, to be quite impressive. This feature is currently challenging to replicate in Bitwig Studio due to its limitations with buffer size, which affects delay time when effects are included in the feedback chain. I'm hopeful for future updates in Bitwig, but in the meantime, I recommend trying out this plugin to experiment with creating unique soundscapes.

In this video, I demonstrate how to create interesting descending and ascending pitch sequences in Bitwig Studio's grid by using modules like pitch bus, octave wrapper, and pitch quantizer. I explain how to maintain pitches within a specific octave, use the transport module for polyrhythmic structures, and combine multiple sequences with different parameters. You can find the patch linked in the description to explore these concepts further.

In this video, I create a generative patch using a Poly-Grid instrument track in monophonic mode. I experiment with feedback for pitch generation and incorporate audio pitch modulation. I add various effects like delay, chorus, filter, and reverb to shape the sound, and create a complex and evolving composition.

In this video, I demonstrate how to create a random note generator using the Polymer synthesizer in Bitwig Studio. I use the Node Grid and the Dice module to generate random nodes, and the Triggers module to create eight equally spaced triggers within one bar. I then use the Shift register to record and modify the generated sequence, allowing for variations and alterations in the playback.

In this video, I introduced my Markov Chains preset, which is a melody generator based on probabilities. I explained how it works and how I coded it using information from the Hook Theory website. I demonstrated how to create an ambient drone sound using the preset and additional modulations and effects.

In this video, I explore creating new sounds using the Bitwig Grid. I start by sampling different instruments and then manipulate the samples using various modules such as triggers, quantizers, and modulation. The result is a unique and atmospheric ambient sound that can be further customized and experimented with.

In this video, I showcase an interesting technique in Bitwig where I create a musical composition using only a node grid instead of traditional note creation methods. By manipulating pitch ratios, step mods, and triggers, I generate unique polyrhythmic patterns and head sounds. I demonstrate how to use the node grid to control multiple instruments, apply effects like reverb and convolution, and create complex chord progressions using subtract and quantize modules.

In this video, I demonstrate a generative techno patch using a sequencer and various modules. The patch allows for the creation of unique kick drums, melodies, and snare sounds while keeping the hi-hats consistent. I also explain how I used modulation and filtering techniques to add variety and create different sounds for each iteration of the track.

In this video, I share an idea I had to generate presets on the fly using a note grid and MIDI modulators in Bitwig Studio. By assigning different CC numbers to each voice in the note grid, I can generate random CC values and use them to modulate various parameters of synthesizers or effects. This approach allows for dynamic and unique sound variations within a song or live set.

In this video, I show how to create a drum sequencer in Bitwig Studio using the note grid and various modules. By selecting a drum sampler or VST, creating note clips, and manipulating triggers, velocity, and timing, I demonstrate how to generate unique drum sequences. I also explore features like note stacking, shifting, quantizing, and randomization to create diverse and customizable drum patterns.

In this video, I create a generative ambient patch from scratch using Bitwig Studio. I start by creating a drone sound using polygrid and adding pitch modulation to create different pitches on the left and right sides. I then add effects like chorus and filters to add depth and modulation to the sound.

In this video, I share a useful trick in Bitwig Studio for creating evolving sounds. I remind myself to use the XY Instrument container which allows me to load multiple instruments and fade between them. This technique can be applied to various types of sounds and offers a lot of flexibility in terms of modulating and manipulating the fades.

In my latest video, I discuss SynPlant 2, a groundbreaking synthesizer with the new GenoPatch feature that uses machine learning to create FM patches from samples. This feature allows users to generate multiple FM patches from a single sample, with options to adjust tuning, volume, and grow out different sound variations. I believe this is a game-changing innovation in the world of synthesizers and hope to see other synths incorporate similar features in the future.

In this video, I show you how to create a step sequencer that generates a melody on a click and in scale. I start by setting up a polygrid and creating a clock using a scaler. Then, I use a counter to create the step sequencer and apply some math to get clean integer values for each step. I use a dice to generate random notes and a comparing module to trigger the steps. I also use a pitch scaler to narrow down the range of the notes and a pitch quantize module to further refine the melody. Finally, I demonstrate how to use logic operators like smaller and bigger to manipulate the signals. Overall, it's a basic setup, but you can customize and expand on it as you wish.