Posts tagged with Synths

Here you can find a listing of all posts with the tag Synths on my page.

Exploring Mid-Range Bass Sounds in 3.3 - Unleash Your Creativity!

Nov 28, 2020 Tutorial
I created some presets for 3.3, which I think will be released in a few weeks. I included 9 mid-range sounds, some pads and some plugs, with 4 knobs for remote controls. I also included some modulations and ADSRs with different repeating and timing, so you can get different tonalities and movements out of it. I also included some bass lines for drum bass and dub7, so that you can have more fun playing around with them.

Creating an Experimental Reverb from Alpas Stages

Dec 05, 2020 Tutorial
I tried to create a reverb by using an allpass stage as the foundation. I used a stereo split and placed one allpass on the left channel and the other on the right. I used a long delay and a blend knob to fit the original signal back into the patch, and then I added a modulation amount to the delay to give the reverb a more metallic feel. I then added a low pass and high pass filter to remove any low end frequencies and experimented with adding multiple allpass devices to create a more complex reverb.

Unlock Unique Sounds with Sequenced Synths Presets for bitwicks Studio

Mar 27, 2021 Tutorial
In this video, I'm introducing my new preset package called Sequenced Synths, which consists of 10 presets for Bitwicks Studio. The main theme is that you can hold one note on the MIDI keyboard or paint it in the piano roll and a sequence will unfold over time. You can also change the sound by using the remote controls or the modulators on the preset. This package is available for my Patreon subscribers with the 5 bucks tier and above. After this introduction, there will be a preview of all the presets so viewers can decide if they want to subscribe or not. If viewers have any questions, they can ask me in the comments or join my discord. Thanks for watching and have fun playing around with the sounds.

Unlock the Power of Your Voice in Bitwig Studio

Apr 29, 2021 Tutorial
In this video, I showed how to use my voice as an instrument inside Bitvic Studio. I demonstrated how to create a vocal pad sound by using a Voice stack modulator and then showed how to use the Poly-Grid to control synths with my voice. I also showed how to use the Melda Auto Pitch Plug-in to create sounds on the fly and use a Zero Crossings module to get a clean pitch signal. Finally, I demonstrated how to create percussion sounds with my voice by using filters and transient shapers.

Creating Simple Euclidean Rhythms in the Grid

May 14, 2021 Tutorial
In this video, I demonstrate how to create a super simple patch for Euclidean rhythms in the grid. I show how it looks like in Hatefish, and then explain how to implement it in the grid. I explain the three most important parameters (steps, beats and shift) and demonstrate how they can be used to create interesting rhythms. I also show how to use macros to control the parameters and how to use the Grid Node Out plug-in to generate notes. Finally, I provide a preset to make it easier to use the patch.

Generating Melodic Patterns with Bitwig Studio's Random Melody Preset

May 17, 2021 Tutorial
In this video, I showed how to create a random melody preset in Bitwig Studio. I demonstrated how to use the Polygrid to generate notes and how to use a NoteFX layer to combine different synths and effects. I also showed how to change the scale and the length of the melody, as well as how to record it into a note clip. Finally, I discussed how to use the Euclidean rhythms generator to create shuffling rhythms.

Exploring the Polynomial Modulator in Bitwig Studio

Jul 06, 2021 Tutorial
In this video, I showed how to use the polynomial modulator inside Bitwig Studio to create interesting distortion, wave shapes and overtones. I demonstrated how to use a DC offset device with the modulator, and how to modulate the X parameter with an audio rate modulator. I also showed how to use an LFO, as well as a stereo split to create unique sounds. Finally, I shared some tips and advice on creating presets, and how to save the new device for future use.

Integrating Hardware Synthesizers Into Polarity Studio: Exploring the Possibilities

Jul 27, 2021 Tutorial
In this video, I discussed my recent journey with hardware synthesizers and how I have been integrating them into my setup. I discussed the process of setting up my mixing desk, an ADA 8200 extension port, and an ID14 MK2 sound card in order to record multiple hardware synthesizers at once. I also discussed the shortcomings of hardware synthesizers and how I have to record every parameter movement in order to keep the same sound. Finally, I mentioned my plans for creating special content for my Patreon gold tier members and potentially creating a tier for German videos.

Using Bitwig Studio 4.1 Note FX Devices: Ripple, Ricochet, Quantize, Band, Note Repeats and More

Nov 05, 2021 Tutorial
In this video, I explored the new Bitwig Studio 4.1 Note-FX devices, including Ripple, Ricochet, Quantize, Randomize, Band, Note Repeat, and Sampler Release. I showed how to use them to create interesting rhythms, textures and soundscapes, as well as to constrain notes to a specific scale. I demonstrated how to use the devices to transform simple note clips into complex and expressive rhythms and melodies.

Creating Sample Packs with XO: Tips and Tricks for Quick & Easy Sampling

Jan 10, 2022 Tutorial
In this video, I showed viewers how to use the XO sampler to quickly and easily create sample packs, kick drums and drum loops. I demonstrated how to layer sounds, use FX2 and frequency shifters, adjust the loudness and reverb, and use the sample combiner to create different loops. I also shared tips on how to analyze kick drums and make sure the bottom part stays the same while the top part changes. Finally, I mentioned that you can use a hard clipper to check if the samples are aligned and gave advice on how to optimize the drums.

Explaining Why Subtractive Synthesizers Don't Have Sine Waves

Mar 07, 2023 Tutorial
In this video, I explain why there is no sine wave in a classical subtractive synthesizer. This is because sine wave has no overtones and therefore makes no sense in terms of subtractive synthesis. I explain how the filter section can be used to target and amplify the fundamental frequency as well as other partials in the harmonic series. I also provide an overview of other synthesis methods such as additive synthesis, Wavetable synthesis, FM synthesis, phase distortion, vector synthesis, granular synthesis, and physical modeling. In each of these methods, sine waves make more sense. Finally, I explain why a saw and pulse waveforms are used in polysynth - because they give different harmonic overtones.

More Tags to choose from:
posts Btwig-Guide Bitwig Audio-FX Article Guidelines Generative Music Sampling Note-FX Synthwave Drums Mixing Sound-Design Ambient Gridnik Plugins Drum-and-Bass Distortion Reverb Tutorial Analysis EDM Grid Automation Delay-plus Modulators Preset Sampler EQ-plus Filter Note-Grid fm-synthesis Percussion Synths Bass Midi Synthesis Compressor Delay Modulation Feedback EQ BitX Studio MPE Controllers Clitch Comp Filter Ultra Reservoir Polyphonic Mode Chords Polysynth VCV-Rack Resonator Groove Comb Filter Modal Synthesis Wave-Shaping Saturation Follower Threshold Max Value Comparison EQ-2 FX Grid Mid-Side Split Infiltrator Devious-Machines Peak Limiter EQ-5 Randomization Atlas Hardware Zynaptiq Unfilter Pitchmap Bespoke DAW Harmony-Theory Transposer Tips-Tricks Melodic-Techno Track from Scratch Glitch-Hop Transient-Shaper Minimal Audio XLN-Audio XO Sononym Cosmos Valhalla FM8 Native Instruments Bleass Psych Limitation Update Convolution Clap Community free Extension Eurorack Diva Monark dpMeter tbProAudio Arrangement