Posts tagged with Hardware

The reviewer tested the affordable Reloop Keypad Pro DAW controller, highlighting its solid build, useful Bitwig integration, velocity-sensitive keys, versatile controls, and convenient features like battery power, a mini USB hub, and scale modes. It worked flawlessly with Bitwig on Windows and offered flexible mapping and performance options, although switching between modes for clip launching and drumming could be more streamlined. Overall, the Keypad Pro is recommended as a fun, budget-friendly controller for Bitwig users, especially in club settings or for mobile music-making.

In this video, I explain why I don't use the buttons and features of the Bitwig Connect 4/12, preferring the efficiency of keyboard and mouse controls in Bitwig Studio. The device is well-built and integrates nicely, but features like the big knob and transport controls don't fit my workflow. While it's a great audio interface, it doesn't fully meet my needs or preferences.

Today, I'm excited to introduce the Roto Controller by Melbourne Instruments and its new Bitwig integration, currently in beta. This controller, while perhaps not the ultimate MIDI controller, is unique for its tactile feedback and innovative mapping features. With modes for MIDI, plugins, and mixing, it offers a highly intuitive experience that you can try out at Superbooth or the Bitwig booth.

In this video, I showcase the Bitwig Connect 4/12 and share some creative patching ideas using it, even if you don't own an external synthesizer. I demonstrate how to convert digital signals to analog and back to digital, utilizing feedback loops for distortion and creative sound effects. The convenience of having input and output jacks readily accessible makes it easy and fun to experiment, and I plan to share more tips in future videos.

In this video, I introduce the Ottopot, a homemade MIDI controller created by one of my Patreons, Gero. The device features 14-bit resolution potentiometers with LED rings for precise control, offering a unique one-to-one mapping experience. If you're interested, you can build it yourself using the materials listed on Gero's website, or potentially get one made by him if he's available.

In this video, I demonstrate the sounds of my PFAM, a replica of the Moog DFAM, inside Bitwig Studio. I explain the layout and modifications I made to the original device, showcasing its percussive capabilities and versatility as a techno sequence generator. The preset is available for free download and I welcome feedback and suggestions for future devices.

In this video, I recreated the Subharmonicon synthesizer in Bitwig Studio. The layout consists of two main oscillators with sub ratio knobs for dividing the frequency. There is also a mixing section, routing panel, and pulley rhythms for creating unique sequences.

In this video, I showcase my recreation of the Moog synthesizer called Labyrinth inside of Bitwig Studio. I explain the different sections and features of the synthesizer, including the oscillators, mixing section, wave folder, filters, routing options, VCA, and more. I also mention that I might implement a corrupt feature in the future to randomize the sequences, but for now, the preset can be downloaded for free.

The Moog Spectravox is a new vocoder/filter bank with limited features, but the sound quality is what sets it apart. While it's possible to replicate it in Bitwig Studio, it doesn't make sense to do so because the hardware device has a unique sound that can't be replicated in software. However, I've created a preset in Bitwig Studio that mimics the functionality of the Moog Spectravox for those interested in exploring it further.

Small Hardware and Bitwig jam i did earlier today. Just playing around with synths and hitting record on OBS. ENJOY

In this video, I showcase the Schwerkraftmaschine Compressor by Tegeler, a Berlin company, which I received for a 14-day trial period. I demonstrate how the hardware compressor affects drum breaks, recording and speeding them up to create drum and bass break beats, and discuss the various settings and modes available on the device. While I find the compressor to be expensive, I appreciate the analog sound it adds to the drums, although I will likely have to return it due to the cost.

A hands-on Behringer Poly D review covering sound, tuning behavior, oscillator and filter workflow, chord ideas, and how it works in real music production.

I was a bit bored today and thought I'd record a few sequences while playing on my synths. Nothing special, just messing around. The bass comes from the @behringer Poly-D, arps from the @MoogSynthesizers M32, drums from the DFAM, and a drone and @modarttvideos Pianoteq from @bitwig

I'm adding various harmonics in and out with the @MoogSynthesizers Subharmonicon, running it through a Valhalla Supermassive, and recording everything in Bitwig. In @bitwig , I'm playing a random backdrop that I created in another tutorial video yesterday https://youtu.be/J_Iw2eUMYGc My @behringer Poly-D is also providing a nice warm bass. Nothing special, really, but I felt like recording and documenting the whole thing.

In this video, I demonstrate a workflow for creating complex patterns and ambient songs using the Trident synthesizer. By sampling different presets from the bell and mallet category, slicing them, and renaming the files, I can load them into a sampler to create a unique and dynamic sound. This method allows for easy experimentation and can be applied to various genres, from ambient to percussion.

In this tutorial, I demonstrate how to create ambient sounds using 32 instances of Paul Stretch. I start by selecting sounds from the Triton plugin and adding random reverbs for depth. Each instance is then sampled using different keys, lengths, and stretch amounts, resulting in a varied and powerful drone sound. By layering these instances and adding simple melodies, you can create a thick atmospheric dance track.

Time for another improv on my long time not used gear. Used all my moog studio devices, polyD and some pads from bitwig

In this video, I demonstrate how to replicate the concept of Arturia's EFX Refract plugin using Bitwig Studio's Bitwig Grid. I outline the process of creating multiple voices, applying delay and modulation effects, and implementing a bandpass filter for each voice. While I couldn't replicate the plugin's 3D interface or harmonizer, this tutorial serves as an inspiration for creating similar effects in the Bitwig Grid.

In this video, I'm going to explain how I recreated the Eurorack module by Eventide called Misha in Bitwig Studio. I'll explain how it works, how to download the patch, and how to recreate it from this video. I'll also demonstrate how to use the keyboard, trigger buttons, and sequencer to control it. Finally, I'll show you how to transpose and use the key filter to create different scales. So, stay tuned and I'll show you how to make your own Misha clone!

In this video, I showed how I integrated the Arturia Keystep Pro with my Ulurec and my semi-modular synthesizer setup. The Keystep Pro is connected to my computer via USB and to Bitwig Studio with a MIDI clock button. It passes the clock signal to all my devices, allowing me to generate a pattern synced to my host tempo in Bitwig Studio. I can also use the outputs to send control voltage to my Mother 32, Eurowreck, and Pooly D. With the Keystep Pro, I can switch between my instruments and record sequences of up to 64 steps. I can also use the diatonic transposer, drum sequencer, and arpeggiator to further customize my sound. Overall, the Keystep Pro is the perfect controller for my setup!