Posts tagged with Additive-Synthesis

Here you can find a listing of all posts with the tag Additive-Synthesis on my page.

Expanding the Potential of the Bitwig Polymer Synthesizer

Jul 03, 2023 Tutorial
In this video, I demonstrate how to use the modulation capabilities in Bitwig Studio, specifically with the Polymer synthesizer. I show how to use a small trick with a wavetable to get more out of the synthesizer and push it in different directions. I explain the concept of using modulators and how you can create different sounds by modulating different parameters. I also show how you can use the wavetable oscillator as a modulation source and create FM, subtractive, and additive synthesis within the Polymer synthesizer. Overall, I highlight the power of modulations in Bitwig Studio and how they can enhance your sound design capabilities.

Bitwig Studio 4.4.9 Update, WavTool DAW, Tips and Tricks with Phase-4 and Gain Aim

Mar 28, 2023 Tutorial
In this video, I talk about various topics and share some tips and tricks. First up, I discuss the release of Bitwig Studio 4.4.9, which comes with bug fixes and improvements. Next, I share my thoughts on WavTool, a DAW in the browser that has some interesting features, such as a chatbot that can create MIDI clips with a melody. I also mention the possibility of having a chatbot in Bitwig Studio and an interface designer to create simplified interfaces for the grid. In the next section, I discuss using the phase four as an additive synthesizer to create lush pads. I also show how to use a step modulator to add rhythms to the pads. In the final section, I talk about a plugin called Gain Aim, which can be used as a leveler, compressor, and normalizer. I also mention Microtonic, a drum machine plugin.

Creating Synthesis Methods in Bitwig Grid: A Comprehensive Tutorial on Oscillator Shapes and More.

May 11, 2020 Tutorial
In this video, I discuss different methods of synthesizing sounds inside the grid, including subtractive synthesis, additive synthesis, frequency modulation, physical modeling, and granular synthesis. I provide detailed tutorials on how to create your own oscillator and change the waveform over time using modules like steps, phaser, and value. I also demonstrate how to create an additive synthesizer by adding multiple sine waves with different frequencies and how to use a filter to modify the sound. Additionally, I show how to use granular synthesis and a resonator to create interesting sounds. Overall, the goal is to encourage viewers to create sounds for their projects rather than focusing on designing instruments. If you have any questions or comments, please leave them below, and don't forget to subscribe, like, and support the channel if you enjoy the content.

Exploring Additive Synthesis: Creating Complex Sounds with Additive Wonder

Aug 05, 2019 Tutorial
In this video, I want to give a big thank you to all my Patreon donators for supporting my music and community work. It's the first time in my career that I'm getting regular income just for music, and it feels great. Now, let's talk about additive synthesis. I've created an experiment using an additive synthesizer in the grid, which consists of a sine wave generator and multiple partials in different frequencies. By layering these partials, we can create complex sounds. I explain how to adjust the frequencies and introduce modulations to make the sound more interesting. I also demonstrate how to narrow the partials down to the fundamental frequency for different effects. The preset I created is called additive wonder, and you can download it from my GitHub repository. If you have any ideas or solutions on creating partials with less CPU usage, please let me know. Thank you for watching, and I hope you have fun experimenting with this preset. Bye!

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posts bitwig-guides Bitwig Audio-FX articles Guidelines Brain Neurosience Webtool Chords Tempo music-videos Knowledge PDF polarity-music Frequency Modulation Phase Modulation Synthesizers Video Editing Gravity Modulator Grid Rhythms Oscillators Modulation Ambient Sampling Presets Glitch-Hop Wave Table Synthesizer Bass FX Section Lab Update Update Preset Community Tutorial Synthesis Drum-and-Bass Modulator Synth Midi Step-Sequencer Granular Sound-Design Music-Production Let-It-Go Decision-Making Creativity Generative Plugins FX Automation Modulators Note-Grid Melodies Resonator Kick Drum Pads Percussion Modular Workflow Opinions Synthwave Track from Scratch Outrun Challenge Delay-plus Reverb Delay Additive-Synthesis Music Mixing Auto gain staging Hornet LU meter Normalizer Synths Sketch VSTs Filter Noise Resonance Loudness MPE Controllers Groove Synthesizer Tips-Tricks MPE Expression Modulator ROLI Note-FX Poly-Synth Polyphonic Racism Music Industry Social Issues Equality Inspiration Evolving-Sounds Live streaming Discord bot Interaction Convolution Physical-Modeling Sampler Grain Distortion fm-synthesis EQ-plus Drums Compressor Feedback EQ Sonible Analysis Glitch Comp Filter Ultra Reservoir Polyphonic Mode Peak Limiter EQ-5 VCV-Rack Polysynth Comb Filter Modal Synthesis Wave-Shaping Saturation Follower Threshold Max Value FX Grid Mid-Side Split EQ-2 Hardware Infiltrator Devious-Machines Randomization Atlas Pitchmap Zynaptiq Bespoke DAW Harmony-Theory Unfilter Transposer Melodic-Techno Transient-Shaper Minimal Audio XLN-Audio XO Sononym Cosmos Valhalla FM8 Native Instruments Psych Limitation Bleass Clap Extension free Eurorack Grid-From-Scratch dpMeter tbProAudio Diva Monark Arrangement Pure-Verb Pure-Comp Pure-Limit Launchpad Risers Micro-Arrangement Global-Modulators Workflow-Tips Vector Synthesis Waveforms Gridnik Phaser Bleass Voices Bitwig Studio Plugin Pitch Shifter Vocoder MIDI Input Polymer Wavetable wisdom Psychology Learning Problem-Solving Research Recording Wave Table Plug-ins Gear Polygrid Interface